All Items

213 Items
Eugen Dediu

Performative Cinema and Its Techniques

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a482
Sandra Regina Nunes Chaves

Photographed stories

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a107
Fernanda Nardy Bellicieri, Andrea Modugno, Massimo Pini, Claudio Garofalo, Hania Cecília Pilan

PJ Allsteam and the transcultural creative process

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a233
Gilmar Santana, Walmir Pavam, Miriam de Oliveira Gonçalves

Portraits of cinematic affections in a changing city.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a613
Juan Carlos Robles Florido

Prelude: The sleeping song of the Gran Teatro Cervantes de Tangier

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a234
Pedro Bessa, Mariana Assunção Quintes dos Santos

Presence and death: the ephemeral nature of the ‘arts of the body’

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a119
José Alejandro López Pérez

Projections of the Absent: A Critique to the Artistic Ways of Displaying the Forced Disappearance (An Analysis of Geometry of the Conscience by Alfredo Jaar)

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a385
Luciana Molina

Proletarian Romance in the 21st Century: Comparative Study of Fallen Leaves and The Day I Met You.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a614
Angelita Bogado, Lina Cirino

Recôncavo da Bahia: boiling point cinema

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a235
Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos

Relations between the post-digital and the industrial complex of capitalism: reformulations on technology as ideology and digital garbage in art

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a236
Maria João Cortesão, Sophia Pitanga

Representations of black people in Brazil in the film BLUESMAN: Identity development through cinematic ‘grammar’

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a114
Mariana Ramos e Silva, Vítor Quelhas

Revivalismo dos Cartazes de Cinema de 1946–1951.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.18
Luís Santo Vaz

Screenwriting and Postdramatic Theatre - Contradictions and Opportunities

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a237
Alexandra Canaveira de Campos

Show and/or tell: what is the role of historical dance in period cinema? And what memory of the history of dance are we left with?

October 30, 2019
https://doi.org/10.37390/ac.v0i0.19
Edward Slopek

Shutter/Shudder to Think: Cinema after Cage

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a386
Carla Patrícia Oliveira de Souza

Similarities between the film The Illusionist (2006) and the installation A Body of Water (1999) based on phantasmagoria

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a570
Miguel Peña Méndez

Six Degrees of Separation: The great fable of the Art World

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a623
Nélia Lúcia Fonseca

Sobre Educação, Arte e Vídeoarte: rupturas, resiliência e práticas de ensino/aprendizagem na sala de aula.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.20
Ricardo Tsutomu Matsuzawa, Eduardo Vicente

Songs in Arabia: Listening to Your Heart

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a387
Mar Garrido Román

Soundscapes, Perception, and Narrative in Lucrecia Martel’s Films.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a616
Pedro Alves da Veiga

Speciesism | Ageism | Racism

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a122
Isac Chateauneuf

Stages of Audiovisual Language comprehension: pedagogical propositions in school

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a717
India Mara Martins

Strategies for conservation of materials from the Material Collection for Art Direction of the UFF Film and Video Department

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a628
Nuno Sousa, Sérgio Eliseu

Stylized Artistic animation for virtual reality – Boundaries between the virtual and the physical

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a238
Rodrigo Coelho Pierre Lira

Surviving Images: an analysis of Edipo Re (1967), by Pier Paolo Pasolini

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a388