No. 12 (2021): AVANCA | CINEMA 2021 | AVANCA | CINEMA

AVANCA | CINEMA 2021

AVANCA | CINEMA 2021

AVANCA | CINEMA 2021

No. 12 (2021)

Online Journal with 149 communications and printed book with 1190 pages with a total of 150 communications (ISSN: 2184-0520) from various authors from different parts of the world, which reflect the International Conference AVANCA | CINEMA 2021 and gather scientific communications around the cinema.

Published October 30, 2021

https://doi.org/10.37390/avancacinema.2021

Editorial

Editorial | Table of Contents 2021

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Chapter I _ Cinema - Art

Pilar Pérez, Selma Pereira, Adérito Fernandes-Marcos

Academic performance as ritual of creation and activism in the post-digital era

https://doi.org/10.37390/avancacinema.2021.a209

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Manuel João de Carvalho Coutinho

Adapting Hunter S. Thompson’s Writing to Cinema: Despicable Characters and (apparent) Lack of Purpose

https://doi.org/10.37390/avancacinema.2021.a211

María Vanesa Román Jaime

Animation as a globalizing agent

https://doi.org/10.37390/avancacinema.2021.a208

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Sónia Carvalho, Paulo Bernardino Bastos

“Archetype(spelling) obscure of feminine”, 2020. Multimedia installation Performance with the collaboration of artist/performer Sol Casal (Br) and the participation of the Traditional Singer Sara Grenha, at the gallery Ana Lama, (25/10/2020), Lisbon

https://doi.org/10.37390/avancacinema.2021.a212

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Manuel Rodríguez Vargas

Art History and Tv Series

https://doi.org/10.37390/avancacinema.2021.a213

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Yudan Wang, Xiao Ling Shao

Aural and Visual Imagery in the Multimedia Music Performance

https://doi.org/10.37390/avancacinema.2021.a215

Pavel Prokopic

Chance Semiotics: The Value and Application of Contingency in Cinema Art Practice

https://doi.org/10.37390/avancacinema.2021.a216

Miguel Ángel Rivas Romero

Cinema and its relationship with merchandising at the beginning of the 21st century

https://doi.org/10.37390/avancacinema.2021.a217

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Cláudia Marisa

Dancing Lady: I will be a Star

https://doi.org/10.37390/avancacinema.2021.a218

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Cheong Kin Man, Yipei Lee

Decentralizing art making: Commentaries on curating online artist residency “Flaneur in the Insular Cities”

https://doi.org/10.37390/avancacinema.2021.a219

Rita Vilhena

Emancipation in the autobiographical creative process

https://doi.org/10.37390/avancacinema.2021.a220

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J. Oriol Lopez-Plana

EU Horizon 2020 programme: promoting user centric co-creative projects

https://doi.org/10.37390/avancacinema.2021.a221

Marta Contreras-Pérez

Female Portrait of Exile and Identity construction: A Case Study of Marjane Satrapi’s Persepolis

https://doi.org/10.37390/avancacinema.2021.a222

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Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

Ian (2018): a short film where citizenship and ethical and moral responsibility are explained to younger people using the strong impact of images and sound

https://doi.org/10.37390/avancacinema.2021.a223

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Hugo Canossa, Rosimária Rocha

Image and memory – a reflection about creative process in short-term memory

https://doi.org/10.37390/avancacinema.2021.a224

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Daniel Augusto de Matos Assunção

Images of the domestic work in the Brazilian cinema: an inventory fictional feature-length films from 1958 to 2019

https://doi.org/10.37390/avancacinema.2021.a225

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Silvane Maltaca, Sandra Fischer

Inspire, create and sharing: convergences of the creation process in the Work of Agnès Varda

https://doi.org/10.37390/avancacinema.2021.a226

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André Francisco

Landscape as narrative element in Lisandro Alonso’s Liverpool

https://doi.org/10.37390/avancacinema.2021.a227

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Antoine Boilleau

Lens revealing power in Antonioni’s Blow-Up

https://doi.org/10.37390/avancacinema.2021.a228

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Olga María Rodríguez Bolufé, Yalicel Gabeira Londres

