All Items

191 Items
Walmir Barguil Pavam

The language of maturation in Deslembro, by Flávia Castro

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a390
Chan Ka Lok Sobel

The limitless Possibility of Combination: Filmic Lego Poetics of Storytelling and Structure in Global Film Scriptwriting and Duration

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a244
Nicoleta Călina, Cristiana Călina

The long life of Carlo Collodi’s puppet between literature and cinema. Pinocchio: short excursus through screen adaptations and performances

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a391
Matías López Iglesias

The main character of Ibero-American cinema in the hypermodern model

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a245
Patricia Perez de Moraes Nepomuceno, Mauricio Silva Gino

The Masquerade Folia: a reflection about culture and image in the visual metaphors present in the animation The Boy and the World

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a246
Carla Patrícia Oliveira de Souza

The Meaning exuded by the Masks in Squid Game (2021-2024)

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a626
Raquel de Araujo Roble

The meaning of blue color in the film Bleu, by Kieslowski

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a116
Orlando José Dantas Lopes, Paulo Fernando de Almeida Souza

The meeting: a dialogue between art and design for managing and creating an audiovisual project throughout the COVID-19 pandemic

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a247
Marcia Mansur

The montage of “Cine Rabeca”: music, memory and ethnography in an expanded cinema experience.

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a485
Leonardo Augusto de Jesus

The movement-image under visual palimpsests in the samba schools of Rio de Janeiro

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a392
Paulo Avelino de Souza Costa

The other muted

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a115
Tatiane De Oliveira Elias

The Power of Black Video Art and Film in Contemporary Art

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a248
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

The pursuit of beauty in the relationship between Aschenbach and Tadzio in Death in Venice (1971) by Luchino Visconti

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a608
Yi Chen

The Refrains of Memory: Bi Gan’s Long Day’s Journey into Night

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a249
Guy Amado

The relational disillusion in The Square.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a619
Patricia Perez de Moraes Nepomuceno, Mauricio Silva Gino

The relationship between image and sound in the sound environment of the animation The boy and the World

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a250
Tiago Luís Minau Ramos

The Reprentation of Words in Tabu: A Story of the South Seas

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a486
Gisele Filippetto

The Role of Music in the Documentary “Miles Davis: Birth of the Cool”

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a393
Florencia Varela Gadea

The share confession and the generacional portraits in the new documental films aesthetics El olor de aquel lugar (2012), Bosco (2021) y Alcira y el campos de espigas (2023)

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a565
João Dias Ferreira

The Sound of Memory: Musical Analysis of Flashbacks in Film Noir.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a617
Wilson Oliveira Filho, Diana Seelaender, Mariana Lucas de Almeida Fernandes

The statute of image production in cinema and art through artificial intelligence

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a487
André Araújo, Graça Magalhães, Pedro Bessa

The symbolic foundations of the mining archive: sound and image as vehicles of memory

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a394
Erika Rodrigo Benedicto

The treatment of lesbian love in "Carne apaleada" (Inés Palou, 1975/Javier Aguirre, 1978), film adaptation of the Spanish political transition

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a106
Luis Fernando Zubieta

Theatrical and Cinematic Staging as a Method of Approaching Reality with Immigrant Groups

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a615
Juan Manuel Ruiz Prieto

Time Travel, Audiovisual Narratives and TV Fiction: The Bootstrap Paradox in BBC’s Doctor Who

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a251