All Items

191 Items
Hugo Canossa, Rosimária Rocha

Image and memory – a reflection about creative process in short-term memory

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a224
Daniel Augusto de Matos Assunção

Images of the domestic work in the Brazilian cinema: an inventory fictional feature-length films from 1958 to 2019

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a225
Scheilla Franca de Souza, Jorge Cardoso Filho

In Travessias with Sued Nunes and Safira Moreira: audiovisual metaphors, singing and talking aesthetic-political redistribution

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a476
Raquel Felgueiras

Inside the black cube: the moving image in the exhibition room

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a564
Silvane Maltaca, Sandra Fischer

Inspire, create and sharing: convergences of the creation process in the Work of Agnès Varda

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a226
Cibele Saque, Moisés Saque, Romeu Saque

Intertwining Nature and Narrative: A Potential Contribution of Animated Cinema to Ecological Perspectives

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a561
Veronika Kleve, Paulo Bernardino Bastos

I´m Not Here: dialogues with Agnés Varda

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a380
Sérgio Eliseu, Maria Manuela Lopes, Gilberto Reis, Marta Noronha

Kurika - an interactive mixed reality and Virtual Reality art installation

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a109
Jesús Ramé López

La estética modal como herramienta de análisis cinematográfico.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.12
André Francisco

Landscape as narrative element in Lisandro Alonso’s Liverpool

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a227
Fábio Jabur de Noronha

Latin America and Portugal: new interactions between cuisine, performance, and video in the INTOXICAÇÃO series

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a611
Antoine Boilleau

Lens revealing power in Antonioni’s Blow-Up

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a228
Olga María Rodríguez Bolufé, Yalicel Gabeira Londres

Let the stones speak. Havana’s urban ruins in the eyes of Cuban visual artists and filmmakers

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a229
Dulce María Núñez Oseguera, Dulce María Núñez Oseguera

Listening to Otherness in Pedro Páramo (1967) by Carlos Velo. The self existence from the desires and memories of other.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a381
Kátia Marly Leite Mendonça

Literature and Cinema: A Day In The Life Of Ivan Denisovitch

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a566
Paula Barata Dias

Lupinus Homo – Classical Mythology reshaping intergenerational and gender conflict in The Power of the Dog by Jane Campion (2021)

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a382
Maria do Rosário da Silva Santana, Helena Maria da Silva Santana

Madame Butterfly by John Luther Long and its reworking on the homonymous opera by Giacomo Puccini and the film M. Butterfly by David Cronenberg: symbology, intentions and identities

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a609
Elisenda Díaz Garcés

Manon de Boer looks at the arts: The performative body through repetition

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a230
Beatriz Arroyo Plasencia

Marta Negre, the digital present and its pandemic correlation: TWENTY REAL FICTION TIME

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a567
Alex Beigui

Medea: myth itinerances in different enunciative contexts

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a477
Isabel Maria Lemos de Pina

Media Arts Suspensions and Deviations - Paz dos Reis between Cinema and Photography

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a568
Rita Vilhena

Memories, a space that challenges History - biographical memories in the plays of Joana Craveiro and Teatro do Vestido

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a478
Filomena Antunes Sobral, Cláudia Figueiredo Simões

Metamorphoses - Video art and photography

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a113
Carlos Pantaleón Panaro

Metaphors and archetypal symbols of the domestic space. Its recreation in the film Rear Window

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a479
Alex Beigui, Thales Lopes

Methodologies of audio description in the reception of films for people with disability visual: case study

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a231