Cinema - Cinema

All Items

217 Items
Francisco-Julián Martínez-Cano

Volumetric filmmaking, new mediums and formats for digital audiovisual storytelling

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a168
Luciana de Almeida Pereira Jordão

Walter White/Heisenberg: construção da personagem em Breaking Bad.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.57
Gordana Smudja

Western Myth

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a512
Pedro Miguel Jorge Réquio

Westerns - Myth and propaganda

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a161
Ana Catarina Pereira

When art is political: Cinema, feminism and analysis

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a312
Yuying Song

Why do I live here? - Documentary essay on Chinese immigration in Spain

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a313
Alberto Pino Serradilla

Why do we believe? Cinema as the ultimate device for the historical distortion of Jesus of Nazareth.

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a688
Maryam Khaleghipour, Azam Ravadrad

Why We Don’t Go to the Cinema: A Qualitative Study in Iran

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a314
Patrícia Cardoso D’Abreu , Flavia Leiroz

Women and the brazilian audiovisual narrative: reconfigurations from time frames

October 31, 2024
https://doi.org/10.37390/avancacinema.2021.a315
Maria Natalia Ramos, Regina Gloria Andrade, Maria Conceição Pereira Ramos, José Francisco Serafim

Women’s migration through the documentary Women Who Migrate – Brazil 2023

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a576
Paulina Stephani Hernández Ríos, Jean-Pierre Marcos

«Pain and Glory», Pedro Almodovar and how not to repeat ourselves

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a290
Diana Marques, Ana Rita Martins

“A house as old as this”: Domestic Horror in Del Toro’s Crimson Peak

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a492
Matilde Dias

“Films are Slow Weapons”: The Resistance of Memory through Art in Aurora’s Sunrise (2022).

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a637
André Francisco

“It’s hard to say whether that idea is really hers”: technology as an identity disruptor in Possessor (2020)

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a409
Alexandre Wahrhaftig

“Lavra-dor”, poem-flim: the relationship between cinema and poetry through repetition

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a283
Ariani dos Santos Fontes

“The Lady from Shanghai”: Investigations about Film Noir

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a417
André Francisco

“Your choices are only as good as your options are”: the small-town noir in Little Woods (2018)

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a513