All Items

191 Items
Francisco Silveira

Motorized Passenger’s Cinematography: Sudden Experiences in Literature

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a480
Cibele Saque

Na perspetiva do movimento cinematográfico: ‘Desenhando uma linha de paisagem’.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.14
Mayara Fior Oliveira

Narrativa e discurso através da “Montagem” fotográfica.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.15
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

O Crime do Padre Amaro: the drama that is discovered in the narratives of Eça de Queiroz (1875), Carlos Coelho da Silva (2005) and Paula Rego (1997-1999)

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a232
José Pedro Regatão

O Fascínio do Cinema na Arte Pública: entre a Ficção e a Realidade.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.16
Cristianne de Sá , Paulo Bernardino Bastos

O meu corpo em perceção: uma relação com a câmara e com o ato de ser fotografada.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.17
Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos

Obscure Radiation: Sound energy flows at the threshold of the sound experience

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a120
Karen Acioly, Cristina Rego Monteiro da Luz

Opera pills for children - mini documentaries to raise awareness among parents and teachers

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a481
Paloma Cristina Lima dos Santos, Jorge Luiz Cunha Cardoso Filho

Original Leitmotiv for the short film Vivi Lobo e o Quarto Mágico (2019): A composing exercise

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a112
Saleh Ghorbanian

Painting in Time: The Role of Painting in Andrei Tarkovsky’s Solaris

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a383
Manuel Rodríguez Vargas

Painting under the sign of BIOPIC

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a110
Sónia Carvalho, Paulo Bernardino Bastos

Performative body and psyche. Approaches to transdisciplinary research methods: transpersonal psychology and ritual-performance.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a384
Eugen Dediu

Performative Cinema and Its Techniques

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a482
Sandra Regina Nunes Chaves

Photographed stories

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a107
Fernanda Nardy Bellicieri, Andrea Modugno, Massimo Pini, Claudio Garofalo, Hania Cecília Pilan

PJ Allsteam and the transcultural creative process

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a233
Gilmar Santana, Walmir Pavam, Miriam de Oliveira Gonçalves

Portraits of cinematic affections in a changing city.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a613
Juan Carlos Robles Florido

Prelude: The sleeping song of the Gran Teatro Cervantes de Tangier

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a234
Pedro Bessa, Mariana Assunção Quintes dos Santos

Presence and death: the ephemeral nature of the ‘arts of the body’

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a119
José Alejandro López Pérez

Projections of the Absent: A Critique to the Artistic Ways of Displaying the Forced Disappearance (An Analysis of Geometry of the Conscience by Alfredo Jaar)

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a385
Luciana Molina

Proletarian Romance in the 21st Century: Comparative Study of Fallen Leaves and The Day I Met You.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a614
Angelita Bogado, Lina Cirino

Recôncavo da Bahia: boiling point cinema

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a235
Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos

Relations between the post-digital and the industrial complex of capitalism: reformulations on technology as ideology and digital garbage in art

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a236
Maria João Cortesão, Sophia Pitanga

Representations of black people in Brazil in the film BLUESMAN: Identity development through cinematic ‘grammar’

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a114
Mariana Ramos e Silva, Vítor Quelhas

Revivalismo dos Cartazes de Cinema de 1946–1951.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.18
Luís Santo Vaz

Screenwriting and Postdramatic Theatre - Contradictions and Opportunities

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a237