All Items

213 Items
Isabel Cristina Fontão, Mônica Stein

Female Characters and Transmedia Universes – A method to create the Case “Medusas” for The Rotfather Franchise.

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a101
Marta Contreras-Pérez

Female Portrait of Exile and Identity construction: A Case Study of Marjane Satrapi’s Persepolis

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a222
Jesus Ramé López, Caterina Cucinotta

Filmic cities in Lisbon Story and Caro diario: intimate constructions of public spaces.

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a111
Marina Leonardo

Filming Freedom: Ethics and the Representation of the Adolescent Body in Silence of Spring

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a711
Faten AMRANI

Filming School in Morocco: Cinematic Representations and Educational Imaginaries

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a712
Cláudia Marisa

For whom the steps we take?

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a475
Alexandra Tomás

From Light to Motion. Impressionism and the Cinematic Paradox of the Present

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a713
Xinran Liu

From Memory to Affective Archives: Documentary as a Prosthesis.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a622
Paulo Bernardino Bastos, Maria Manuela Lopes

From Sculpture to the Screen: António Soares dos Reis between Documentary, Television Drama and Cultural Memory

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a714
Yassine Akrou, El Arbi El Bakkali

From the non-place to anthropological place: space and otherness in The Forgiven

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a715
Laura Brandão do Brasil, Eduarda Pereira de Paula, Mariana Cordeiro de Souza, Lucia Maria Pereira Bravo

From the verses to the stages and from the stages to the screens: The Intertextuality process in the film “O Auto da Compadecida” (2000)

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a379
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

Ian (2018): a short film where citizenship and ethical and moral responsibility are explained to younger people using the strong impact of images and sound

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a223
Hugo Canossa, Rosimária Rocha

Image and memory – a reflection about creative process in short-term memory

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a224
Daniel Augusto de Matos Assunção

Images of the domestic work in the Brazilian cinema: an inventory fictional feature-length films from 1958 to 2019

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a225
Scheilla Franca de Souza, Jorge Cardoso Filho

In Travessias with Sued Nunes and Safira Moreira: audiovisual metaphors, singing and talking aesthetic-political redistribution

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a476
Raquel Felgueiras

Inside the black cube: the moving image in the exhibition room

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a564
Silvane Maltaca, Sandra Fischer

Inspire, create and sharing: convergences of the creation process in the Work of Agnès Varda

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a226
Cibele Saque, Moisés Saque, Romeu Saque

Intertwining Nature and Narrative: A Potential Contribution of Animated Cinema to Ecological Perspectives

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a561
Veronika Kleve, Paulo Bernardino Bastos

I´m Not Here: dialogues with Agnés Varda

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a380
Sérgio Eliseu, Maria Manuela Lopes, Gilberto Reis, Marta Noronha

Kurika - an interactive mixed reality and Virtual Reality art installation

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a109
Jesús Ramé López

La estética modal como herramienta de análisis cinematográfico.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.12
André Francisco

Landscape as narrative element in Lisandro Alonso’s Liverpool

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a227
Fábio Jabur de Noronha

Latin America and Portugal: new interactions between cuisine, performance, and video in the INTOXICAÇÃO series

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a611
Antoine Boilleau

Lens revealing power in Antonioni’s Blow-Up

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a228
Olga María Rodríguez Bolufé, Yalicel Gabeira Londres

Let the stones speak. Havana’s urban ruins in the eyes of Cuban visual artists and filmmakers

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a229