AVANCA | CINEMA 2025

AVANCA | CINEMA 2025

AVANCA | CINEMA 2025

No. 16 (2025)

Online Journal with 80 communications (ISSN: 2184-4682) from various authors from different parts of the world, which reflect the International Conference AVANCA | CINEMA 2025 and gather scientific communications around the cinema.

Published December 16, 2025

Chapter I _ Cinema - Art

Carlos Gonçalves Tavares, Francione Oliveira Carvalho
A reflection on intermediality in the show A woman dressed in the sun, by Cia de Dança Ormeo (Brazil)
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DOI: https://doi.org/10.37390/avancacinema.2025.a612
Heloisa Toledo Machado
Active Analysis in Actor Direction and Filmmaking
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DOI: https://doi.org/10.37390/avancacinema.2025.a624
Isac Chateauneuf
Becoming a Corporeal-Interagent: Conceptualizing Interaction, Shared Learning, and Artistic Practices in Fan Communities
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DOI: https://doi.org/10.37390/avancacinema.2025.a607
Maíra Ortins, Paulo Bernardino Bastos
Between Gesture and Memory: Cut-Out and Lost Matrix in the Exploration of Time.
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DOI: https://doi.org/10.37390/avancacinema.2025.a621
Sebastián Eguiluz, Andrés Haye, María José Bello, Esteban Radiszcz
Cinematic Humor, National Identity, and Temporality in José Bohr and Raúl Ruiz films
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DOI: https://doi.org/10.37390/avancacinema.2025.a627
Maria Irene Aparício
Dark Souls and evil in Bresson`s The Trial of Joan of Arc and Chahine`s Destiny: Cinema In-Between Art, Philosophy and Science.
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DOI: https://doi.org/10.37390/avancacinema.2025.a620
Ana Roberto
Desire and Alienation: The Feminine as Double in Peppermint Frappé.
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DOI: https://doi.org/10.37390/avancacinema.2025.a610
Xinran Liu
From Memory to Affective Archives: Documentary as a Prosthesis.
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DOI: https://doi.org/10.37390/avancacinema.2025.a622
Fábio Jabur de Noronha
Latin America and Portugal: new interactions between cuisine, performance, and video in the INTOXICAÇÃO series
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DOI: https://doi.org/10.37390/avancacinema.2025.a611
Maria do Rosário da Silva Santana, Helena Maria da Silva Santana
Madame Butterfly by John Luther Long and its reworking on the homonymous opera by Giacomo Puccini and the film M. Butterfly by David Cronenberg: symbology, intentions and identities
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DOI: https://doi.org/10.37390/avancacinema.2025.a609
Gilmar Santana, Walmir Pavam, Miriam de Oliveira Gonçalves
Portraits of cinematic affections in a changing city.
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DOI: https://doi.org/10.37390/avancacinema.2025.a613
Luciana Molina
Proletarian Romance in the 21st Century: Comparative Study of Fallen Leaves and The Day I Met You.
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DOI: https://doi.org/10.37390/avancacinema.2025.a614
Miguel Peña Méndez
Six Degrees of Separation: The great fable of the Art World
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DOI: https://doi.org/10.37390/avancacinema.2025.a623
Mar Garrido Román
Soundscapes, Perception, and Narrative in Lucrecia Martel’s Films.
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DOI: https://doi.org/10.37390/avancacinema.2025.a616
India Mara Martins
Strategies for conservation of materials from the Material Collection for Art Direction of the UFF Film and Video Department
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DOI: https://doi.org/10.37390/avancacinema.2025.a628
Mário Vaz Almeida
The biopic “O DERRADEIRO GESTO”: the strange methods of a disruptive visual artist and his relationship with the “SENSORY TURN” in art.
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DOI: https://doi.org/10.37390/avancacinema.2025.a618
Isac Chateauneuf
The Erasure and Inscription of Existences in the Series El secreto del río: Tensions in Heteronormativity, Indigestible Imaginaries, and Educational Foundations
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DOI: https://doi.org/10.37390/avancacinema.2025.a625
Carla Patrícia Oliveira de Souza
The Meaning exuded by the Masks in Squid Game (2021-2024)
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DOI: https://doi.org/10.37390/avancacinema.2025.a626
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
The pursuit of beauty in the relationship between Aschenbach and Tadzio in Death in Venice (1971) by Luchino Visconti
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DOI: https://doi.org/10.37390/avancacinema.2025.a608
João Dias Ferreira
The Sound of Memory: Musical Analysis of Flashbacks in Film Noir.
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DOI: https://doi.org/10.37390/avancacinema.2025.a617
Guy Amado
The relational disillusion in The Square.
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DOI: https://doi.org/10.37390/avancacinema.2025.a619
Luis Fernando Zubieta
Theatrical and Cinematic Staging as a Method of Approaching Reality with Immigrant Groups
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DOI: https://doi.org/10.37390/avancacinema.2025.a615

