All Items

135 Items
José Estevão Favaro, Carolina Riguera Locoselli

Movie Theaters during the Covid Outbreak – Hopes and hopelessness in this medium and the brazilian target.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a433
Ludmyla Alencar Ferreira Galdino, Fabrícia Teixeira Borges

Nausicaä: the heroine who doesn’t follow the Hero’s Path

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a434
Miguel Neta, Pedro Félix, Teresa Carvalho

New perspectives for an interdisciplinary approach to cinema at school.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a435
Paulo Korpys, Pedro Mota Teixeira, Daniel Brandão, António Ferreira

O Gif animado de reação e o processo de descontextualização.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.64
Monica Rodrigues Klemz

Official Video of The Qatar World Cup: A Cartographic Montage

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a525
Rosa Schrott, Marcela Negro

On the teaching and learning of audiovisual writing

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a436
Hugo Paquete

OOO Sound Art and Technology as Speculative Realism

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a526
José Alejandro López Pérez

Outraged waters: indigenous resistance to mining and its documentary visibility

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a527
Fabiana de Barros Monteiro Soares, Thelma Panerai Alves

Participatory culture and the enduring presence of Auto da Compadecida in the collective memory.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a657
Nuno Medeiros

Patterns of Media Incarnation and Text Circularity between Book and Film in the Publishing Industry: The case of the house Romano Torres

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a331
Andres Mauricio Villalba Cruz

Pedagogical uses of the media, approach to a transmedia education

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a332
Vahid Rajabi, Afsaneh Nazeri, Samira Khodabakhshi

Perspectives of Intertextuality in Cinema, with Special References to the Work of Kristeva, Barthes, and Jenny: A Comparative Study

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a528
Jaime Aníbal Venegas Gavilanes

Portrait / Self-portrait

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a651
Marco Sironi, Nicolò Ceccarelli

Prison Views: Rethinking the Moving Image in the era of transmedia communication.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.65
Lucas Waltenberg, Marcela Soalheiro

Re-encounters between audience and narratives in the adaptation of “The Last of Us” video game

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a590
Tatiana Sofia Lozano Brochero

Reasonable accommodation and inclusion methods as a mechanism for strengthening transmedia audiovisual projects

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a762
Naouar kidari, El Bakkali El Arbi

Representations of the Body in Contemporary Moroccan Cinema: Desire, Silence and Social Norms in The Blue Caftan

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a763
Anna Ter-Gabrielyan

Resisting the Canvas of Soviet Ideology: Analysing Dissent and Despair in Albert Mkrtchyan’s ‘The Song of the Old Days’ (1982)

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a592
Maria Marta Amancio Amorim, Maria Natália Ramos, Maria da Conceição Ramos

Social representations of food portrayed in Festa de Babette

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a591
Carlos Mauricio Gómez

Society, segregation and freedom: The transformation of the female image in Iranian cinema

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a438
María Gabriela Pabón Hernández

The audiovisual mobilizing object: YouTube, Colombia National Strike 2019

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a333
Ricardo Ferreira de Almeida, Ana Branca Carvalho

The Bruno de Carvalho incident: elements for a critical analysis of news production

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a334
Carlos Mauricio Gomez

The capitalist view and the neoliberal conflict of society through the Brazilian documentary ‘Ilha das Flores’

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a335
Pedro Alves da Veiga

The Cinematic Selfie: Questioning the Self through Generative Art

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a439
Carol-Anne BAUDE

The Connectedness of architecture and cinema : Analyze and develop the reciprocity relationships.

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a529