All Items

217 Items
Marcello Zeppi

Italian Identities – Stories and Memories of the Community

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a282
Javier Venturi

La retórica rusófoba y anglófoba del régimen franquista en las películas Murió hace quince años, Rapsodia de sangre, y La mujer que vino del mar.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.37
Pilar Orero

Leading accessible cinema across Europe

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a284
Alexia Silva da Silveira Araujo, Monica Stein

LGBT representativeness in an animated short-film

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a285
Walmir Pavam, Miriam de Oliveira Gonçalves

Living in the margins: contemporary cinematographic visions

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a499
Ana Catarina Pereira

Looking in the mirror: an autobiographical exercise that takes new paths

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a578
Beatriz Alcici

Lost in Translation: Images of “deslugar/displace” in contemporary cinema

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a410
Dulce María Núñez Oseguera

Magueyes (1962) by Rubén Gámez. Mexican experimental cinema as a violent and inexhaustible resource of memory

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a286
Saša Miletić

Mendax v Verax Images of Snowden and Assange in Fiction and Documentary Films

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a575
Dulce María Núñez Oseguera

Mexican experimental cinema as a critical enunciation tool based on the artistic collaboration between Juan Rulfo and Rubén Gámez in The Secret Formula (1965)

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a141
José Francisco Serafim, Morgana Gama, Regina Glória Andrade, Feliphe Alencar, Amanda Dantas Moreira Cruz

Migration documentaries: reclaiming memories for lives in motion.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a635
Elahe Saberi

Modern narrative structure in animated short films: a tool to increase suspense

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a500
Gregorio Galvão de Albuquerque

Mountain range of Amoras II and the social imaginary overseas field in exercise of the invisible photography

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a287
Pollyanna Rosa Ribeiro, Keyla Andrea Santiago Oliveira

Naiá e a Lua (2010): indigenous legends under the spotlight of narrative

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a156
Sheida Sheikhha

Narcissism and Universality: The Cinema of Xavier Dolan

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a288
Francisco Malta, Fernando Rodrigues, Renan Oliveira, Thiago Malvar, Matheus Moita, Wilson Oliveira

Narrative transits that immersive 360 cinema allows viewers in, Toy Story 4

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a167
Elis Crokidakis Castro, Luís Antônio Monteiro Campos

No cinema de Woody Allen os sujeitos pós-modernos com suas neuroses nas cidades de Nova York, Barcelona e Paris.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.38
Daniel Brandi do Couto

Notes on construction of character in documentaries

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a289
José Duarte

O caminho da contemplação: para Além da Estrada, de Charly Braun

October 30, 2019
https://doi.org/10.37390/ac.v0i0.39
Veronica Miranda Damasceno

O cristal em decomposição em Morte em Veneza de Luchino Visconti.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.40
Mayara Fior Oliveira

O faux raccord e a montagem discursiva: O que é faux raccord?

October 30, 2019
https://doi.org/10.37390/ac.v0i0.41
Eliane Gordeeff, João Paulo Queiroz

O Imaginarium Diegético na Animação e no Cinema: a representação de momentos de sonho, memória, devaneio e psicadelia no Audiovisual.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.42
Sérgio Bordalo e Sá

O mar e os pescadores ou a ténue fronteira entre a realidade e a ficção no cinema de Leitão de Barros.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.43
Denise Costa Lopes

O transcinema de Lúcia Murat. Memórias dos anos 70 por meio da imersão e da coautoria com o espectador

October 30, 2019
https://doi.org/10.37390/ac.v0i0.44
Daniel Brandão, Pedro Mota Teixeira, António Ferreira, Paulo Korpys

O valor documental do quotidiano: uma leitura histórica.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.45