All Items

213 Items
Orlando José Dantas Lopes, Paulo Fernando de Almeida Souza

The meeting: a dialogue between art and design for managing and creating an audiovisual project throughout the COVID-19 pandemic

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a247
Marcia Mansur

The montage of “Cine Rabeca”: music, memory and ethnography in an expanded cinema experience.

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a485
Leonardo Augusto de Jesus

The movement-image under visual palimpsests in the samba schools of Rio de Janeiro

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a392
Gilmar Santana

The multiple layers of memory in the film “The Secret Agent”

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a722
Mário Coelho, Pedro Alves da Veiga

The Ocean God algorithm: process visualization and aesthetic harmony through audiovisual language

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a723
Paulo Avelino de Souza Costa

The other muted

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a115
Tatiane De Oliveira Elias

The Power of Black Video Art and Film in Contemporary Art

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a248
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

The pursuit of beauty in the relationship between Aschenbach and Tadzio in Death in Venice (1971) by Luchino Visconti

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a608
Yi Chen

The Refrains of Memory: Bi Gan’s Long Day’s Journey into Night

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a249
Guy Amado

The relational disillusion in The Square.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a619
Patricia Perez de Moraes Nepomuceno, Mauricio Silva Gino

The relationship between image and sound in the sound environment of the animation The boy and the World

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a250
Tiago Luís Minau Ramos

The Reprentation of Words in Tabu: A Story of the South Seas

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a486
Aidouni Sarah

The representation of the city of Casablanca in Moroccan and international cinema: From city-as-decor to city-as-character

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a724
Gisele Filippetto

The Role of Music in the Documentary “Miles Davis: Birth of the Cool”

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a393
Florencia Varela Gadea

The share confession and the generacional portraits in the new documental films aesthetics El olor de aquel lugar (2012), Bosco (2021) y Alcira y el campos de espigas (2023)

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a565
João Dias Ferreira

The Sound of Memory: Musical Analysis of Flashbacks in Film Noir.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a617
Wilson Oliveira Filho, Diana Seelaender, Mariana Lucas de Almeida Fernandes

The statute of image production in cinema and art through artificial intelligence

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a487
André Araújo, Graça Magalhães, Pedro Bessa

The symbolic foundations of the mining archive: sound and image as vehicles of memory

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a394
Erika Rodrigo Benedicto

The treatment of lesbian love in "Carne apaleada" (Inés Palou, 1975/Javier Aguirre, 1978), film adaptation of the Spanish political transition

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a106
Sonia Carlos-García

The Viewfinder as a Regulating Element of Cinematic Mise en Abyme in Films about Filmmaking

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a725
Luis Fernando Zubieta

Theatrical and Cinematic Staging as a Method of Approaching Reality with Immigrant Groups

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a615
Juan Manuel Ruiz Prieto

Time Travel, Audiovisual Narratives and TV Fiction: The Bootstrap Paradox in BBC’s Doctor Who

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a251
Sónia Carvalho, Paulo Bernardino Bastos, Rui Alexandre Rosa Grincho Serra

Transpersonal Body - The Spiritual contribution of Performance to the pictorial construction.

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a102
Rita Vilhena

Turning Backs - O espectador está presente?

October 30, 2019
https://doi.org/10.37390/ac.v0i0.22
Fábio Jabur de Noronha

Video art without video art: the materiality of production conditions in Brazil in the 1990s

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a488