Cinema - Cinema

All Items

217 Items
Catarina Xavier

On taboo in cinema discourse: tradition, functions and reflections

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a160
António Costa

One film, three visions.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.46
Rafael Nogueira Costa, Robson Loureiro

Paulo Freire's aesthetics in the film “The King's Friend”, by André D`Elia: notes for thinking a critical cinema

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a145
Marín Ramos Rubén

Pautas y restricciones en el cine de no ficción contemporáneo.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.47
André Mendonça, Edileuza Penha de Souza

Percepções do clássico Alma no Olho e o cinema negro de Zózimo Bulbul

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a163
Pâmela Eurídice da Silva Beleza Baltazar, Selda Vale da Costa

Perspectives: an excursion through the cinema made by women in the Amazon

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a411
Marcos De Bona de Carvalho

Philosophy and psychology in Charlie Kaufman’s Work

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a291
Nare Leone Ter-Gabrielyan

Pictorial Elements of Composition: Mosaic of Perspectives Towards Frontality in Sergei Parajanov’s “The Colour of Pomegranates”

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a292
Deirdre O’Toole

Plot vs Emplotment - Testing the narrative concepts of aesthetics and authenticity in the documentary short Far Away Land.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.48
João Pinto, Teresa Cardoso, Ana Isabel Soares

PNC and Social Networks: challenges and opportunities on the social web

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a165
Teresa Nunes

Poetics of Reproduction: the domestic space in Mother!, by Darren Aronofsky

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a501
Carlos Canelas

Portuguese Cinema after the COVID-19 Pandemic

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a632
Edmundo Cordeiro

Portuguese cinema and mental health: Clinic and aesthetics — a research proposal

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a502
Rafael de Souza Barbosa

Questões metanarrativas no documentário de arquivo: o ato de extrair a natureza do material pelas imagens

October 30, 2019
https://doi.org/10.37390/ac.v0i0.49
Lina Cirino, Angelita Bogado

Recôncavo da Bahia and the endless images: collective body, affection and future

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a412
Karine Chevalier

Reframing violence in Corsica : cinema as mask and mirror

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a413
Maria do Céu Martins Monteiro Marques

Representações da Cultura Oriental e Ocidental em Amor e Dedinhos de Pé.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.50
Fernando Moreno Suárez

Roma y Netflix: ganando premios y rompiendo reglas.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.51
Alfredo Taunay Colins, Morgana Gama de Lima

Screen’s etnography and semiopragmatic: a dialogue between film’analysis methodologies.

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a146
Luiz Augusto Coimbra de Rezende Filho

Second person narrative in War Documentaries.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.52
Francisco Ricardo Silveira

Self-Objectification in Phoebe Bridgers’ Videography

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a294
Francisco Malta, Wilson Oliveira, Renan Oliveira, Matheus Moita, Thiago Malvar, Stella Nemer

Silence and action: the reivention of language in post-pandemic Cinema

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a295
Inês Xará, Filipe Lopes

Sound, Body and Emotion in Cinema

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a503
Henrique Muga

Space in the Cinema of João César Monteiro

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a296
Mauricio Mario Monteiro, Ricardo Tsutomu Matsuzawa

Star Trek: feminism and identity in the case of Nyota Uhura

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a297