No. 15 (2024): AVANCA | CINEMA 2024 | AVANCA | CINEMA

AVANCA | CINEMA 2024

AVANCA | CINEMA 2024

AVANCA | CINEMA 2024

No. 15 (2024)

Online Journal with 50 communications (ISSN: 2184-4682) from various authors from different parts of the world, which reflect the International Conference AVANCA | CINEMA 2024 and gather scientific communications around the cinema.

Published January 22, 2025

https://doi.org/10.37390/avancacinema.2024

Editorial

Editorial | Table of Contents 2024

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Chapter I _ Cinema - Art

Margarida Bezerra Bastos

23.16 : Iterating Identity Through Art and Technology

https://doi.org/10.37390/avancacinema.2024.a555

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Carla Ribeiro

António Lopes Ribeiro and António Ferro: cinematographic cumplicity and the internationalisation projects of portuguese cinema

https://doi.org/10.37390/avancacinema.2024.a557

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Yundi Hou, Shao Xiao Ling

Audiovisual Imagery in Multimodal Perception and Performance of Qigang Chen’s Er Huang Concerto

https://doi.org/10.37390/avancacinema.2024.a558

Aleix Rodríguez Gracia

Coincidences and Consequences: A Note on the Endings in Chekhov and Rohmer

https://doi.org/10.37390/avancacinema.2024.a559

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Heloisa Cardoso da Rosa, Mônica Stein, Henrique Cardoso da Rosa, Stefani Ehmke Agra

Worldbuilding as a key element in the creation of transmedia narrative universes — an applicable approach to cinematography

https://doi.org/10.37390/avancacinema.2024.a560

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José Alejandro López Pérez

The documenting by opposites of forced disappearance and the Peruvian video installation Liminal (2019) by Maya Watanabe

https://doi.org/10.37390/avancacinema.2024.a562

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Wan-Chen Lee

Emotive Narrative: Thinking and Writing Experimental Animation through Things’ Perspective

https://doi.org/10.37390/avancacinema.2024.a563

Cibele Saque, Moisés Saque, Romeu Saque

Intertwining Nature and Narrative: A Potential Contribution of Animated Cinema to Ecological Perspectives

https://doi.org/10.37390/avancacinema.2024.a561

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Raquel Felgueiras

Inside the black cube: the moving image in the exhibition room

https://doi.org/10.37390/avancacinema.2024.a564

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Florencia Varela Gadea

The share confession and the generacional portraits in the new documental films aesthetics El olor de aquel lugar (2012), Bosco (2021) y Alcira y el campos de espigas (2023)

https://doi.org/10.37390/avancacinema.2024.a565

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Kátia Marly Leite Mendonça

Literature and Cinema: A Day In The Life Of Ivan Denisovitch

https://doi.org/10.37390/avancacinema.2024.a566

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Beatriz Arroyo Plasencia

Marta Negre, the digital present and its pandemic correlation: TWENTY REAL FICTION TIME

https://doi.org/10.37390/avancacinema.2024.a567

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Isabel Maria Lemos de Pina

Media Arts Suspensions and Deviations - Paz dos Reis between Cinema and Photography

https://doi.org/10.37390/avancacinema.2024.a568

Nuno Chuva Vasco

“Pierrot le Fou”, a perspective of [self]representation of the visual arts

https://doi.org/10.37390/avancacinema.2024.a569

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Carla Patrícia Oliveira de Souza

Similarities between the film The Illusionist (2006) and the installation A Body of Water (1999) based on phantasmagoria

https://doi.org/10.37390/avancacinema.2024.a570

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Isac dos Santos Pereira, Maria Ignes Carlos Magno

Crossings Of The Child Body: Naruto, Videos, And Performances In Art Classes

https://doi.org/10.37390/avancacinema.2024.a571

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Chapter II _ Cinema - Cinema

Renata Dariva Costa

Between the camera and the Wars: the circulation of cinemas in Angola (1968-1992): the cases of Sarah Maldoror, Ruy Duarte de Carvalho and the Angolan state apparatus

https://doi.org/10.37390/avancacinema.2024.a572

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Francisco Malta

Exploring Diversity on Screen: An Analysis of Films Addressing LGBTQIAPN+ Issues in Cinema.

https://doi.org/10.37390/avancacinema.2024.a573

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Karine Chevalier

Corsica: a cinematic home of rebellion?

https://doi.org/10.37390/avancacinema.2024.a574

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Saša Miletić

Mendax v Verax Images of Snowden and Assange in Fiction and Documentary Films

https://doi.org/10.37390/avancacinema.2024.a575

Maria Natalia Ramos, Regina Gloria Andrade, Maria Conceição Pereira Ramos, José Francisco Serafim

Women’s migration through the documentary Women Who Migrate – Brazil 2023

https://doi.org/10.37390/avancacinema.2024.a576

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Jorge Manuel Neves Carrega

Early italian cinema in Portugal: the case of the poster collection of the Museum of Faro

https://doi.org/10.37390/avancacinema.2024.a577

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Ana Catarina Pereira

Looking in the mirror: an autobiographical exercise that takes new paths

https://doi.org/10.37390/avancacinema.2024.a578

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Ana Luísa Gonçalves

Frederick Wiseman’s look at school

https://doi.org/10.37390/avancacinema.2024.a579

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Marden Machado

The Power of Suggestion

https://doi.org/10.37390/avancacinema.2024.a580

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Miguel García Victoria

Three portraits of the cangaço: documentary, avant-garde and parody

https://doi.org/10.37390/avancacinema.2024.a581

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Alberto Pino Serradilla

Why do we believe? Cinema as the ultimate device for the historical distortion of Jesus of Nazareth.

