All Items

217 Items
Oscar Canalís Hernández

Structure, Geometry And Method In Peter Greenaway’s The Draughtsman’s Contract. The 4 Dimensions In The Cinematic “Canvas”

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a298
Tiago Silva, Marta Madureira, Filipe Lopes

Studies on the potentialities of sound design in animated movies - The impact and the influence of sound design in the creation of an animated short

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a299
Amanda Mansur Custódio Nogueira

Suspensão narrativa e fluxo temporal. A experiência musical em Tatuagem (2013), de Hilton Lacerda.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.53
Ivana Denise Grehs

Symbols, religiosity and belonging. Dialogues between the history of Brazil and Africa in three documentaries

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a300
Rubén Marín Ramos

The archival configuration in contemporary nonfiction cinema

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a154
Sérgio Bordalo e Sá

The Blue Angel: from the end of the Expressionism to the influence of Paramount. A film by Josef von Sternberg

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a157
Edileuza Penha de Souza

The case of the wrong man – Cinema as an instrument to denounce the genocide of the black population

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a158
Juan Pablo López Rincón

The classic Theories of editing for the cinema and its impact on Video Games’s narrative

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a302
Julio Vallejo Herán

The confusion between person and character in Cravan vs Cravan (Lacuesta, 2002)

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a414
Cassia Cassitas

The construction of the feminine in the audiovisual The hours

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a415
Carolina Fadigas, João Barata

The creative process of historical costume reconstruction in film and theatre - Interview with Miss Suzie

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a634
Edmundo Cordeiro

The elevator scene in ‘Horse Money’: the sound-image.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.54
Ángela Sáenz-Herrero, Juan Pedro Rica-Peromingo

The evolution of the Spanish language through dubbing in Spain

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a155
Angélica Marques Coutinho

The experience of inclusion: the first selection process for feature film with quotas of gender and race of the Brazilian National Film Agenc

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a416
Paulo Portugal

The FILMar project: the reconfiguration of cinephilia and the new authors

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a647
Filipe Freitas Chaves , Luiz Roberto Pinto Nazario

The found footage of Werner Herzog’s Grizzly Man

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a303
Luiz Nazario

The Gate of Heaven: Miracle or Fraud?

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a304
Ivana Denise Grehs

The image of the memory of slavery as a background in the documentary “A Última Abolição”.

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a128
Elahe Saberi

The Impact of Non-linear Narrative Structures on Better Character Development in Animated-short Movies

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a505
João Pedro Fernandes, Filipe Lopes

The influence of statistics in structuring the participatory and expository mode

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a506
Liliana Rosa

The limits of the representation of violence in Benny’s Video (1992) and Funny Games (1997), directed by Michael Haneke

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a418
Fabio Belotte

The materiality of memory in non-fictional animation

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a129
Fernando Moreno Suárez

The mexican cinema at the end of the pandemic: Industry, new consumption, new habits, budget cuts and cultural policies

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a507
Marcela Negro, Javier Olarte

The montage cinema and the narrative structure, strengths for the story progression.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a419
Diana Martinez Muñoz, Melissa de Raaf

The Non-Existent Documentary Nor Fiction

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a305