No. 17 (2026): AVANCA | CINEMA 2026 | AVANCA | CINEMA

AVANCA | CINEMA 2026

AVANCA | CINEMA 2026

No. 17 (2026)

Online Journal with 74 communications (ISSN: 2184-4682) from various authors from different parts of the world, which reflect the International Conference AVANCA | CINEMA 2026 and gather scientific communications around the cinema.

Published September 3, 2026

https://doi.org/10.37390/avancacinema.2026

Editorial

Editorial | Table of Contents 2026

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Chapter I _ Cinema - Art

Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

Animated films promoting sovereignty, culture, and identity: the particular case of I am from Palestine (2023) by Rifk Ebeid and Iaman Zawahry

https://doi.org/10.37390/avancacinema.2026.a691

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Lardyanne Pimentel Guimarães

Between Algorithms and Cinema: Reflections on AI-Generated Art

https://doi.org/10.37390/avancacinema.2026.a705

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Florencia Varela Gadea

Cinema and Art: A Critique of Spectacularized Subjectivity

https://doi.org/10.37390/avancacinema.2026.a706

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Mar Garrido Román

Cinema as Illuminated Manuscript: Aesthetics, Symbol and Resistance in Parajanov’s The Colour of Pomegranates

https://doi.org/10.37390/avancacinema.2026.a707

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Paulo Portugal

Cinephilia in the digital age - state of the art

https://doi.org/10.37390/avancacinema.2026.a708

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Juan José Domínguez López

Continuity and Transformation in the Cinematic Sound Model: A Comparative Study of Roma and The Zone of Interest

https://doi.org/10.37390/avancacinema.2026.a709

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Latifa Chahbi, Omar Saadoune, Mohamed El Annaz

Creating to Be Free: Art as a Vector of Emancipation in Contemporary Moroccan Cinema. The Case of Zanka Contact (Ismaël El Iraki, 2020)

https://doi.org/10.37390/avancacinema.2026.a710

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Marina Leonardo

Filming Freedom: Ethics and the Representation of the Adolescent Body in Silence of Spring

https://doi.org/10.37390/avancacinema.2026.a711

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Faten AMRANI

Filming School in Morocco: Cinematic Representations and Educational Imaginaries

https://doi.org/10.37390/avancacinema.2026.a712

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Alexandra Tomás

From Light to Motion. Impressionism and the Cinematic Paradox of the Present

https://doi.org/10.37390/avancacinema.2026.a713

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Paulo Bernardino Bastos, Maria Manuela Lopes

From Sculpture to the Screen: António Soares dos Reis between Documentary, Television Drama and Cultural Memory

https://doi.org/10.37390/avancacinema.2026.a714

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Yassine Akrou, El Arbi El Bakkali

From the non-place to anthropological place: space and otherness in The Forgiven

https://doi.org/10.37390/avancacinema.2026.a715

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Diego Alejandro Rodriguez Piña

Manga and Comics: Rivals or Reflections?

https://doi.org/10.37390/avancacinema.2026.a716

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Isac Chateauneuf

Stages of Audiovisual Language comprehension: pedagogical propositions in school

https://doi.org/10.37390/avancacinema.2026.a717

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Joaquim José Furtado Marreiros de Azevedo

Sustainable Digital Artistic Practices in Visual Education: Critical Perspectives on Generative Art and Augmented Reality

https://doi.org/10.37390/avancacinema.2026.a718

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Flávio Pires

The Aesthetics of the Sublime and Romantic Heritage in Cinematography: From Black Metal to Contemporary Cinema

https://doi.org/10.37390/avancacinema.2026.a719

Alice Gonçalves de Castro Oliveira, Welerson Rezende de Morais

The cage of flowers: the aesthetic ensemble as the framework of melancholy in the film The Virgin Suicides

https://doi.org/10.37390/avancacinema.2026.a720

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Monalisa Almeida Cesetti Gomyde