Let the stones speak. Havana’s urban ruins in the eyes of Cuban visual artists and filmmakers

https://doi.org/10.37390/avancacinema.2021.a229

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Elisenda Díaz Garcés

Manon de Boer looks at the arts: The performative body through repetition

https://doi.org/10.37390/avancacinema.2021.a230

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Alex Beigui, Thales Lopes

Methodologies of audio description in the reception of films for people with disability visual: case study

https://doi.org/10.37390/avancacinema.2021.a231

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Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

O Crime do Padre Amaro: the drama that is discovered in the narratives of Eça de Queiroz (1875), Carlos Coelho da Silva (2005) and Paula Rego (1997-1999)

https://doi.org/10.37390/avancacinema.2021.a232

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Fernanda Nardy Bellicieri, Andrea Modugno, Massimo Pini, Claudio Garofalo, Hania Cecília Pilan

PJ Allsteam and the transcultural creative process

https://doi.org/10.37390/avancacinema.2021.a233

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Juan Carlos Robles Florido

Prelude: The sleeping song of the Gran Teatro Cervantes de Tangier

https://doi.org/10.37390/avancacinema.2021.a234

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Angelita Bogado, Lina Cirino

Recôncavo da Bahia: boiling point cinema

https://doi.org/10.37390/avancacinema.2021.a235

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Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos

Relations between the post-digital and the industrial complex of capitalism: reformulations on technology as ideology and digital garbage in art

https://doi.org/10.37390/avancacinema.2021.a236

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Luís Santo Vaz

Screenwriting and Postdramatic Theatre - Contradictions and Opportunities

https://doi.org/10.37390/avancacinema.2021.a237

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Nuno Sousa, Sérgio Eliseu

Stylized Artistic animation for virtual reality – Boundaries between the virtual and the physical

https://doi.org/10.37390/avancacinema.2021.a238

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Ana Císcar Cebriá

The act of seeing with no eyes: a videographic project about visuality as an instrument of power

https://doi.org/10.37390/avancacinema.2021.a239

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Marcos Jiménez González

The aesthetic fascination of the negative character. From expressionist monsters to Breaking Bad

https://doi.org/10.37390/avancacinema.2021.a240

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Fabiana de Barros Monteiro Soares, Thelma Panerai Alves

The Artist and the Art in ‘O Guarani’, by José de Alencar, an adaptation by Pedro Pernambuco

https://doi.org/10.37390/avancacinema.2021.a241

Alexandra Tomás, Paulo Bernardino Bastos

The aura of performance on the cinematic condition

https://doi.org/10.37390/avancacinema.2021.a242

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Pollyanna Rosa Ribeiro, Luciana Alves Rodrigues

The elements of the film narrative “The Book Thief” (2013)

https://doi.org/10.37390/avancacinema.2021.a243

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Chan Ka Lok Sobel

The limitless Possibility of Combination: Filmic Lego Poetics of Storytelling and Structure in Global Film Scriptwriting and Duration

https://doi.org/10.37390/avancacinema.2021.a244

Matías López Iglesias

The main character of Ibero-American cinema in the hypermodern model

https://doi.org/10.37390/avancacinema.2021.a245

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Patricia Perez de Moraes Nepomuceno, Mauricio Silva Gino

The Masquerade Folia: a reflection about culture and image in the visual metaphors present in the animation The Boy and the World

https://doi.org/10.37390/avancacinema.2021.a246

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Orlando José Dantas Lopes, Paulo Fernando de Almeida Souza

The meeting: a dialogue between art and design for managing and creating an audiovisual project throughout the COVID-19 pandemic

https://doi.org/10.37390/avancacinema.2021.a247

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Tatiane De Oliveira Elias

The Power of Black Video Art and Film in Contemporary Art

https://doi.org/10.37390/avancacinema.2021.a248

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Yi Chen

The Refrains of Memory: Bi Gan’s Long Day’s Journey into Night

https://doi.org/10.37390/avancacinema.2021.a249

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Patricia Perez de Moraes Nepomuceno, Mauricio Silva Gino

