Abstract

The present communication proposal is the result of an empirical research developed during the recording of the documentary “Ouro de Minas: a look at Luso-African-Brazilian cultural hybridity”, which addresses the tourist path from Belo Horizonte to Tiradentes, as a mediation proposal between the colonial past and contemporary social constructions. Therefore, the present article will seek to construct its own theory, multidisciplinary, hybrid and, therefore, legitimate representative of Cultural Studies, to propose a concept of digital image that is credible in the face of the contemporary challenge of a fragmentary, liquid and, above all, cultural reality. guided by network flows.