All Items

135 Items
José Antonio Martinuzzo

The Covid-19 pandemic and the constitution of a perverse audiovisuality

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a440
Filipe Pereira

The documentary film as a tool for the ethnography of performance

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a181
Chan Ka Lok Sobel

The Dynamic Aesthetics, Locality and Dehybrid Style of Hong Kong Cinema facing the Recovery of Post-Pandemic Period.

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a530
Marcos De Bona de Carvalho

The edge of biographies: the trajectories of Petra Costa and Leni Riefenstahl

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a441
Moqadassa SARWARI, Abbas MOHAMMADI

The effect of cinema on human social behavior

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a531
Juliana Lopes da Silva, Edileuza Penha de Souza

The emergency remote teaching of audiovisual: report of an experience at the Federal Institute of Brasilia - Campus Recanto das Emas (DF / Brazil)

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a442
Noni Geiger

The Eschatological Screen

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a593
António Manuel Rodrigues Ferreira, Daniel Brandão, Pedro Mota Teixeira

The impact of non-verbal communication in animation: A case study of “Fragmentos” short animated film

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a658
Alfredo José Mainar Causapé, Patricia Fuentes Saguar, Ángeles Cámara Sánchez, Guadalupe Valera Blanes

The impact of the film sector on the Spanish economy: from production to exhibition

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a656
Janaina Frechiani Lara Leite, Rosane Vasconcelos Zanotti

The lived cinema: anthropology outside the text and digital performance in the popular appropriation of O Agente Secreto

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a764
Verônica Valério Santos

The Matrix and the Myth of the Hero: critical approaches to the contemporary school

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a443
Isac dos Santos Pereira, Maria Ignes Carlos Magno

The Monsters That Frighten Me, The Haunts That Feed Me: The Unusual And The Experience Of Marathon For Children And Youth

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a532
Noni Geiger, Marcos Martins

The Moving Image in a Design School

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a533
Maria do Rosário da Silva Santana, Helena Maria da Silva Santana

The place of animated cinema at the eradication of some problems of the society and the world: The Box (2016) by Merve Cirisoglu Cotur

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a589
Paola Cristhina Stumpf Rodrigues , Rui Raposo

The potential of storytelling in horror short movies through the use of digital special effects

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a180
Laila Thaise Batista de Oliveira, Luciana Oliveira Vieira, Naira Évine Pereira Soares

The Quilombo-Space: Notes on Black Film Festivals and Exhibitions in Brazil’s Northeastern region

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a444
Cristiano Costa Pereira; Juliana de Castro Chaves

The rationality of the most popular cartoon in cinema, educational processes and pseudoformation

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a170
Cheong Kin Man

The role of subaltern cultural medias among the indigenous peoples in Great China: semantic analysis, implications and translations

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a177
Mara João Cortesão

The scenic space as a metaphor for the life cycle: analysis of the film Carrossel

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a534
Mariana Tiemi Ichioka, Maurício Silva Gino

The Scriptwriting Process for the Educational Animated Series “Pés na Grama, Olhos no Céu”

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a765
Ivaldo Moreira, Paulo Bernardino Bastos

The sound language as a narrative quality in the audiovisual product

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a535
María del Mar Ogea Pozo

The translation of Watchmen: a job for superheroes?

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a336
Fuad Halwani

The Trickster in Serialized Television: An Anti-hero of Postmodern Mythologies

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a182
Radhika Khanna, Hervé Zénouda, Tathagata Mitra

The Two Levels of the Treatment of Time in Christopher Nolan’s Films: The Narrative and Its Cinematic Treatment

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a766
Gregorio Albuquerque

Thinking through the image: audiovisual education from the cultural, political and pedagogical perspective

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a445