The relationship between image and sound in the sound environment of the animation The boy and the World

https://doi.org/10.37390/avancacinema.2021.a250

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Juan Manuel Ruiz Prieto

Time Travel, Audiovisual Narratives and TV Fiction: The Bootstrap Paradox in BBC’s Doctor Who

https://doi.org/10.37390/avancacinema.2021.a251

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Monica Rodrigues Klemz, Doris Kosminsky, Elianne Ivo Barroso

Violated cartographies. Aesthetic and political representations in the construction of the Shattered World Museum

https://doi.org/10.37390/avancacinema.2021.a252

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Edmilson Forte Miranda Júnior

What do you want to be when you grow up: Afrofuturism in the short film Bluesman

https://doi.org/10.37390/avancacinema.2021.a253

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Chapter II _ Cinema - Cinema

Ersan Ocak

A Critical Inquiry on Data Visualization Based Interactive Documentary: “The Fallen of World War II” as an example

https://doi.org/10.37390/avancacinema.2021.a254

Hossein Mashali, Leila Montazeri

A Study of Sound Aesthetics in Screenplays of Asghar Farhadi Based on Michel Chion’s Theories

https://doi.org/10.37390/avancacinema.2021.a255

Cheong Kin Man

Advocating world cinema’s multipolorization

https://doi.org/10.37390/avancacinema.2021.a256

Abbas mohammadi

Aesthetics of camera movement in Afghan cinema

https://doi.org/10.37390/avancacinema.2021.a257

Abbas mohammadi

Aesthetics of Symbolism and Semiotics in Afghan Cinema

https://doi.org/10.37390/avancacinema.2021.a258

Mattia Ronconi, Jorge Brandão Pereira, Paula Tavares

Animation as a Documentary Strategy of Graffiti Writing. Representation and Reconstruction of Memories

https://doi.org/10.37390/avancacinema.2021.a259

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José Duarte

Archive and Landscape: On Cinema and Wonder

https://doi.org/10.37390/avancacinema.2021.a260

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Marcela Andrea Negro

Biopic: the incorporation of the author’s work as a narrative resource

https://doi.org/10.37390/avancacinema.2021.a261

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Bárbara Caffarel- Rodríguez

Broadway representation through the cinema: Stage door (1932) and Birdman (or the Unexpected Virtue of Ignorance) (2014)

https://doi.org/10.37390/avancacinema.2021.a262

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Martina Forconi Baraldi

Chet Baker, from the stage to the big screen. Comparative analysis of the documentary films Let’s Get Lost (1988) and Born to be Blue (2015)

https://doi.org/10.37390/avancacinema.2021.a263

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Rui Manuel Martins de Sousa Torres

Cinema as a Potency in Portugal Foreign Policy

https://doi.org/10.37390/avancacinema.2021.a264

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Fernanda Aguiar Carneiro Martins

City Symphonies: Utopia and Documentary Semiosis

https://doi.org/10.37390/avancacinema.2021.a265

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Rubén Marín Ramos

Confined Cinema. The spatial limitation in non-fiction cinema

https://doi.org/10.37390/avancacinema.2021.a266

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Isabel Orestes Silveira, Cleusa Kazue Sakamoto

Construction and deconstruction processes in the film ‘The Wall’ (1982) - Interpretative analysis in the Semiotic and Psychoanalytic perspectives

https://doi.org/10.37390/avancacinema.2021.a267

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Mariana Lemos Schwartz

Convergence points between the films Once and Sing Street and the British New Wave

https://doi.org/10.37390/avancacinema.2021.a268

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Manoela Veloso Passos, Maria Beatriz Colucci

