All Items

135 Items
Catarina Calvinho Gil

Tragic Story with Happy Ending: Creating a Feminist Experience in Animation

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a337
Francisco Malta, Thiago Barboza

TRUE CRIME: Once Upon a Crime

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a536
Carlos Pantaleón Panaro

Un recorrido real por la Viena del filme El Tercer Hombre.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.66
Taher Abdel-Ghani

Using Bernard Tschumi's Manhattan Transcripts as a Cinematic Pedagogical Tool in Architecture Schools in Egypt

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a185
Madjid CHACHOUR, Rafika BOUCHAAR, Said DEBLADJI

Visual Exploration of Tidjditt : Photography as the Gateway to Heritage

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a587
Elis Crokidakis Castro , Luis Antonio Campos Monteiro

Women in TV series: a psychological approach to female characters

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a338
Gregorio Galvão de Albuquerque

“Is it you?”: creation for oneself and for others

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a524
David Wall

“Paging Dr. Freud!” Theorizing John Boorman’s Zardoz.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a437
Claudio Fontan, Denise Azevedo Duarte Guimarães

“THIS IS AMERICA”: An aesthetic video and social activist

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a183
Alina Kuzo

“You remind me of a man”: How the prior knowledge about the director is shaping the viewers’ reception of a film

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a653