No. 14 (2023): AVANCA | CINEMA 2023 | AVANCA | CINEMA

AVANCA | CINEMA 2023

AVANCA | CINEMA 2023

AVANCA | CINEMA 2023

No. 14 (2023)

Online Journal with 84 communications and printed book with 646 pages with a total of 86 communications (ISSN: 2184-0520) from various authors from different parts of the world, which reflect the International Conference AVANCA | CINEMA 2023 and gather scientific communications around the cinema.

Published October 30, 2023

https://doi.org/10.37390/avancacinema.2023

Editorial

Editorial | Table of Contents 2023

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Chapter I _ Cinema - Art

Rui Filipe Antunes, Carlos Nicolau Antunes

A Cinematic Perspective on the Walk Immemorial - Steps in Captivity

https://doi.org/10.37390/avancacinema.2023.a470

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Sílvia Pinto Coelho

Choreography and Cinema #1: after the choreographic work of Cathy Weis

https://doi.org/10.37390/avancacinema.2023.a471

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Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

Cine-concert community project: Heróis do Mar (1949; 2022) by Fernando Garcia, revisited by Portovedo, Martins and Sampaio

https://doi.org/10.37390/avancacinema.2023.a472

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Leonardo de Castro Soutelo, Débora Emanuelle Nascimento Lomba

Cinema and everyday life: Tours and aesthetic dialogues

https://doi.org/10.37390/avancacinema.2023.a473

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Allyson Glenn

Dimension in Sound: A Multimedia Collaboration Experiment

https://doi.org/10.37390/avancacinema.2023.a474

Cláudia Marisa

For whom the steps we take?

https://doi.org/10.37390/avancacinema.2023.a475

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Scheilla Franca de Souza, Jorge Cardoso Filho

In Travessias with Sued Nunes and Safira Moreira: audiovisual metaphors, singing and talking aesthetic-political redistribution

https://doi.org/10.37390/avancacinema.2023.a476

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Alex Beigui

Medea: myth itinerances in different enunciative contexts

https://doi.org/10.37390/avancacinema.2023.a477

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Rita Vilhena

Memories, a space that challenges History - biographical memories in the plays of Joana Craveiro and Teatro do Vestido

https://doi.org/10.37390/avancacinema.2023.a478

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Carlos Pantaleón Panaro

Metaphors and archetypal symbols of the domestic space. Its recreation in the film Rear Window

https://doi.org/10.37390/avancacinema.2023.a479

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Francisco Silveira

Motorized Passenger’s Cinematography: Sudden Experiences in Literature

https://doi.org/10.37390/avancacinema.2023.a480

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Karen Acioly, Cristina Rego Monteiro da Luz

Opera pills for children - mini documentaries to raise awareness among parents and teachers

https://doi.org/10.37390/avancacinema.2023.a481

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Eugen Dediu

Performative Cinema and Its Techniques

https://doi.org/10.37390/avancacinema.2023.a482

Eliane Gordeeff

The Dual Path of Cinema Between Real and Fantastic Fiction

https://doi.org/10.37390/avancacinema.2023.a483

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Carla Patrícia Oliveira de Souza

The Haunted Scenarios of Amorteamo (2015) from the perspective of the Semiotics of Culture

https://doi.org/10.37390/avancacinema.2023.a484

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Marcia Mansur

The montage of “Cine Rabeca”: music, memory and ethnography in an expanded cinema experience.

https://doi.org/10.37390/avancacinema.2023.a485

Tiago Luís Minau Ramos

The Reprentation of Words in Tabu: A Story of the South Seas

https://doi.org/10.37390/avancacinema.2023.a486

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Wilson Oliveira Filho, Diana Seelaender, Mariana Lucas de Almeida Fernandes

The statute of image production in cinema and art through artificial intelligence

https://doi.org/10.37390/avancacinema.2023.a487

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Fábio Jabur de Noronha

Video art without video art: the materiality of production conditions in Brazil in the 1990s

https://doi.org/10.37390/avancacinema.2023.a488

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Nicoleta Călina, Cristiana Călina