The emergence of the “I” in Cheryl Dunye’s black lesbian cinema

https://doi.org/10.37390/avancacinema.2026.a721

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Gilmar Santana

The multiple layers of memory in the film “The Secret Agent”

https://doi.org/10.37390/avancacinema.2026.a722

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Mário Coelho, Pedro Alves da Veiga

The Ocean God algorithm: process visualization and aesthetic harmony through audiovisual language

https://doi.org/10.37390/avancacinema.2026.a723

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Aidouni Sarah

The representation of the city of Casablanca in Moroccan and international cinema: From city-as-decor to city-as-character

https://doi.org/10.37390/avancacinema.2026.a724

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Sonia Carlos-García

The Viewfinder as a Regulating Element of Cinematic Mise en Abyme in Films about Filmmaking

https://doi.org/10.37390/avancacinema.2026.a725

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Chapter II _ Cinema - Cinema

Cláudia Martins, Catarina Xavier

A corpus for non-professional audiodescription: a case study in Portuguese higher education

https://doi.org/10.37390/avancacinema.2026.a727

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Karine Chevalier

Accordion beyond sound : a transnational visual cinematic trope

https://doi.org/10.37390/avancacinema.2026.a728

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Sergio Jesús Villén-Higueras, Milagros Expósito-Barea

Animated Cinema and Generative Artificial Intelligence: An Analysis of Where the Robots Grow (Paton, 2024)

https://doi.org/10.37390/avancacinema.2026.a729

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Liliane Maria Macedo Machado, Marcus Vinicius Azevedo de Mesquita

Between Control and Rupture: Representations of Aging in the Dystopian World of The Blue Trail

https://doi.org/10.37390/avancacinema.2026.a730

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María José Bello Navarro, Iñaki Iribarren Lineros

“Film Society of the Universidad Austral de Chile: Genesis of a film culture in the south of the world”

https://doi.org/10.37390/avancacinema.2026.a731

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Ana Moraza Pérez, Álvaro Linares Barrones

From Femme Fatale to Posthuman Warrior: The Evolution of the Female Figure in Film and Video Game Animation

https://doi.org/10.37390/avancacinema.2026.a732

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Francisco Freitas, José Alberto Pinheiro

From Odysseus to Ulysses: Mutations and Ethical Perspectives of the Hero in Cinema

https://doi.org/10.37390/avancacinema.2026.a733

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María Nieves Corral Rey, Miguel Ángel Pérez Gómez

Memory, learning and affections: the construction of posthuman identity in Blade Runner (Ridley Scott, 1982) and Chappie (Neill Blomkamp, 2015).

https://doi.org/10.37390/avancacinema.2026.a734

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Morgana Gama de Lima, José Francisco Serafim, Regina Glória Nunes Andrade, Eloá Silva Araújo, Ana Clara Nascimento dos Santos

Migrating Archives: revisioning History by personal memories in migration documentaries

https://doi.org/10.37390/avancacinema.2026.a735

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Laura Fernández Rojo

New architectural uses for cinemas are transforming them into multifunctional cultural centers in Extremadura.

https://doi.org/10.37390/avancacinema.2026.a736

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Isabel Pina

Objects, Mise-en-Scène and the Cinematic Reading of a Photograph by Aurélio da Paz dos Reis

https://doi.org/10.37390/avancacinema.2026.a737

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José Duarte

On a Nation by the Water: Landscape, Time and Sound

https://doi.org/10.37390/avancacinema.2026.a738

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Carlos Canelas

Portuguese Cinema between 2020 and 2025: production, distribution and exhibition

https://doi.org/10.37390/avancacinema.2026.a739

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Jusciele Conceição Almeida de Oliveira

Post-colonial musicalities: a study on African musicals

https://doi.org/10.37390/avancacinema.2026.a740

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Eduardo Barroso, José Alberto Pinheiro

