All Items

241 Items
Jusciele Conceição Almeida de Oliveira

Post-colonial musicalities: a study on African musicals

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a740
Rafael de Souza Barbosa

Questões metanarrativas no documentário de arquivo: o ato de extrair a natureza do material pelas imagens

October 30, 2019
https://doi.org/10.37390/ac.v0i0.49
Lina Cirino, Angelita Bogado

Recôncavo da Bahia and the endless images: collective body, affection and future

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a412
Karine Chevalier

Reframing violence in Corsica : cinema as mask and mirror

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a413
Maria do Céu Martins Monteiro Marques

Representações da Cultura Oriental e Ocidental em Amor e Dedinhos de Pé.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.50
Fernando Moreno Suárez

Roma y Netflix: ganando premios y rompiendo reglas.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.51
Alfredo Taunay Colins, Morgana Gama de Lima

Screen’s etnography and semiopragmatic: a dialogue between film’analysis methodologies.

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a146
Luiz Augusto Coimbra de Rezende Filho

Second person narrative in War Documentaries.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.52
Francisco Ricardo Silveira

Self-Objectification in Phoebe Bridgers’ Videography

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a294
Francisco Malta, Wilson Oliveira, Renan Oliveira, Matheus Moita, Thiago Malvar, Stella Nemer

Silence and action: the reivention of language in post-pandemic Cinema

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a295
Inês Xará, Filipe Lopes

Sound, Body and Emotion in Cinema

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a503
Henrique Muga

Space in the Cinema of João César Monteiro

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a296
Mauricio Mario Monteiro, Ricardo Tsutomu Matsuzawa

Star Trek: feminism and identity in the case of Nyota Uhura

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a297
Eduardo Barroso, José Alberto Pinheiro

Strindberg e Bergman: o drama íntimo

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a741
Jorge Moniz

Structural Unity in Cinema Through Music: A Case Study of Smoking/No Smoking

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a742
Oscar Canalís Hernández

Structure, Geometry And Method In Peter Greenaway’s The Draughtsman’s Contract. The 4 Dimensions In The Cinematic “Canvas”

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a298
Tiago Silva, Marta Madureira, Filipe Lopes

Studies on the potentialities of sound design in animated movies - The impact and the influence of sound design in the creation of an animated short

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a299
Amanda Mansur Custódio Nogueira

Suspensão narrativa e fluxo temporal. A experiência musical em Tatuagem (2013), de Hilton Lacerda.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.53
Ivana Denise Grehs

Symbols, religiosity and belonging. Dialogues between the history of Brazil and Africa in three documentaries

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a300
Ricardo Silva de Araujo, Maurício Silva Gino

The Animator-Actor and the Digital Soul: Rethinking Acting in the Staging of Contemporary Animation Cinema

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a743
Carla Patrícia Oliveira de Souza

The Appearances of the Missing Characters in the films: Gravity (2013) and Adrift (2018)

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a744
Rubén Marín Ramos

The archival configuration in contemporary nonfiction cinema

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a154
Sérgio Bordalo e Sá

The Blue Angel: from the end of the Expressionism to the influence of Paramount. A film by Josef von Sternberg

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a157
Edileuza Penha de Souza

The case of the wrong man – Cinema as an instrument to denounce the genocide of the black population

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a158
Aidouni Samah

The Cinematheque in Morocco: economic reconfiguration, institutional pluralism and national heritage mission

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a745