When cinema draws its inspiration from literature: Marcello Mastroianni and his literary characters’ embodiment

https://doi.org/10.37390/avancacinema.2023.a489

Camilo Cavalcante

Why do flowers die?- Brazilian and Ango-Saxon music in the triptych As Mil e Uma Noites (2015), directed by Miguel Gomes

https://doi.org/10.37390/avancacinema.2023.a490

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Sophia Bahia, Mônica Stein

Windows Animated Short Film - Conception, Visual Development, And Art Direction

https://doi.org/10.37390/avancacinema.2023.a491

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Chapter II _ Cinema - Cinema

Diana Marques, Ana Rita Martins

“A house as old as this”: Domestic Horror in Del Toro’s Crimson Peak

https://doi.org/10.37390/avancacinema.2023.a492

Abbas MOHAMMADI

Aesthetics of Color in Afghan cinema

https://doi.org/10.37390/avancacinema.2023.a493

Karine Chevalie

Camouflage, resistance and resilience in Iran: from Jafar Panahi to Panah Panahi

https://doi.org/10.37390/avancacinema.2023.a494

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Katia M. L. Mendonça

Czeslaw Milosz: Between Testimony and Prophecy

https://doi.org/10.37390/avancacinema.2023.a495

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Miguel García Victoria

Double Canon on Casablanca: Reencounters and Farewells. From Unfinished Business to Begin the Beguine of José Luis Garci

https://doi.org/10.37390/avancacinema.2023.a496

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José Quinta Ferreira

From the beginning of Cinema in Portugal to the construction of a production model in the silent period of the film industry in Northern Portugal

https://doi.org/10.37390/avancacinema.2023.a497

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Amin Mokhtari, Farzad Khoshnoodan

In-depth analysis of challenges facing the movie industry in the pandemic era and its competition with VOD platforms

https://doi.org/10.37390/avancacinema.2023.a498

Walmir Pavam, Miriam de Oliveira Gonçalves

Living in the margins: contemporary cinematographic visions

https://doi.org/10.37390/avancacinema.2023.a499

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Elahe Saberi

Modern narrative structure in animated short films: a tool to increase suspense

https://doi.org/10.37390/avancacinema.2023.a500

Teresa Nunes

Poetics of Reproduction: the domestic space in Mother!, by Darren Aronofsky

https://doi.org/10.37390/avancacinema.2023.a501

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Edmundo Cordeiro

Portuguese cinema and mental health: Clinic and aesthetics — a research proposal

https://doi.org/10.37390/avancacinema.2023.a502

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Inês Xará, Filipe Lopes

Sound, Body and Emotion in Cinema

https://doi.org/10.37390/avancacinema.2023.a503

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Alejandra del Barrio Cabello

The Spanish true crime documentary on digital platforms (2016-2021): evolution and characteristic features

https://doi.org/10.37390/avancacinema.2023.a504

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Elahe Saberi

The Impact of Non-linear Narrative Structures on Better Character Development in Animated-short Movies

https://doi.org/10.37390/avancacinema.2023.a505

João Pedro Fernandes, Filipe Lopes

The influence of statistics in structuring the participatory and expository mode

https://doi.org/10.37390/avancacinema.2023.a506

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Fernando Moreno Suárez

The mexican cinema at the end of the pandemic: Industry, new consumption, new habits, budget cuts and cultural policies

https://doi.org/10.37390/avancacinema.2023.a507

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Maroua Médini

The revival of Tunisian post revolution independent cinema: “Dachra” by the filmmaker Abdelhamid Bouchnak

https://doi.org/10.37390/avancacinema.2023.a508

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Caio Chaves Faria

The Sheik (1921), George’s Melford: A oriental fantasy and raciality

https://doi.org/10.37390/avancacinema.2023.a509

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Mariana Schwartz, Alfredo Taunay

The visible textures in the film The Invisible Life of Eurídice Gusmão: an analysis of the production design

https://doi.org/10.37390/avancacinema.2023.a510

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José Francisco Serafim, Regina Gloria Andrade, Maria Natália Ramos, Maria Conceição Ramos

