All Items

119 Items
Paola Cristhina Stumpf Rodrigues , Rui Raposo

The potential of storytelling in horror short movies through the use of digital special effects

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a180
Laila Thaise Batista de Oliveira, Luciana Oliveira Vieira, Naira Évine Pereira Soares

The Quilombo-Space: Notes on Black Film Festivals and Exhibitions in Brazil’s Northeastern region

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a444
Cristiano Costa Pereira; Juliana de Castro Chaves

The rationality of the most popular cartoon in cinema, educational processes and pseudoformation

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a170
Cheong Kin Man

The role of subaltern cultural medias among the indigenous peoples in Great China: semantic analysis, implications and translations

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a177
Mara João Cortesão

The scenic space as a metaphor for the life cycle: analysis of the film Carrossel

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a534
Ivaldo Moreira, Paulo Bernardino Bastos

The sound language as a narrative quality in the audiovisual product

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a535
María del Mar Ogea Pozo

The translation of Watchmen: a job for superheroes?

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a336
Fuad Halwani

The Trickster in Serialized Television: An Anti-hero of Postmodern Mythologies

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a182
Gregorio Albuquerque

Thinking through the image: audiovisual education from the cultural, political and pedagogical perspective

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a445
Catarina Calvinho Gil

Tragic Story with Happy Ending: Creating a Feminist Experience in Animation

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a337
Francisco Malta, Thiago Barboza

TRUE CRIME: Once Upon a Crime

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a536
Carlos Pantaleón Panaro

Un recorrido real por la Viena del filme El Tercer Hombre.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.66
Taher Abdel-Ghani

Using Bernard Tschumi's Manhattan Transcripts as a Cinematic Pedagogical Tool in Architecture Schools in Egypt

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a185
Madjid CHACHOUR, Rafika BOUCHAAR, Said DEBLADJI

Visual Exploration of Tidjditt : Photography as the Gateway to Heritage

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a587
Elis Crokidakis Castro , Luis Antonio Campos Monteiro

Women in TV series: a psychological approach to female characters

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a338
Gregorio Galvão de Albuquerque

“Is it you?”: creation for oneself and for others

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a524
David Wall

“Paging Dr. Freud!” Theorizing John Boorman’s Zardoz.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a437
Claudio Fontan, Denise Azevedo Duarte Guimarães

“THIS IS AMERICA”: An aesthetic video and social activist

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a183
Alina Kuzo

“You remind me of a man”: How the prior knowledge about the director is shaping the viewers’ reception of a film

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a653