Strindberg e Bergman: o drama íntimo

https://doi.org/10.37390/avancacinema.2026.a741

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Jorge Moniz

Structural Unity in Cinema Through Music: A Case Study of Smoking/No Smoking

https://doi.org/10.37390/avancacinema.2026.a742

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Ricardo Silva de Araujo, Maurício Silva Gino

The Animator-Actor and the Digital Soul: Rethinking Acting in the Staging of Contemporary Animation Cinema

https://doi.org/10.37390/avancacinema.2026.a743

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Carla Patrícia Oliveira de Souza

The Appearances of the Missing Characters in the films: Gravity (2013) and Adrift (2018)

https://doi.org/10.37390/avancacinema.2026.a744

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Aidouni Samah

The Cinematheque in Morocco: economic reconfiguration, institutional pluralism and national heritage mission

https://doi.org/10.37390/avancacinema.2026.a745

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Talita Caselato

The creation of a world: the film-essay in Veronica (IFFR 2021)

https://doi.org/10.37390/avancacinema.2026.a746

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Gabriela Alves Carvalho, Mateus Costa de Oliveira

The encounter with the other: an approach between anthropology and documentary

https://doi.org/10.37390/avancacinema.2026.a747

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Robson Loureiro

The Falling Sky, by Gabriela Carneiro Cunha and Eryk Rocha: Ethnography of the Repressed and Ethical-Aesthetic Device Combating Anthropocene

https://doi.org/10.37390/avancacinema.2026.a748

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Francisco Silveira

The Human as UFO to the Animal: Darin Morgan’s Work on The X-Files

https://doi.org/10.37390/avancacinema.2026.a749

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Adrián Alfonso González Camargo

Violences and Broken Families: Mexican Cinema travelling to Cannes

https://doi.org/10.37390/avancacinema.2026.a750

Chapter III _ Cinema - Communication

Eliane Gordeeff, Marcelus Gaio, David Santos

Animated Characters from Comic Books: From Insinuation to Simulation

https://doi.org/10.37390/avancacinema.2026.a751

Pâmela Peregrino, Cinara Araújo, Marysol da Silva Costa, Maiara Scher Santana, Crislayne Bonfim Santos, Gabrielle da Conceição Giarola

Àwòrán: Visual Representation and the Creation of Characters in Black Animation Cinema

https://doi.org/10.37390/avancacinema.2026.a752

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Carlos Pantaleón Panaro

Between fiction and reality. A round trip

https://doi.org/10.37390/avancacinema.2026.a753

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David Santos da Silva, Scheilla Franca de Souza

Between the Said and the Unwritten: Caboclo Oral Traditions in an Audiovisual Media

https://doi.org/10.37390/avancacinema.2026.a754

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Danilo Aroeira de Pinho Tavares, Luiz Roberto Pinto Nazario

Chromatic Iconography of Zhang Yimou: An iconographic analysis of the meaning of colors in Hero

https://doi.org/10.37390/avancacinema.2026.a755

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Madjid CHACHOUR, Rafika BOUCHAAR

Constructing the Dream City: Visual Narratives in Algerian Real Estate Advertising

https://doi.org/10.37390/avancacinema.2026.a756

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Catarina Sampaio, Natália Ramos

Displacement, Memory and Agency in The Swimmers (2022)

https://doi.org/10.37390/avancacinema.2026.a757

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Michelle Cotrim, Anderson Horta, Rita Ribeiro

From global to local: a brief analysis of the cultural influence of the Korean wave in Brazil.

https://doi.org/10.37390/avancacinema.2026.a758

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Dan Souto, Noni Geiger

Graphic design and moving image in Brazil (1929-2017): a collection of 200 audiovisual graphic artifacts.

https://doi.org/10.37390/avancacinema.2026.a759

Svea Kröner

If Memory Serves Me Right. Cataloging photographic archives for a family feature film

https://doi.org/10.37390/avancacinema.2026.a760

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AMRANI Oussama

Listening to the Body: A Cinematic Echo of a Literary Cry

https://doi.org/10.37390/avancacinema.2026.a761

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Tatiana Sofia Lozano Brochero

