All Items

191 Items
Alexandra Canaveira de Campos

Show and/or tell: what is the role of historical dance in period cinema? And what memory of the history of dance are we left with?

October 30, 2019
https://doi.org/10.37390/ac.v0i0.19
Edward Slopek

Shutter/Shudder to Think: Cinema after Cage

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a386
Carla Patrícia Oliveira de Souza

Similarities between the film The Illusionist (2006) and the installation A Body of Water (1999) based on phantasmagoria

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a570
Miguel Peña Méndez

Six Degrees of Separation: The great fable of the Art World

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a623
Nélia Lúcia Fonseca

Sobre Educação, Arte e Vídeoarte: rupturas, resiliência e práticas de ensino/aprendizagem na sala de aula.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.20
Ricardo Tsutomu Matsuzawa, Eduardo Vicente

Songs in Arabia: Listening to Your Heart

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a387
Mar Garrido Román

Soundscapes, Perception, and Narrative in Lucrecia Martel’s Films.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a616
Pedro Alves da Veiga

Speciesism | Ageism | Racism

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a122
India Mara Martins

Strategies for conservation of materials from the Material Collection for Art Direction of the UFF Film and Video Department

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a628
Nuno Sousa, Sérgio Eliseu

Stylized Artistic animation for virtual reality – Boundaries between the virtual and the physical

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a238
Rodrigo Coelho Pierre Lira

Surviving Images: an analysis of Edipo Re (1967), by Pier Paolo Pasolini

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a388
Cíntia Mariza do Amaral Moreira , Ana Carolina de Gouvêa Dantas Motta, Mário Elian, Thaís Yamamoto, Antônio Frederico Moreira Lasalvia

Technique of making adobe in a craft workshop using documentary video: an example in Portugal and another in Brazil

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a123
Hugo Paquete

Terminal velocity: Chronoscopic time of the orbital bodies in the sound and musical composition.

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a125
Ana Císcar Cebriá

The act of seeing with no eyes: a videographic project about visuality as an instrument of power

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a239
Marcos Jiménez González

The aesthetic fascination of the negative character. From expressionist monsters to Breaking Bad

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a240
Abbas MOHAMMADI

The aesthetics of light in Afghan Cinema

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a389
Fabiana de Barros Monteiro Soares, Thelma Panerai Alves

The Artist and the Art in ‘O Guarani’, by José de Alencar, an adaptation by Pedro Pernambuco

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a241
Alexandra Tomás, Paulo Bernardino Bastos

The aura of performance on the cinematic condition

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a242
Mário Vaz Almeida

The biopic “O DERRADEIRO GESTO”: the strange methods of a disruptive visual artist and his relationship with the “SENSORY TURN” in art.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a618
José Alejandro López Pérez

The documenting by opposites of forced disappearance and the Peruvian video installation Liminal (2019) by Maya Watanabe

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a562
Eliane Gordeeff

The Dual Path of Cinema Between Real and Fantastic Fiction

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a483
Pollyanna Rosa Ribeiro, Luciana Alves Rodrigues

The elements of the film narrative “The Book Thief” (2013)

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a243
Paulo Alexandre e Castro

The end of cinema as we know it.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.21
Isac Chateauneuf

The Erasure and Inscription of Existences in the Series El secreto del río: Tensions in Heteronormativity, Indigestible Imaginaries, and Educational Foundations

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a625
Carla Patrícia Oliveira de Souza

The Haunted Scenarios of Amorteamo (2015) from the perspective of the Semiotics of Culture

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a484