Voices and Narratives of Migration in the Documentary Casa en Tierra Ajena

https://doi.org/10.37390/avancacinema.2023.a511

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Gordana Smudja

Western Myth

https://doi.org/10.37390/avancacinema.2023.a512

André Francisco

“Your choices are only as good as your options are”: the small-town noir in Little Woods (2018)

https://doi.org/10.37390/avancacinema.2023.a513

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Chapter III _ Cinema - Communication

Maria Teresa Mattos de Moraes, Mariana Cordeiro de Souza, Bruna Sampaio Negrão Guimarães

Audiovisual festivals as training spaces within the Public Universities of Brazil - a case study of the ComuniCurtas Film Festival

https://doi.org/10.37390/avancacinema.2023.a514

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Sílvia R. B. Pinto

Cinema as a resource for the deconstruction of pedagogical practices

https://doi.org/10.37390/avancacinema.2023.a515

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Sebastian Chisaba Rojas, Tatiana Sofia Lozano Brochero

Cinema at school: Approach to a model for the strengthening of audiovisual education and literacy

https://doi.org/10.37390/avancacinema.2023.a516

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Éverton de Moraes Kozenieski

Cinema, Theory of Representations and the Production of Space

https://doi.org/10.37390/avancacinema.2023.a517

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Chiara Gunella

Collaborative Filmmaking as a Tool for Decolonising Cinema. The Faire-Part Case Study

https://doi.org/10.37390/avancacinema.2023.a518

Pedro Gandolla, Ana Paula Dantas Passos

ENCINE: a civil society public policy proof of concept for the audiovisual development

https://doi.org/10.37390/avancacinema.2023.a519

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Teresa Maia e Carmo

Film literacy with multimedia students in higher education: a case study

https://doi.org/10.37390/avancacinema.2023.a520

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Ricardo Braga Silva, José Alberto Rodrigues, Ivan Roberto Gouveia

From conception to implementation: How the ‘Cinema Without Conflict Showcase’ inspired change in Azorean schools

https://doi.org/10.37390/avancacinema.2023.a521

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Márcio Ribeiro

From Literature to Graphic Novel and to Film Language: Transmediality in American Gods, by Neil Gaiman

https://doi.org/10.37390/avancacinema.2023.a522

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Pilar Orero, Sarah McDonagh

Green Film Production for All

https://doi.org/10.37390/avancacinema.2023.a523

Gregorio Galvão de Albuquerque

“Is it you?”: creation for oneself and for others

https://doi.org/10.37390/avancacinema.2023.a524

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Monica Rodrigues Klemz

Official Video of The Qatar World Cup: A Cartographic Montage

https://doi.org/10.37390/avancacinema.2023.a525

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Hugo Paquete

OOO Sound Art and Technology as Speculative Realism

https://doi.org/10.37390/avancacinema.2023.a526

José Alejandro López Pérez

Outraged waters: indigenous resistance to mining and its documentary visibility

https://doi.org/10.37390/avancacinema.2023.a527

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Vahid Rajabi, Afsaneh Nazeri, Samira Khodabakhshi

Perspectives of Intertextuality in Cinema, with Special References to the Work of Kristeva, Barthes, and Jenny: A Comparative Study

https://doi.org/10.37390/avancacinema.2023.a528

Carol-Anne BAUDE

The Connectedness of architecture and cinema : Analyze and develop the reciprocity relationships.

https://doi.org/10.37390/avancacinema.2023.a529

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Chan Ka Lok Sobel

The Dynamic Aesthetics, Locality and Dehybrid Style of Hong Kong Cinema facing the Recovery of Post-Pandemic Period.

