All Items

241 Items
Juan Pablo López Rincón

The classic Theories of editing for the cinema and its impact on Video Games’s narrative

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a302
Julio Vallejo Herán

The confusion between person and character in Cravan vs Cravan (Lacuesta, 2002)

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a414
Cassia Cassitas

The construction of the feminine in the audiovisual The hours

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a415
Talita Caselato

The creation of a world: the film-essay in Veronica (IFFR 2021)

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a746
Carolina Fadigas, João Barata

The creative process of historical costume reconstruction in film and theatre - Interview with Miss Suzie

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a634
Edmundo Cordeiro

The elevator scene in ‘Horse Money’: the sound-image.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.54
Gabriela Alves Carvalho, Mateus Costa de Oliveira

The encounter with the other: an approach between anthropology and documentary

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a747
Ángela Sáenz-Herrero, Juan Pedro Rica-Peromingo

The evolution of the Spanish language through dubbing in Spain

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a155
Angélica Marques Coutinho

The experience of inclusion: the first selection process for feature film with quotas of gender and race of the Brazilian National Film Agenc

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a416
Robson Loureiro

The Falling Sky, by Gabriela Carneiro Cunha and Eryk Rocha: Ethnography of the Repressed and Ethical-Aesthetic Device Combating Anthropocene

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a748
Paulo Portugal

The FILMar project: the reconfiguration of cinephilia and the new authors

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a647
Filipe Freitas Chaves , Luiz Roberto Pinto Nazario

The found footage of Werner Herzog’s Grizzly Man

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a303
Luiz Nazario

The Gate of Heaven: Miracle or Fraud?

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a304
Francisco Silveira

The Human as UFO to the Animal: Darin Morgan’s Work on The X-Files

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a749
Ivana Denise Grehs

The image of the memory of slavery as a background in the documentary “A Última Abolição”.

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a128
Elahe Saberi

The Impact of Non-linear Narrative Structures on Better Character Development in Animated-short Movies

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a505
João Pedro Fernandes, Filipe Lopes

The influence of statistics in structuring the participatory and expository mode

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a506
Liliana Rosa

The limits of the representation of violence in Benny’s Video (1992) and Funny Games (1997), directed by Michael Haneke

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a418
Fabio Belotte

The materiality of memory in non-fictional animation

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a129
Fernando Moreno Suárez

The mexican cinema at the end of the pandemic: Industry, new consumption, new habits, budget cuts and cultural policies

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a507
Marcela Negro, Javier Olarte

The montage cinema and the narrative structure, strengths for the story progression.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a419
Diana Martinez Muñoz, Melissa de Raaf

The Non-Existent Documentary Nor Fiction

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a305
Pedro Portugal

The Oxymoron

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a159
Abbas mohammadi

The place of literature adaptation in Afghan cinema

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a306
Marden Machado

The Power of Suggestion

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a580