Abstract

Is Bacurau a film or is reality a film? The question is always the same, however, in this work, what we will investigate is how much the representation can influence the real actors, those people who identify with the characters in that place erased by the world that is represented in the film by Juliano Dornelles and Kleber Mendonça Filho. Real cities and imaginary cities created by cinema and literature are the focus of this communication, written by six different hands, addressing issues of a political, social, artistic and sound memory that involve any type of production that is made from the reality observed in this movie.