All Items

217 Items
Pedro Portugal

The Oxymoron

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a159
Abbas mohammadi

The place of literature adaptation in Afghan cinema

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a306
Marden Machado

The Power of Suggestion

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a580
Adriana Navarro Alvarez

The professionalization of animated short film in Spain. Current situation

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a307
Daniela de Castro Pastore, Elis Crokidakis Castro, Ivana Denise Grehs

The representation of reality through cinematic art in the construction of Bacurau

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a130
Maroua Médini

The revival of Tunisian post revolution independent cinema: “Dachra” by the filmmaker Abdelhamid Bouchnak

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a508
Caio Chaves Faria

The Sheik (1921), George’s Melford: A oriental fantasy and raciality

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a509
Alejandra del Barrio Cabello

The Spanish true crime documentary on digital platforms (2016-2021): evolution and characteristic features

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a504
Inês Varandas Fernandes

The symphony of (not) belonging: music tales in two coming-of-age films

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a631
Paulo Alexandre e Castro

The underground man: Plato, Dostoevsky and Parasites

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a308
Angélica Coutinho

The value of audiovisual products – between cultural and economic revenue.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a630
Lardyanne Pimentel Guimarães

The Virtualization of Culture in the Age of Digital Convergence: Networks, Media and Participation in the Network Society

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a633
Mariana Schwartz, Alfredo Taunay

The visible textures in the film The Invisible Life of Eurídice Gusmão: an analysis of the production design

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a510
Saša Miletić

The Whistleblower Film – Is it a Genre and Why Does it Matter?

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a309
Severiano Casalderrey Conde

The “French Nouvelle Vague” in the shadow

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a153
Marise Berta de Souza, Bruna Lorrane de Castro Morais , Diana de Oliveira Souza Reis

The “Selfie” on Screen: Self representation practices in contemporary Brazilian documentary

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a301
Miguel García Victoria

Three portraits of the cangaço: documentary, avant-garde and parody

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a581
Cátia Candido da Silva , Waleska Karinne Soares Coutinho Souto , Fabrícia Teixeira Borges

Toc Toc – a reflection on the role of alterity in your aesthetic finish

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a310
Gönül Cengiz

Traces of War in Caucasian Cinema: Tangerines (2013) and Nabat (2014)

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a629
Diana de Oliveira Souza Reis, Mateus Costa de Oliveira

Transnationality, Counter-archive and Memory: historical (re)readings in Nelly & Nadine (2022) and Torre das Donzelas (2018)

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a639
Verônica Valério Santos

Transpersonal approaches at school: a new subjective framework in cinema pedagogy

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a311
Manuel Bernardo Cabral

Uma possível leitura do universo fordiano em “O Homem que Matou Liberty Valance”.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.55
Francisco Malta, Fernanda Ribeiro, Renan Oliveira, Stella Nemer, Wilson Oliveira

Visual Effects and Software: The New Generation Cinema

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a420
José Francisco Serafim, Regina Gloria Andrade, Maria Natália Ramos, Maria Conceição Ramos

Voices and Narratives of Migration in the Documentary Casa en Tierra Ajena

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a511
Luís Proença

Voices of Justice in Non-Fiction Films and in Christianity.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.56