https://doi.org/10.37390/avancacinema.2024.a688

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Tiago Luís Minau Ramos

A Question of Belief: A Reading of Close Your Eyes (Victor Erice, 2023)

https://doi.org/10.37390/avancacinema.2024.a582

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Chapter III _ Cinema - Communication

Lopes, Mónica Mara, Sandes, Shimabukuro Fábio, Damásio, Manuel José

Creativity, Fashion, Art and Marketing: The Case of the Miu Miu Brand in the Construction of the Discourse of Contemporary Fashion Brands

https://doi.org/10.37390/avancacinema.2024.a583

Sílvia R. B. Pinto

From Modern Times to current pedagogical practices: limits and possibilities through visual culture

https://doi.org/10.37390/avancacinema.2024.a584

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Helga Caroline Peres

Essay and Narrative in “O Menino e o Mundo”, by Alê Abreu: notes for a pedagogy of cinema

https://doi.org/10.37390/avancacinema.2024.a585

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Diogo Simão

Case study of a trilogy of cinematic creative processes: “Aunque es de noche”

https://doi.org/10.37390/avancacinema.2024.a586

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Madjid CHACHOUR, Rafika BOUCHAAR, Said DEBLADJI

Visual Exploration of Tidjditt : Photography as the Gateway to Heritage

https://doi.org/10.37390/avancacinema.2024.a587

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Maria do Rosário da Silva Santana Silva Santana, Helena Maria da Silva Santana

Cinema and Environmental Education: HOPE (2020)

https://doi.org/10.37390/avancacinema.2024.a588

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Maria do Rosário da Silva Santana, Helena Maria da Silva Santana

The place of animated cinema at the eradication of some problems of the society and the world: The Box (2016) by Merve Cirisoglu Cotur

https://doi.org/10.37390/avancacinema.2024.a589

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Lucas Waltenberg, Marcela Soalheiro

Re-encounters between audience and narratives in the adaptation of “The Last of Us” video game

https://doi.org/10.37390/avancacinema.2024.a590

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Maria Marta Amancio Amorim, Maria Natália Ramos, Maria da Conceição Ramos

Social representations of food portrayed in Festa de Babette

https://doi.org/10.37390/avancacinema.2024.a591

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Anna Ter-Gabrielyan

Resisting the Canvas of Soviet Ideology: Analysing Dissent and Despair in Albert Mkrtchyan’s ‘The Song of the Old Days’ (1982)

https://doi.org/10.37390/avancacinema.2024.a592

Noni Geiger

The Eschatological Screen

https://doi.org/10.37390/avancacinema.2024.a593

Chapter IV _ Cinema - Technology

Davys Espíndola Moreno, Hélder J. M. Caixinha

Technology as an access facilitator to music learning for a child with cerebral palsy

https://doi.org/10.37390/avancacinema.2024.a594

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Francisco-Julián Martínez-Cano

Methodologies and Procedures for the Audiovisual Creation and Direction of Virtual Reality Short Films with Volumetric Capture. An Innovation Project for Higher Education

https://doi.org/10.37390/avancacinema.2024.a595

Carlos Federico Buonfiglio Dowling

Alagmatic Narratives: THE WRITING OF THE GOD

https://doi.org/10.37390/avancacinema.2024.a596

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Jason S. Kao, Ole Christoffer Haga, Meisam Taheri

Conceptualising Cinematic Augmented Reality

https://doi.org/10.37390/avancacinema.2024.a606

Chapter V _ Guests

Lara Pereira, Lídia Oliveira

The representation of anxiety in cinema over the last decade

https://doi.org/10.37390/avancacinema.2024.a597

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José da Silva Ribeiro , Lisabete Coradini

Autobiographies and Participatory Audiovisual Research – First Essay

https://doi.org/10.37390/avancacinema.2024.a598

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Lardyanne Pimentel Guimarães, António Costa Valente

PARTICIPATORY CULTURE: THE EMANCIPATED SPECTATOR

https://doi.org/10.37390/avancacinema.2024.a599

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Juliana Wexel, Bruno Mendes da Silva, Mirian Estela Nogueira Tavares

Artificial Intelligence in Audiovisual Narratives: Experience on the Cyberperformance Aretusa Vox e vulva art

https://doi.org/10.37390/avancacinema.2024.a600

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Denize Araujo, Luciano Marafon

Multiscreen Narratives and the “Expanded Spectator”

https://doi.org/10.37390/avancacinema.2024.a601

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José da Silva Ribeiro

The Script in Documentary Filmmaking and Cinema Work in Schools

https://doi.org/10.37390/avancacinema.2024.a602

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Denize Araujo, Fernando Sarmento

“Duoverse” protagonists & “indexical” spectators

https://doi.org/10.37390/avancacinema.2024.a603

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Maria Manuela Lopes, Paulo Bernardino Bastos

Synaesthetic Reverberations: Interaction between Memory, Performance, and Visual Arts in ‘Pictures at an Exhibition’

https://doi.org/10.37390/avancacinema.2024.a604

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Mónica Lopes, Sónia Ferreira

A Success Story: The Case of Jornal do Centro’s Audiovisual Production

https://doi.org/10.37390/avancacinema.2024.a605

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