All Items

213 Items
Joaquim José Furtado Marreiros de Azevedo

Sustainable Digital Artistic Practices in Visual Education: Critical Perspectives on Generative Art and Augmented Reality

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a718
Cíntia Mariza do Amaral Moreira , Ana Carolina de Gouvêa Dantas Motta, Mário Elian, Thaís Yamamoto, Antônio Frederico Moreira Lasalvia

Technique of making adobe in a craft workshop using documentary video: an example in Portugal and another in Brazil

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a123
Hugo Paquete

Terminal velocity: Chronoscopic time of the orbital bodies in the sound and musical composition.

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a125
Ana Císcar Cebriá

The act of seeing with no eyes: a videographic project about visuality as an instrument of power

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a239
Marcos Jiménez González

The aesthetic fascination of the negative character. From expressionist monsters to Breaking Bad

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a240
Abbas MOHAMMADI

The aesthetics of light in Afghan Cinema

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a389
Flávio Pires

The Aesthetics of the Sublime and Romantic Heritage in Cinematography: From Black Metal to Contemporary Cinema

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a719
Fabiana de Barros Monteiro Soares, Thelma Panerai Alves

The Artist and the Art in ‘O Guarani’, by José de Alencar, an adaptation by Pedro Pernambuco

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a241
Alexandra Tomás, Paulo Bernardino Bastos

The aura of performance on the cinematic condition

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a242
Mário Vaz Almeida

The biopic “O DERRADEIRO GESTO”: the strange methods of a disruptive visual artist and his relationship with the “SENSORY TURN” in art.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a618
Alice Gonçalves de Castro Oliveira, Welerson Rezende de Morais

The cage of flowers: the aesthetic ensemble as the framework of melancholy in the film The Virgin Suicides

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a720
José Alejandro López Pérez

The documenting by opposites of forced disappearance and the Peruvian video installation Liminal (2019) by Maya Watanabe

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a562
Eliane Gordeeff

The Dual Path of Cinema Between Real and Fantastic Fiction

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a483
Pollyanna Rosa Ribeiro, Luciana Alves Rodrigues

The elements of the film narrative “The Book Thief” (2013)

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a243
Monalisa Almeida Cesetti Gomyde

The emergence of the “I” in Cheryl Dunye’s black lesbian cinema

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a721
Paulo Alexandre e Castro

The end of cinema as we know it.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.21
Isac Chateauneuf

The Erasure and Inscription of Existences in the Series El secreto del río: Tensions in Heteronormativity, Indigestible Imaginaries, and Educational Foundations

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a625
Carla Patrícia Oliveira de Souza

The Haunted Scenarios of Amorteamo (2015) from the perspective of the Semiotics of Culture

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a484
Walmir Barguil Pavam

The language of maturation in Deslembro, by Flávia Castro

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a390
Chan Ka Lok Sobel

The limitless Possibility of Combination: Filmic Lego Poetics of Storytelling and Structure in Global Film Scriptwriting and Duration

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a244
Nicoleta Călina, Cristiana Călina

The long life of Carlo Collodi’s puppet between literature and cinema. Pinocchio: short excursus through screen adaptations and performances

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a391
Matías López Iglesias

The main character of Ibero-American cinema in the hypermodern model

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a245
Patricia Perez de Moraes Nepomuceno, Mauricio Silva Gino

The Masquerade Folia: a reflection about culture and image in the visual metaphors present in the animation The Boy and the World

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a246
Carla Patrícia Oliveira de Souza

The Meaning exuded by the Masks in Squid Game (2021-2024)

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a626
Raquel de Araujo Roble

The meaning of blue color in the film Bleu, by Kieslowski

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a116