All Items

217 Items
Rubén Marín Ramos

Confined Cinema. The spatial limitation in non-fiction cinema

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a266
Isabel Orestes Silveira, Cleusa Kazue Sakamoto

Construction and deconstruction processes in the film ‘The Wall’ (1982) - Interpretative analysis in the Semiotic and Psychoanalytic perspectives

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a267
Amanda Lopes Fernandes

Contemporary Contributions of Lusophone Women Filmmakers: Mappings, Policies, and New Voices.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a643
Felipe Muanis, Mariana Schwartz

Conventions in cinematographic art direction: a look at science fiction

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a138
Mariana Lemos Schwartz

Convergence points between the films Once and Sing Street and the British New Wave

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a268
Karine Chevalier

Corsica: a cinematic home of rebellion?

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a574
Manoela Veloso Passos, Maria Beatriz Colucci

Critical Analysis of cineclub experience with 7-10 years old students

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a269
Katrin Pieper

Cut films and manipulated subtitles: The censorship of foreign films during the Estado Novo

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a403
Leonardo da Silva Souza

Cut! Diaspora and heterogenesis evolving technique, aesthetics and politics in cinema

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a139
Katia M. L. Mendonça

Czeslaw Milosz: Between Testimony and Prophecy

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a495
Bárbara Caffarel Rodríguez

Del sistema de Stanislavski al método Strasberg: aproximación teórica, análisis y críticas a ambos sistemas.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.29
José Januário Guedes Pires

Dictator, the one who dictates – between the ideology of the single thought and the diversity of the failure. From Marcel Duchamp to Samuel Beckett, through Charlie Chaplin and Buster Keaton

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a270
Francisco-Julián Martínez-Cano

Digital innovations in cinematographic practice at the early 21st century: the case of The Mandalorian

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a271
Miriam de Oliveira Gonçalves

Discussing gentrification through documentary cinema

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a140
Miguel García Victoria

Double Canon on Casablanca: Reencounters and Farewells. From Unfinished Business to Begin the Beguine of José Luis Garci

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a496
Jorge Manuel Neves Carrega

Early italian cinema in Portugal: the case of the poster collection of the Museum of Faro

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a577
Filipe Freitas Chaves, Sérgio Henrique Carvalho Vilaça

Echoes of the Unknown: Herzog’s Search for Humanity’s Edges

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a645
Oscar Canalís Hernández

El Cine y la Villa Malaparte de Capri.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.30
Edileuza Penha de Souza, Marcus Vinicius Mesquita

Encounters, Festivals and Exhibitions – ways to build brazilian black cinema

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a142
Nuno Tudela

Escrita de argumento com atores: uma prática experimental em análise.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.31
Juan Francisco Celín Robalino

Estudo das funções narrativas e estilísticas de sombras e sons nos filmes de influência expressionista O anjo azul e M – o vampiro de Düsseldorf.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.32
Claudia Adrianzen Lapouble

Expatriate filmmakers, (trans)national films? : the case of two latin-américan filmamkers in Europe

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a404
Sandra Straccialano Coelho

Experiências migrantes no documentário Latino Americano em 1a. pessoa: algumas abordagens metodológicas.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.33
M. Ángeles López Izquierdo

Experimental Animated Engraving: Technical Creation and Aesthetic Simulation

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a272
Arthur Felipe de Oliveira Fiel, Patrícia Cardoso D’Abreu

Experimental animation and awareness on the new coronavirus. The potential of opaque audiovisual images for children

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a273