All Items

241 Items
Elis Crokidakis Castro, Luís Antônio Monteiro Campos

No cinema de Woody Allen os sujeitos pós-modernos com suas neuroses nas cidades de Nova York, Barcelona e Paris.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.38
Daniel Brandi do Couto

Notes on construction of character in documentaries

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a289
José Duarte

O caminho da contemplação: para Além da Estrada, de Charly Braun

October 30, 2019
https://doi.org/10.37390/ac.v0i0.39
Veronica Miranda Damasceno

O cristal em decomposição em Morte em Veneza de Luchino Visconti.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.40
Mayara Fior Oliveira

O faux raccord e a montagem discursiva: O que é faux raccord?

October 30, 2019
https://doi.org/10.37390/ac.v0i0.41
Eliane Gordeeff, João Paulo Queiroz

O Imaginarium Diegético na Animação e no Cinema: a representação de momentos de sonho, memória, devaneio e psicadelia no Audiovisual.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.42
Sérgio Bordalo e Sá

O mar e os pescadores ou a ténue fronteira entre a realidade e a ficção no cinema de Leitão de Barros.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.43
Denise Costa Lopes

O transcinema de Lúcia Murat. Memórias dos anos 70 por meio da imersão e da coautoria com o espectador

October 30, 2019
https://doi.org/10.37390/ac.v0i0.44
Daniel Brandão, Pedro Mota Teixeira, António Ferreira, Paulo Korpys

O valor documental do quotidiano: uma leitura histórica.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.45
Isabel Pina

Objects, Mise-en-Scène and the Cinematic Reading of a Photograph by Aurélio da Paz dos Reis

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a737
José Duarte

On a Nation by the Water: Landscape, Time and Sound

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a738
Catarina Xavier

On taboo in cinema discourse: tradition, functions and reflections

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a160
António Costa

One film, three visions.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.46
Rafael Nogueira Costa, Robson Loureiro

Paulo Freire's aesthetics in the film “The King's Friend”, by André D`Elia: notes for thinking a critical cinema

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a145
Marín Ramos Rubén

Pautas y restricciones en el cine de no ficción contemporáneo.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.47
André Mendonça, Edileuza Penha de Souza

Percepções do clássico Alma no Olho e o cinema negro de Zózimo Bulbul

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a163
Pâmela Eurídice da Silva Beleza Baltazar, Selda Vale da Costa

Perspectives: an excursion through the cinema made by women in the Amazon

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a411
Marcos De Bona de Carvalho

Philosophy and psychology in Charlie Kaufman’s Work

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a291
Nare Leone Ter-Gabrielyan

Pictorial Elements of Composition: Mosaic of Perspectives Towards Frontality in Sergei Parajanov’s “The Colour of Pomegranates”

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a292
Deirdre O’Toole

Plot vs Emplotment - Testing the narrative concepts of aesthetics and authenticity in the documentary short Far Away Land.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.48
João Pinto, Teresa Cardoso, Ana Isabel Soares

PNC and Social Networks: challenges and opportunities on the social web

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a165
Teresa Nunes

Poetics of Reproduction: the domestic space in Mother!, by Darren Aronofsky

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a501
Carlos Canelas

Portuguese Cinema after the COVID-19 Pandemic

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a632
Edmundo Cordeiro

Portuguese cinema and mental health: Clinic and aesthetics — a research proposal

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a502
Carlos Canelas

Portuguese Cinema between 2020 and 2025: production, distribution and exhibition

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a739