Critical Analysis of cineclub experience with 7-10 years old students

https://doi.org/10.37390/avancacinema.2021.a269

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José Januário Guedes Pires

Dictator, the one who dictates – between the ideology of the single thought and the diversity of the failure. From Marcel Duchamp to Samuel Beckett, through Charlie Chaplin and Buster Keaton

https://doi.org/10.37390/avancacinema.2021.a270

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Francisco-Julián Martínez-Cano

Digital innovations in cinematographic practice at the early 21st century: the case of The Mandalorian

https://doi.org/10.37390/avancacinema.2021.a271

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M. Ángeles López Izquierdo

Experimental Animated Engraving: Technical Creation and Aesthetic Simulation

https://doi.org/10.37390/avancacinema.2021.a272

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Arthur Felipe de Oliveira Fiel, Patrícia Cardoso D’Abreu

Experimental animation and awareness on the new coronavirus. The potential of opaque audiovisual images for children

https://doi.org/10.37390/avancacinema.2021.a273

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Tiago Luís Minau Ramos

Expressing the Self: The Diary Films of Jonas Mekas

https://doi.org/10.37390/avancacinema.2021.a274

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Cristina Batista Lopes

Film censorship in Portugal. Films banned and cut by the Censorship Commission (1945-1952)

https://doi.org/10.37390/avancacinema.2021.a275

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Quentin Mur

Folds, Cracks, splits of the Subject. Otto e mezzo or the discovery of an authenticity of cinema

https://doi.org/10.37390/avancacinema.2021.a276

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Regina Glória Andrade , José Francisco Serafim, Sandra Straccialano Coelho

Fragments of female authorship in Brazilian cinema: considerations about Carla Civelli’s cinema (1921 - 1977)

https://doi.org/10.37390/avancacinema.2021.a277

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Jailan Mahmoud Sharaf

Health Knowledge, Awareness & Social Stigma as Reflected in Egyptian Drama - HIV/AIDS as Paradigm

https://doi.org/10.37390/avancacinema.2021.a278

Ramsés Albertoni Barbosa

History, literature and cinema: a neoclassical poet caught in the whirlwind of a historiographic metafiction

https://doi.org/10.37390/avancacinema.2021.a279

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Nikbanoo Ardalan

Homebound Documentaries: A Reflection upon the Significance of Self-reflexive Cinema in the Digital Age

https://doi.org/10.37390/avancacinema.2021.a280

Paulo Filipe Monteiro

How hybrid a biopic is

https://doi.org/10.37390/avancacinema.2021.a281

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Marcello Zeppi

Italian Identities – Stories and Memories of the Community

https://doi.org/10.37390/avancacinema.2021.a282

Alexandre Wahrhaftig

“Lavra-dor”, poem-flim: the relationship between cinema and poetry through repetition

https://doi.org/10.37390/avancacinema.2021.a283

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Pilar Orero

Leading accessible cinema across Europe

https://doi.org/10.37390/avancacinema.2021.a284

Alexia Silva da Silveira Araujo, Monica Stein

LGBT representativeness in an animated short-film

https://doi.org/10.37390/avancacinema.2021.a285

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Dulce María Núñez Oseguera

Magueyes (1962) by Rubén Gámez. Mexican experimental cinema as a violent and inexhaustible resource of memory

https://doi.org/10.37390/avancacinema.2021.a286

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Gregorio Galvão de Albuquerque

Mountain range of Amoras II and the social imaginary overseas field in exercise of the invisible photography

https://doi.org/10.37390/avancacinema.2021.a287

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Sheida Sheikhha

Narcissism and Universality: The Cinema of Xavier Dolan

https://doi.org/10.37390/avancacinema.2021.a288

Daniel Brandi do Couto

Notes on construction of character in documentaries

https://doi.org/10.37390/avancacinema.2021.a289

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Paulina Stephani Hernández Ríos, Jean-Pierre Marcos

