All Items

213 Items
Dulce María Núñez Oseguera, Dulce María Núñez Oseguera

Listening to Otherness in Pedro Páramo (1967) by Carlos Velo. The self existence from the desires and memories of other.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a381
Kátia Marly Leite Mendonça

Literature and Cinema: A Day In The Life Of Ivan Denisovitch

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a566
Paula Barata Dias

Lupinus Homo – Classical Mythology reshaping intergenerational and gender conflict in The Power of the Dog by Jane Campion (2021)

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a382
Maria do Rosário da Silva Santana, Helena Maria da Silva Santana

Madame Butterfly by John Luther Long and its reworking on the homonymous opera by Giacomo Puccini and the film M. Butterfly by David Cronenberg: symbology, intentions and identities

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a609
Diego Alejandro Rodriguez Piña

Manga and Comics: Rivals or Reflections?

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a716
Elisenda Díaz Garcés

Manon de Boer looks at the arts: The performative body through repetition

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a230
Beatriz Arroyo Plasencia

Marta Negre, the digital present and its pandemic correlation: TWENTY REAL FICTION TIME

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a567
Alex Beigui

Medea: myth itinerances in different enunciative contexts

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a477
Isabel Maria Lemos de Pina

Media Arts Suspensions and Deviations - Paz dos Reis between Cinema and Photography

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a568
Rita Vilhena

Memories, a space that challenges History - biographical memories in the plays of Joana Craveiro and Teatro do Vestido

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a478
Filomena Antunes Sobral, Cláudia Figueiredo Simões

Metamorphoses - Video art and photography

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a113
Carlos Pantaleón Panaro

Metaphors and archetypal symbols of the domestic space. Its recreation in the film Rear Window

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a479
Alex Beigui, Thales Lopes

Methodologies of audio description in the reception of films for people with disability visual: case study

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a231
Francisco Silveira

Motorized Passenger’s Cinematography: Sudden Experiences in Literature

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a480
Cibele Saque

Na perspetiva do movimento cinematográfico: ‘Desenhando uma linha de paisagem’.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.14
Mayara Fior Oliveira

Narrativa e discurso através da “Montagem” fotográfica.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.15
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

O Crime do Padre Amaro: the drama that is discovered in the narratives of Eça de Queiroz (1875), Carlos Coelho da Silva (2005) and Paula Rego (1997-1999)

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a232
José Pedro Regatão

O Fascínio do Cinema na Arte Pública: entre a Ficção e a Realidade.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.16
Cristianne de Sá , Paulo Bernardino Bastos

O meu corpo em perceção: uma relação com a câmara e com o ato de ser fotografada.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.17
Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos

Obscure Radiation: Sound energy flows at the threshold of the sound experience

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a120
Karen Acioly, Cristina Rego Monteiro da Luz

Opera pills for children - mini documentaries to raise awareness among parents and teachers

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a481
Paloma Cristina Lima dos Santos, Jorge Luiz Cunha Cardoso Filho

Original Leitmotiv for the short film Vivi Lobo e o Quarto Mágico (2019): A composing exercise

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a112
Saleh Ghorbanian

Painting in Time: The Role of Painting in Andrei Tarkovsky’s Solaris

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a383
Manuel Rodríguez Vargas

Painting under the sign of BIOPIC

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a110
Sónia Carvalho, Paulo Bernardino Bastos

Performative body and psyche. Approaches to transdisciplinary research methods: transpersonal psychology and ritual-performance.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a384