All Items

119 Items
Vahid Rajabi, Afsaneh Nazeri, Samira Khodabakhshi

Perspectives of Intertextuality in Cinema, with Special References to the Work of Kristeva, Barthes, and Jenny: A Comparative Study

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a528
Jaime Aníbal Venegas Gavilanes

Portrait / Self-portrait

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a651
Marco Sironi, Nicolò Ceccarelli

Prison Views: Rethinking the Moving Image in the era of transmedia communication.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.65
Lucas Waltenberg, Marcela Soalheiro

Re-encounters between audience and narratives in the adaptation of “The Last of Us” video game

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a590
Anna Ter-Gabrielyan

Resisting the Canvas of Soviet Ideology: Analysing Dissent and Despair in Albert Mkrtchyan’s ‘The Song of the Old Days’ (1982)

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a592
Maria Marta Amancio Amorim, Maria Natália Ramos, Maria da Conceição Ramos

Social representations of food portrayed in Festa de Babette

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a591
Carlos Mauricio Gómez

Society, segregation and freedom: The transformation of the female image in Iranian cinema

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a438
María Gabriela Pabón Hernández

The audiovisual mobilizing object: YouTube, Colombia National Strike 2019

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a333
Ricardo Ferreira de Almeida, Ana Branca Carvalho

The Bruno de Carvalho incident: elements for a critical analysis of news production

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a334
Carlos Mauricio Gomez

The capitalist view and the neoliberal conflict of society through the Brazilian documentary ‘Ilha das Flores’

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a335
Pedro Alves da Veiga

The Cinematic Selfie: Questioning the Self through Generative Art

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a439
Carol-Anne BAUDE

The Connectedness of architecture and cinema : Analyze and develop the reciprocity relationships.

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a529
José Antonio Martinuzzo

The Covid-19 pandemic and the constitution of a perverse audiovisuality

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a440
Filipe Pereira

The documentary film as a tool for the ethnography of performance

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a181
Chan Ka Lok Sobel

The Dynamic Aesthetics, Locality and Dehybrid Style of Hong Kong Cinema facing the Recovery of Post-Pandemic Period.

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a530
Marcos De Bona de Carvalho

The edge of biographies: the trajectories of Petra Costa and Leni Riefenstahl

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a441
Moqadassa SARWARI, Abbas MOHAMMADI

The effect of cinema on human social behavior

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a531
Juliana Lopes da Silva, Edileuza Penha de Souza

The emergency remote teaching of audiovisual: report of an experience at the Federal Institute of Brasilia - Campus Recanto das Emas (DF / Brazil)

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a442
Noni Geiger

The Eschatological Screen

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a593
António Manuel Rodrigues Ferreira, Daniel Brandão, Pedro Mota Teixeira

The impact of non-verbal communication in animation: A case study of “Fragmentos” short animated film

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a658
Alfredo José Mainar Causapé, Patricia Fuentes Saguar, Ángeles Cámara Sánchez, Guadalupe Valera Blanes

The impact of the film sector on the Spanish economy: from production to exhibition

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a656
Verônica Valério Santos

The Matrix and the Myth of the Hero: critical approaches to the contemporary school

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a443
Isac dos Santos Pereira, Maria Ignes Carlos Magno

The Monsters That Frighten Me, The Haunts That Feed Me: The Unusual And The Experience Of Marathon For Children And Youth

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a532
Noni Geiger, Marcos Martins

The Moving Image in a Design School

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a533
Maria do Rosário da Silva Santana, Helena Maria da Silva Santana

The place of animated cinema at the eradication of some problems of the society and the world: The Box (2016) by Merve Cirisoglu Cotur

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a589