«Pain and Glory», Pedro Almodovar and how not to repeat ourselves

https://doi.org/10.37390/avancacinema.2021.a290

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Marcos De Bona de Carvalho

Philosophy and psychology in Charlie Kaufman’s Work

https://doi.org/10.37390/avancacinema.2021.a291

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Nare Leone Ter-Gabrielyan

Pictorial Elements of Composition: Mosaic of Perspectives Towards Frontality in Sergei Parajanov’s “The Colour of Pomegranates”

https://doi.org/10.37390/avancacinema.2021.a292

Cheong Kin Man

(Re)nostalgization: Macau’s cinema as a construct of identity

https://doi.org/10.37390/avancacinema.2021.a293

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Francisco Ricardo Silveira

Self-Objectification in Phoebe Bridgers’ Videography

https://doi.org/10.37390/avancacinema.2021.a294

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Francisco Malta, Wilson Oliveira, Renan Oliveira, Matheus Moita, Thiago Malvar, Stella Nemer

Silence and action: the reivention of language in post-pandemic Cinema

https://doi.org/10.37390/avancacinema.2021.a295

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Henrique Muga

Space in the Cinema of João César Monteiro

https://doi.org/10.37390/avancacinema.2021.a296

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Mauricio Mario Monteiro, Ricardo Tsutomu Matsuzawa

Star Trek: feminism and identity in the case of Nyota Uhura

https://doi.org/10.37390/avancacinema.2021.a297

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Oscar Canalís Hernández

Structure, Geometry And Method In Peter Greenaway’s The Draughtsman’s Contract. The 4 Dimensions In The Cinematic “Canvas”

https://doi.org/10.37390/avancacinema.2021.a298

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Tiago Silva, Marta Madureira, Filipe Lopes

Studies on the potentialities of sound design in animated movies - The impact and the influence of sound design in the creation of an animated short

https://doi.org/10.37390/avancacinema.2021.a299

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Ivana Denise Grehs

Symbols, religiosity and belonging. Dialogues between the history of Brazil and Africa in three documentaries

https://doi.org/10.37390/avancacinema.2021.a300

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Marise Berta de Souza, Bruna Lorrane de Castro Morais , Diana de Oliveira Souza Reis

The “Selfie” on Screen: Self representation practices in contemporary Brazilian documentary

https://doi.org/10.37390/avancacinema.2021.a301

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Juan Pablo López Rincón

The classic Theories of editing for the cinema and its impact on Video Games’s narrative

https://doi.org/10.37390/avancacinema.2021.a302

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Filipe Freitas Chaves , Luiz Roberto Pinto Nazario

The found footage of Werner Herzog’s Grizzly Man

https://doi.org/10.37390/avancacinema.2021.a303

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Luiz Nazario

The Gate of Heaven: Miracle or Fraud?

https://doi.org/10.37390/avancacinema.2021.a304

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Diana Martinez Muñoz, Melissa de Raaf

The Non-Existent Documentary Nor Fiction

https://doi.org/10.37390/avancacinema.2021.a305

Abbas mohammadi

The place of literature adaptation in Afghan cinema

https://doi.org/10.37390/avancacinema.2021.a306

Adriana Navarro Alvarez

The professionalization of animated short film in Spain. Current situation

https://doi.org/10.37390/avancacinema.2021.a307

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Paulo Alexandre e Castro

The underground man: Plato, Dostoevsky and Parasites

https://doi.org/10.37390/avancacinema.2021.a308

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Saša Miletić

The Whistleblower Film – Is it a Genre and Why Does it Matter?

https://doi.org/10.37390/avancacinema.2021.a309

Cátia Candido da Silva , Waleska Karinne Soares Coutinho Souto , Fabrícia Teixeira Borges

Toc Toc – a reflection on the role of alterity in your aesthetic finish

https://doi.org/10.37390/avancacinema.2021.a310

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Verônica Valério Santos

Transpersonal approaches at school: a new subjective framework in cinema pedagogy

https://doi.org/10.37390/avancacinema.2021.a311

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Ana Catarina Pereira

When art is political: Cinema, feminism and analysis

https://doi.org/10.37390/avancacinema.2021.a312

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Yuying Song

Why do I live here? - Documentary essay on Chinese immigration in Spain

https://doi.org/10.37390/avancacinema.2021.a313

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Maryam Khaleghipour, Azam Ravadrad

