Cinema - Art

All Items

191 Items
Sónia Carvalho, Paulo Bernardino Bastos, Rui Alexandre Rosa Grincho Serra

Transpersonal Body - The Spiritual contribution of Performance to the pictorial construction.

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a102
Rita Vilhena

Turning Backs - O espectador está presente?

October 30, 2019
https://doi.org/10.37390/ac.v0i0.22
Fábio Jabur de Noronha

Video art without video art: the materiality of production conditions in Brazil in the 1990s

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a488
Monica Rodrigues Klemz, Doris Kosminsky, Elianne Ivo Barroso

Violated cartographies. Aesthetic and political representations in the construction of the Shattered World Museum

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a252
Edmilson Forte Miranda Júnior

What do you want to be when you grow up: Afrofuturism in the short film Bluesman

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a253
Nicoleta Călina, Cristiana Călina

When cinema draws its inspiration from literature: Marcello Mastroianni and his literary characters’ embodiment

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a489
Camilo Cavalcante

Why do flowers die?- Brazilian and Ango-Saxon music in the triptych As Mil e Uma Noites (2015), directed by Miguel Gomes

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a490
Cecília Nazaré de Lima

Why the choice of Beethoven's Fifth Symphony as a symbol of the Allies in World War II?

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a118
Sophia Bahia, Mônica Stein

Windows Animated Short Film - Conception, Visual Development, And Art Direction

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a491
Sumaira Majeed, Noor Ul Ain Lashari

Woman the Natural Nurturer: An Ecofeminist Study of Niki Caro’s The Whale Rider.

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a127
Andrew Vallance

Work of Memory

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a395
Heloisa Cardoso da Rosa, Mônica Stein, Henrique Cardoso da Rosa, Stefani Ehmke Agra

Worldbuilding as a key element in the creation of transmedia narrative universes — an applicable approach to cinematography

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a560
Sónia Carvalho, Paulo Bernardino Bastos

“Archetype(spelling) obscure of feminine”, 2020. Multimedia installation Performance with the collaboration of artist/performer Sol Casal (Br) and the participation of the Traditional Singer Sara Grenha, at the gallery Ana Lama, (25/10/2020), Lisbon

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a212
Beáta Fenyvesi

“Images of the Secret Self”: The Idea of the Non-Human in German Expressionist and Early American Horror Cinema

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a108
Nuno Chuva Vasco

“Pierrot le Fou”, a perspective of [self]representation of the visual arts

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a569
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

“The Fantastic Flying Books of Mr. Morris Lessmore” of William Joyce and Brandon Oldenburg: when sound is dominant in building a narrative of text and images

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a124