Reasonable accommodation and inclusion methods as a mechanism for strengthening transmedia audiovisual projects

https://doi.org/10.37390/avancacinema.2026.a762

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Naouar kidari, El Bakkali El Arbi

Representations of the Body in Contemporary Moroccan Cinema: Desire, Silence and Social Norms in The Blue Caftan

https://doi.org/10.37390/avancacinema.2026.a763

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Janaina Frechiani Lara Leite, Rosane Vasconcelos Zanotti

The lived cinema: anthropology outside the text and digital performance in the popular appropriation of O Agente Secreto

https://doi.org/10.37390/avancacinema.2026.a764

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Mariana Tiemi Ichioka, Maurício Silva Gino

The Scriptwriting Process for the Educational Animated Series “Pés na Grama, Olhos no Céu”

https://doi.org/10.37390/avancacinema.2026.a765

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Radhika Khanna, Hervé Zénouda, Tathagata Mitra

The Two Levels of the Treatment of Time in Christopher Nolan’s Films: The Narrative and Its Cinematic Treatment

https://doi.org/10.37390/avancacinema.2026.a766

Chapter IV _ Cinema - Technology

Karina Rodrigues da Silva

Cinema in the smartphone age: motivations and transformations in the viewer experience

https://doi.org/10.37390/avancacinema.2026.a767

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Bachir Belhamri, Chafik Aaziz

Ontological Mutations and Rationalization of Creative Work in Cinema in the Era of Generative AI

https://doi.org/10.37390/avancacinema.2026.a768

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Hugo Paquete

Organizing the Sonic Remnant. The AI-Chimera and the Praxis of Meta-Listening

https://doi.org/10.37390/avancacinema.2026.a769

Pegah Izadian

Scanner Animation: An Introduction to an Underexplored Experimental Animation Technique

https://doi.org/10.37390/avancacinema.2026.a770

Manuel Siabato-Morales

Teaching audiovisual media in the age of generative AI: is Open Source a viable solution?

https://doi.org/10.37390/avancacinema.2026.a771

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Mariana Bicudo Castelo Branco Cunha

The Poetic Film in the Age of Mechanical Reproduction, or Maya Deren’s Ritualistic Cinema

https://doi.org/10.37390/avancacinema.2026.a772

Chapter V _ Guests

Daniela Santos, Lídia Oliveira

Audiovisual Representation of Digital Anxiety and its Effect on Adolescent Awareness

https://doi.org/10.37390/avancacinema.2026.a773

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José da Silva Ribeiro

From Magical Realism to the Pedagogy of Revolt: A Three-Dimensional Reading of Zero de Conduite in Teacher Training

https://doi.org/10.37390/avancacinema.2026.a774

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Denize Araujo, Luciano Marafon

Is it still cinema? The use of Artificial Intelligence in filmmaking and the future of the art

https://doi.org/10.37390/avancacinema.2026.a775

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Maria Cristina Cavalcanti, Mirian Estela Nogueira Tavares, Priscila Almeida Cunha Arantes

Montage as a strategy for re-signifying images and archives: the legacy of women filmmakers Esfir Shub and Maya Deren

https://doi.org/10.37390/avancacinema.2026.a776

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Carina Castro, Lídia Oliveira

The effect of the documentary on reducing the stigma presented by university students regarding mental illnesses

https://doi.org/10.37390/avancacinema.2026.a777

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José da Silva Ribeiro

The Reconfiguration of the Fieldwork: From Visual Anthropology to Multimodality

https://doi.org/10.37390/avancacinema.2026.a778

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João Victor Gomide, Tatiana Mazali

Toward a Calibrated Virtual Production Infrastructure for Spatial Media

https://doi.org/10.37390/avancacinema.2026.a779