Why We Don’t Go to the Cinema: A Qualitative Study in Iran

https://doi.org/10.37390/avancacinema.2021.a314

Patrícia Cardoso D’Abreu , Flavia Leiroz

Women and the brazilian audiovisual narrative: reconfigurations from time frames

https://doi.org/10.37390/avancacinema.2021.a315

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Chapter III _ Cinema - Communication

Eliane Gordeeff

A Double Look at Animated and Filmed Images

https://doi.org/10.37390/avancacinema.2021.a316

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José Estevão Favaro

Analyzes and correlation of The Rewrite’s movie with active teaching methodologies

https://doi.org/10.37390/avancacinema.2021.a317

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Lara Lima Satler

Atila Iamarino video and The Social Dilemma Netflix documentary

https://doi.org/10.37390/avancacinema.2021.a318

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Teresa Gouveia, Ana Oliveira

Audiovisual storytelling: consumption practices of higher education students

https://doi.org/10.37390/avancacinema.2021.a319

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Flóra Simon da Silva

Between document and fiction: the construction of fictional fear in visual fragments

https://doi.org/10.37390/avancacinema.2021.a320

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Eduarda Cantaluppi, Glaucia Eneida Davino

Beyond the Grid: the digital side of the Drive to Survive series

https://doi.org/10.37390/avancacinema.2021.a321

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Ana Sedeño-Valdellós

Body on screen: Visuality of dance practices in media during the pandemic

https://doi.org/10.37390/avancacinema.2021.a322

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Gabrielle Cristiane Fulcherberguer

Cinema and Political Communication – The Anteroom of the Military Coup of 1964

https://doi.org/10.37390/avancacinema.2021.a323

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Sebastian Chisaba Rojas

Contribution of written publications to the dissemination and development of cinema: The Cahiers du Cinéma (1951-1959)

https://doi.org/10.37390/avancacinema.2021.a324

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Gabriela Santos Alves, Rosane Vasconcelos Zanotti, Thiago Scarpat Mozer

Dialogues between the advertising video clip and the gentrification of queer

https://doi.org/10.37390/avancacinema.2021.a325

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José Antonio Martinuzzo, Janaina Frechiani Lara Leite

Digitality, living through screens, the economy of attention and the look market

https://doi.org/10.37390/avancacinema.2021.a326

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José Luis Albelda Raga, Lorena Rodríguez Mattalía

Evolution of dystopian models in contemporary film narratives. An ecosocial perspective

https://doi.org/10.37390/avancacinema.2021.a327

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Matías López Iglesias

Game of Thrones, The non-canon of the Hays Code’s

https://doi.org/10.37390/avancacinema.2021.a328

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Sílvia R. B. Pinto , Bruna Banon

Gender issues desconstructed into animation fragments

https://doi.org/10.37390/avancacinema.2021.a329

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Zoe Latham, Linda Ward

How might we simulate a riverside experience through virtual collaboration?

https://doi.org/10.37390/avancacinema.2021.a330

Nuno Medeiros

Patterns of Media Incarnation and Text Circularity between Book and Film in the Publishing Industry: The case of the house Romano Torres

https://doi.org/10.37390/avancacinema.2021.a331

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Andres Mauricio Villalba Cruz

Pedagogical uses of the media, approach to a transmedia education

https://doi.org/10.37390/avancacinema.2021.a332

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María Gabriela Pabón Hernández

The audiovisual mobilizing object: YouTube, Colombia National Strike 2019

https://doi.org/10.37390/avancacinema.2021.a333

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Ricardo Ferreira de Almeida, Ana Branca Carvalho

The Bruno de Carvalho incident: elements for a critical analysis of news production

https://doi.org/10.37390/avancacinema.2021.a334

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Carlos Mauricio Gomez

The capitalist view and the neoliberal conflict of society through the Brazilian documentary ‘Ilha das Flores’

https://doi.org/10.37390/avancacinema.2021.a335

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María del Mar Ogea Pozo

The translation of Watchmen: a job for superheroes?

