All Items

241 Items
Giulianna Nogueira Ronna, Cristiane Freitas Gutfreind

Images to come: political reinscription in contemporary Brazilian documentary.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a408
Ana Catarina Pereira, Ana Isabel Soares, Julia Marques

Imperfect Being(s): The creation process in the autobiographic documentary Teko Haxi

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a640
Sigmund Trageton

In the pursuit of the authentic cinema. A comparative study of two films about the 22. July 2011 terrorist attack in Norway

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a151
Amin Mokhtari, Farzad Khoshnoodan

In-depth analysis of challenges facing the movie industry in the pandemic era and its competition with VOD platforms

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a498
Laís Bravo Serra

Intersections between Cinema and Painting in Maria Antonieta by Sofia Coppola

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a152
Sheida Sheikhha, Bruno Grandino

Introducing Miss Havisham: A Comparative Analysis of Different Adaptations of Great Expectations.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a646
Marcello Zeppi

Italian Identities – Stories and Memories of the Community

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a282
Javier Venturi

La retórica rusófoba y anglófoba del régimen franquista en las películas Murió hace quince años, Rapsodia de sangre, y La mujer que vino del mar.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.37
Pilar Orero

Leading accessible cinema across Europe

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a284
Alexia Silva da Silveira Araujo, Monica Stein

LGBT representativeness in an animated short-film

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a285
Walmir Pavam, Miriam de Oliveira Gonçalves

Living in the margins: contemporary cinematographic visions

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a499
Ana Catarina Pereira

Looking in the mirror: an autobiographical exercise that takes new paths

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a578
Beatriz Alcici

Lost in Translation: Images of “deslugar/displace” in contemporary cinema

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a410
Dulce María Núñez Oseguera

Magueyes (1962) by Rubén Gámez. Mexican experimental cinema as a violent and inexhaustible resource of memory

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a286
María Nieves Corral Rey, Miguel Ángel Pérez Gómez

Memory, learning and affections: the construction of posthuman identity in Blade Runner (Ridley Scott, 1982) and Chappie (Neill Blomkamp, 2015).

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a734
Saša Miletić

Mendax v Verax Images of Snowden and Assange in Fiction and Documentary Films

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a575
Dulce María Núñez Oseguera

Mexican experimental cinema as a critical enunciation tool based on the artistic collaboration between Juan Rulfo and Rubén Gámez in The Secret Formula (1965)

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a141
Morgana Gama de Lima, José Francisco Serafim, Regina Glória Nunes Andrade, Eloá Silva Araújo, Ana Clara Nascimento dos Santos

Migrating Archives: revisioning History by personal memories in migration documentaries

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a735
José Francisco Serafim, Morgana Gama, Regina Glória Andrade, Feliphe Alencar, Amanda Dantas Moreira Cruz

Migration documentaries: reclaiming memories for lives in motion.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a635
Elahe Saberi

Modern narrative structure in animated short films: a tool to increase suspense

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a500
Gregorio Galvão de Albuquerque

Mountain range of Amoras II and the social imaginary overseas field in exercise of the invisible photography

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a287
Pollyanna Rosa Ribeiro, Keyla Andrea Santiago Oliveira

Naiá e a Lua (2010): indigenous legends under the spotlight of narrative

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a156
Sheida Sheikhha

Narcissism and Universality: The Cinema of Xavier Dolan

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a288
Francisco Malta, Fernando Rodrigues, Renan Oliveira, Thiago Malvar, Matheus Moita, Wilson Oliveira

Narrative transits that immersive 360 cinema allows viewers in, Toy Story 4

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a167
Laura Fernández Rojo

New architectural uses for cinemas are transforming them into multifunctional cultural centers in Extremadura.

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a736