https://doi.org/10.37390/avancacinema.2023.a530

Moqadassa SARWARI, Abbas MOHAMMADI

The effect of cinema on human social behavior

https://doi.org/10.37390/avancacinema.2023.a531

Isac dos Santos Pereira, Maria Ignes Carlos Magno

The Monsters That Frighten Me, The Haunts That Feed Me: The Unusual And The Experience Of Marathon For Children And Youth

https://doi.org/10.37390/avancacinema.2023.a532

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Noni Geiger, Marcos Martins

The Moving Image in a Design School

https://doi.org/10.37390/avancacinema.2023.a533

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Mara João Cortesão

The scenic space as a metaphor for the life cycle: analysis of the film Carrossel

https://doi.org/10.37390/avancacinema.2023.a534

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Ivaldo Moreira, Paulo Bernardino Bastos

The sound language as a narrative quality in the audiovisual product

https://doi.org/10.37390/avancacinema.2023.a535

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Francisco Malta, Thiago Barboza

TRUE CRIME: Once Upon a Crime

https://doi.org/10.37390/avancacinema.2023.a536

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Chapter IV _ Cinema - Technology

Elia Ramírez Barroso

Accesibility and audio description for children: proposing an audio description script for the short film Puppy

https://doi.org/10.37390/avancacinema.2023.a537

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Alexandre Carvalho

Cinematographic Virtual Reality: methods of capturing attention in a 360° environment

https://doi.org/10.37390/avancacinema.2023.a538

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Mário Mesquita

Flaneur: the film of the architecture of public space

https://doi.org/10.37390/avancacinema.2023.a539

Francisco-Julián Martínez-Cano

Metaverse film. The rising of immersive audiovisual through disrupting traditional moving image and its conventions

https://doi.org/10.37390/avancacinema.2023.a540

Manuel Flurin Hendry, Norbert Kottmann, Valentin Karl Huber, Michael Schaerer, Christian Iseli

Simulate This! Virtual Production and Cinematic Education with cineDESK

https://doi.org/10.37390/avancacinema.2023.a541

Tony Costa

The digital image: The implication changes in education

https://doi.org/10.37390/avancacinema.2023.a542

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Pedro Henrique Costa Reis, Mônica Stein

The use of 3D as a tool to assist in the creation of a 2D animated short film

https://doi.org/10.37390/avancacinema.2023.a543

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Cyril Lepot

Understanding the empirical process of animating to open up the field of stop motion analog simulation

https://doi.org/10.37390/avancacinema.2023.a544

Sofia Figueiredo, Catarina Carneiro de Sousa

Videogames as Interactive Cinema - New Perspectives

https://doi.org/10.37390/avancacinema.2023.a545

Chapter V _ Guests

Narce Dalia Ruiz Guzmán

Adult film industry leading the movie making into the AI

https://doi.org/10.37390/avancacinema.2023.a546

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Yen-Jung Chang, Hsin-Chien Huang, Yuting Hsueh

ASOMROF: A Transmedia Project of Sci-Fi Content Inspied by the Local Ethnic History for Technology Art Works

https://doi.org/10.37390/avancacinema.2023.a547

José da Silva Ribeiro, Manoela dos Anjos Afonso Rodrigues

Between autobiographical looking and practices: a collective experimentation in audiovisual

https://doi.org/10.37390/avancacinema.2023.a548

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Ana Luíza Leite Silva, Larissa Duarte Santana Farias, Marcelo Tannure, João Victor Boechat Gomide

Cleo and Leo: Rigging of Quadruped Characters for a 3d Animation Series

https://doi.org/10.37390/avancacinema.2023.a549

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Lardyanne Pimentel Guimarães, António Costa Valente

Interactive narratives: Webdocumentary a audiovisual genre

https://doi.org/10.37390/avancacinema.2023.a550

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Rosimária Sapucaia , Mirian Tavares

Live cinema and its potential as a resource for online classes

https://doi.org/10.37390/avancacinema.2023.a551

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Petra Dominkova

Melodrama noir: Beyond the Forest and Leave Her To Heaven

https://doi.org/10.37390/avancacinema.2023.a552

Anabela Dinis Branco de Oliveira

Van Gogh and Cinema: words, obsessions and textures

https://doi.org/10.37390/avancacinema.2023.a554

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