Cinema - Cinema

All Items

217 Items
Gilmar Santana

Between Oceans and Knowledge - Documentary film at the University

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a144
Renata Dariva Costa

Between the camera and the Wars: the circulation of cinemas in Angola (1968-1992): the cases of Sarah Maldoror, Ruy Duarte de Carvalho and the Angolan state apparatus

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a572
Marcela Andrea Negro

Biopic: the incorporation of the author’s work as a narrative resource

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a261
Selma Pereira, Ricardo Alexino Ferreira, Adérito Fernandes-Marcos

Black Saints in Brazilian Cinema: Representation, Spirituality, and Cultural Identity.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a642
Hugo Nogueira Neto, Sandra Regina Nunes Chaves

Brazilian Western Cinema: the Bull, the Bullet and the Bible

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a147
Francisco Malta, Nívea Faso, Wilson Oliveira Filho

Bridging Education and Industry: The Role of Experimental Agencies in Brazilian University Cinema

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a641
Bárbara Caffarel- Rodríguez

Broadway representation through the cinema: Stage door (1932) and Birdman (or the Unexpected Virtue of Ignorance) (2014)

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a262
Karine Chevalie

Camouflage, resistance and resilience in Iran: from Jafar Panahi to Panah Panahi

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a494
Pâmela Peregrino, Edileuza Penha de Souza

Candomblé and animation cinema: Resistance strategies and territoriality

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a136
Marcos De Bona de Carvalho

Charlie Kaufman’s characters and Eduardo Coutinho's ‘non-characters’

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a162
Martina Forconi Baraldi

Chet Baker, from the stage to the big screen. Comparative analysis of the documentary films Let’s Get Lost (1988) and Born to be Blue (2015)

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a263
Rui Manuel Martins de Sousa Torres

Cinema as a Potency in Portugal Foreign Policy

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a264
Gilmar Santana

Cinema documental contemporâneo, técnica e sociedade: Implicações sociológicas e culturais.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.24
José Francisco Serafim, Natália Ramos

Cinema documentário, memória, política e exílio. Vivências no feminino.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.25
Denise Machado Cardoso, Alessandro Ricardo Pinto Campos

Cinema Juvenil e Produção Audiovisual em Melgaço do Marajó: Experiências Compartilhadas.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.26
Michelle Sales

Cinema negro português.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.27
Filipe Lopes, Pedro M. Afonso

Cinema without Visuals

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a137
Marta Fiolić

Cinematizing agenda – visualizing change

October 30, 2019
https://doi.org/10.37390/ac.v0i0.28
Ana Camila Esteves

Cinematography as Distinction: Ebun Pataki and the Visual Aesthetics of “Beyond Nollywood” films.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a644
Fernanda Aguiar Carneiro Martins

City Symphonies: Utopia and Documentary Semiosis

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a265
Edileuza Penha de Souza

Coffee with cinnamon and the edification of affection in Black Female Cinema

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a400
Deirdre O’Toole, Tobias Frühmorgen, Érica Faleiro Rodrigues

Collaborative International Student Filmmaking – Establishing Joint Filmmaking Practices within FilmEU

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a401
Ana Luiza Cavalcanti Fatorelli Carneiro, Luiz Roberto Pinto Nazario

Collective screenplay: the idea of neorealistic cinema

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a166
Patrícia Cardoso D’Abreu, João Ximenes Braga

Communicational biography and the usurpation of authorship in Brazilian television: a case study on Gilberto Braga’s last telenovela Babilônia

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a402
Juan Francisco Celín Robalino

Comparative analysis of shadow with photography, body, the double and the shadow archetype

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a134