All Items

217 Items
Francisco Malta

Exploring Diversity on Screen: An Analysis of Films Addressing LGBTQIAPN+ Issues in Cinema.

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a573
Tiago Luís Minau Ramos

Expressing the Self: The Diary Films of Jonas Mekas

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a274
Fabiana Wielewicki, Guy Amado

Fiction and friction: images of the Amazon forest in foreign cinema

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a148
Jose Francisco Serafim, Regina Gloria Andrade , Natalia Ramos

Fictions of the Real in Documentary The Cambridge Squatter - Eliana Caffé (2016)

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a405
Cristina Batista Lopes

Film censorship in Portugal. Films banned and cut by the Censorship Commission (1945-1952)

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a275
Yorgos Drosos , Stella Klimatsaki

Flesh and Blood: Generic Monstrosities in Contemporary Greek Film

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a406
Quentin Mur

Folds, Cracks, splits of the Subject. Otto e mezzo or the discovery of an authenticity of cinema

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a276
Fausto Cruchinho

Fora de campo e Campo sonoro em Cinema

October 30, 2019
https://doi.org/10.37390/ac.v0i0.35
Roberta Veiga

Forms of Cinematic Insubordination to Motherhood Myths: method, research and inventory

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a407
Regina Glória Andrade , José Francisco Serafim, Sandra Straccialano Coelho

Fragments of female authorship in Brazilian cinema: considerations about Carla Civelli’s cinema (1921 - 1977)

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a277
Regina Glória Andrade, Jose Francisco Serafim, Sandra Straccialano Coelho

Fragments of female authorship in Brazilian cinema: considerations about Gilda de Abreu's cinema (1904 - 1979)

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a149
Ana Luísa Gonçalves

Frederick Wiseman’s look at school

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a579
Pedro Afonso, José Alberto Pinheiro

Fritz Lang: o Mundo pelo monóculo do Modernismo.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.36
José Quinta Ferreira

From the beginning of Cinema in Portugal to the construction of a production model in the silent period of the film industry in Northern Portugal

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a497
Eva Vitija, Annette Brütsch, Christian Iseli

GADGETS, PHONES AND DRONES Multi-Perspective Documentary Storytelling

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a150
Jailan Mahmoud Sharaf

Health Knowledge, Awareness & Social Stigma as Reflected in Egyptian Drama - HIV/AIDS as Paradigm

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a278
Ramsés Albertoni Barbosa

History, literature and cinema: a neoclassical poet caught in the whirlwind of a historiographic metafiction

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a279
Nikbanoo Ardalan

Homebound Documentaries: A Reflection upon the Significance of Self-reflexive Cinema in the Digital Age

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a280
Paulo Filipe Monteiro

How hybrid a biopic is

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a281
Giulianna Nogueira Ronna, Cristiane Freitas Gutfreind

Images to come: political reinscription in contemporary Brazilian documentary.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a408
Ana Catarina Pereira, Ana Isabel Soares, Julia Marques

Imperfect Being(s): The creation process in the autobiographic documentary Teko Haxi

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a640
Sigmund Trageton

In the pursuit of the authentic cinema. A comparative study of two films about the 22. July 2011 terrorist attack in Norway

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a151
Amin Mokhtari, Farzad Khoshnoodan

In-depth analysis of challenges facing the movie industry in the pandemic era and its competition with VOD platforms

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a498
Laís Bravo Serra

Intersections between Cinema and Painting in Maria Antonieta by Sofia Coppola

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a152
Sheida Sheikhha, Bruno Grandino

Introducing Miss Havisham: A Comparative Analysis of Different Adaptations of Great Expectations.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a646