https://doi.org/10.37390/avancacinema.2021.a336

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Catarina Calvinho Gil

Tragic Story with Happy Ending: Creating a Feminist Experience in Animation

https://doi.org/10.37390/avancacinema.2021.a337

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Elis Crokidakis Castro , Luis Antonio Campos Monteiro

Women in TV series: a psychological approach to female characters

https://doi.org/10.37390/avancacinema.2021.a338

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Chapter IV _ Cinema - Technology

Luis Fernando Medina Cardona, Julián David Sandoval Ospina

Between language frames: seriality and variation in computer-coded film. A case study with a code-generated abstract film

https://doi.org/10.37390/avancacinema.2021.a339

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Marta Brescia-Zapata

Culture meets immersive environments: a new media landscape across Europe

https://doi.org/10.37390/avancacinema.2021.a340

Fábio Jabur de Noronha

Electronic montage: the non-formalistic video-cinema form of algorithm

https://doi.org/10.37390/avancacinema.2021.a341

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Ana Carolina Fiuza

Ex Machina and Her: narrative genres and gender narratives

https://doi.org/10.37390/avancacinema.2021.a342

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Marcello Ferreira, Bárbara Cleto, Luís Leite

From Performative Animation to Film Production

https://doi.org/10.37390/avancacinema.2021.a343

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Sofia Figueiredo

Interactive cinema - videogames: a possible approach?

https://doi.org/10.37390/avancacinema.2021.a344

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Luciano Marafon

Interactivity and post-media: the coexistence between technology and narratives

https://doi.org/10.37390/avancacinema.2021.a345

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Tugay Arat

New Media and Technological Transformation

https://doi.org/10.37390/avancacinema.2021.a346

Petra Dominkova

Phenomenology of a Projection Booth

https://doi.org/10.37390/avancacinema.2021.a347

Sivakumar Ramachandran

Sensory technology for measuring engaged viewership of broadcast television content

https://doi.org/10.37390/avancacinema.2021.a348

Vitor Amaro Lacerda, Maurício Silva Gino

The planetarium, beyond the stars: historical development of audiovisual projections for hemispheric screens.

https://doi.org/10.37390/avancacinema.2021.a360

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Estella Oncins , Anna Matamala

Training professionals to improve media accessibility

https://doi.org/10.37390/avancacinema.2021.a350

Maurício Silva Gino, Vitor Amaro Lacerda , Kayke Quadros Carvalho

Transposition of fulldome content to flat media motivated by sanitary measures resulting from te COVID-19 pandemic

https://doi.org/10.37390/avancacinema.2021.a351

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Chapter V _ Guests

Regis Frota Araújo

Biblically Cicle: The Cristianism of the Old and New Testaments, interpretation since the Eurocentric Cinema

https://doi.org/10.37390/avancacinema.2021.a353

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Narce Dalia Ruiz Guzmán

Collaborative Revolution

https://doi.org/10.37390/avancacinema.2021.a354

Patrícia Dourado, Mirian Tavares

Dimensions of the screenplay in real time: Antônio um dois três by Leonardo Mouramateus

https://doi.org/10.37390/avancacinema.2021.a355

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Javier Segundo Olarte Triana

From screenwriting to montage, evidence to understand the evolution of audiovisual narratives

https://doi.org/10.37390/avancacinema.2021.a356

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Regis Frota Araújo

The case of the North-American writers attracted by Hollywoodian Cinema

https://doi.org/10.37390/avancacinema.2021.a357

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Manuel Bernardo Cabral, António Costa Valente

The Searchers: Aristoteles Revisited

https://doi.org/10.37390/avancacinema.2021.a358

Marc Rigaudis, Max Musau

The Team Using Video Games To Help Fight Climate Change

https://doi.org/10.37390/avancacinema.2021.a359