Chapter II _ Cinema - Cinema

Mohammad Reza Hemmati, Negar Hassanzadeh, Nahal Marghaei Zadah
Acting Evolution in cinema: D.W. Griffith and Lillian Gish.
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DOI: https://doi.org/10.37390/avancacinema.2025.a636
Francisco Malta, Pedro Losch, Zeca Pedroso
Between Images and Memories: Memory and Identity in I’m Still Here
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DOI: https://doi.org/10.37390/avancacinema.2025.a638
Selma Pereira, Ricardo Alexino Ferreira, Adérito Fernandes-Marcos
Black Saints in Brazilian Cinema: Representation, Spirituality, and Cultural Identity.
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DOI: https://doi.org/10.37390/avancacinema.2025.a642
Francisco Malta, Nívea Faso, Wilson Oliveira Filho
Bridging Education and Industry: The Role of Experimental Agencies in Brazilian University Cinema
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DOI: https://doi.org/10.37390/avancacinema.2025.a641
Ana Camila Esteves
Cinematography as Distinction: Ebun Pataki and the Visual Aesthetics of “Beyond Nollywood” films.
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DOI: https://doi.org/10.37390/avancacinema.2025.a644
Amanda Lopes Fernandes
Contemporary Contributions of Lusophone Women Filmmakers: Mappings, Policies, and New Voices.
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DOI: https://doi.org/10.37390/avancacinema.2025.a643
Carolina Fadigas, João Barata
The creative process of historical costume reconstruction in film and theatre - Interview with Miss Suzie
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DOI: https://doi.org/10.37390/avancacinema.2025.a634
Filipe Freitas Chaves, Sérgio Henrique Carvalho Vilaça
Echoes of the Unknown: Herzog’s Search for Humanity’s Edges
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DOI: https://doi.org/10.37390/avancacinema.2025.a645
Matilde Dias
“Films are Slow Weapons”: The Resistance of Memory through Art in Aurora’s Sunrise (2022).
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DOI: https://doi.org/10.37390/avancacinema.2025.a637
Sheida Sheikhha, Bruno Grandino
Introducing Miss Havisham: A Comparative Analysis of Different Adaptations of Great Expectations.
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DOI: https://doi.org/10.37390/avancacinema.2025.a646
Ana Catarina Pereira, Ana Isabel Soares, Julia Marques
Imperfect Being(s): The creation process in the autobiographic documentary Teko Haxi
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DOI: https://doi.org/10.37390/avancacinema.2025.a640
José Francisco Serafim, Morgana Gama, Regina Glória Andrade, Feliphe Alencar, Amanda Dantas Moreira Cruz
Migration documentaries: reclaiming memories for lives in motion.
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DOI: https://doi.org/10.37390/avancacinema.2025.a635
Carlos Canelas
Portuguese Cinema after the COVID-19 Pandemic
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DOI: https://doi.org/10.37390/avancacinema.2025.a632
Paulo Portugal
The FILMar project: the reconfiguration of cinephilia and the new authors
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DOI: https://doi.org/10.37390/avancacinema.2025.a647
Inês Varandas Fernandes
The symphony of (not) belonging: music tales in two coming-of-age films
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DOI: https://doi.org/10.37390/avancacinema.2025.a631
Angélica Coutinho
The value of audiovisual products – between cultural and economic revenue.
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DOI: https://doi.org/10.37390/avancacinema.2025.a630
Lardyanne Pimentel Guimarães
The Virtualization of Culture in the Age of Digital Convergence: Networks, Media and Participation in the Network Society
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DOI: https://doi.org/10.37390/avancacinema.2025.a633
Gönül Cengiz
Traces of War in Caucasian Cinema: Tangerines (2013) and Nabat (2014)
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DOI: https://doi.org/10.37390/avancacinema.2025.a629
Diana de Oliveira Souza Reis, Mateus Costa de Oliveira
Transnationality, Counter-archive and Memory: historical (re)readings in Nelly & Nadine (2022) and Torre das Donzelas (2018)
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DOI: https://doi.org/10.37390/avancacinema.2025.a639

Chapter III _ Cinema - Communication

Maria Cecília Ribeiro Nunes Nascimento, Andrea Cristina Versuti
Amefricanizing brazilian cinema through the direction of black women
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DOI: https://doi.org/10.37390/avancacinema.2025.a649
Isabel Pina
Aurélio da Paz dos Reis: Stereoscopic Photography and Panoramic Visions
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DOI: https://doi.org/10.37390/avancacinema.2025.a652
Marta Fiolić, Maria Irene Aparício
Cinema beyond Cinema: The Anthropocene Project as an econarrative
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DOI: https://doi.org/10.37390/avancacinema.2025.a655
Francisco Madureira
Cinema, rolling stock: the transitive experiment of Aleksandr Medvedkin’s cine-train (1932)
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DOI: https://doi.org/10.37390/avancacinema.2025.a648
Otávio Augusto Castro Risieri, Fabrícia Teixeira Borges
CinePsi: film clubs as a new teaching method in psychology while spreading audio-visual culture.
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DOI: https://doi.org/10.37390/avancacinema.2025.a650
William E. Ottowitz III, MD
HEMVFED and The Double Narrative: Theoretical Framework and Initial Evidence
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DOI: https://doi.org/10.37390/avancacinema.2025.a654
Fabiana de Barros Monteiro Soares, Thelma Panerai Alves
Participatory culture and the enduring presence of Auto da Compadecida in the collective memory.
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DOI: https://doi.org/10.37390/avancacinema.2025.a657
Jaime Aníbal Venegas Gavilanes
Portrait / Self-portrait
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DOI: https://doi.org/10.37390/avancacinema.2025.a651
António Manuel Rodrigues Ferreira, Daniel Brandão, Pedro Mota Teixeira
The impact of non-verbal communication in animation: A case study of “Fragmentos” short animated film
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DOI: https://doi.org/10.37390/avancacinema.2025.a658
Alfredo José Mainar Causapé, Patricia Fuentes Saguar, Ángeles Cámara Sánchez, Guadalupe Valera Blanes
The impact of the film sector on the Spanish economy: from production to exhibition
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DOI: https://doi.org/10.37390/avancacinema.2025.a656
Alina Kuzo
“You remind me of a man”: How the prior knowledge about the director is shaping the viewers’ reception of a film
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DOI: https://doi.org/10.37390/avancacinema.2025.a653

Chapter IV _ Cinema - Technology

Pedro Henriques, Pedro Alves da Veiga
Angústia: An Autoethnographic and Phenomenological Analysis of the Documentation of Subjectivity through Artificial Intelligence
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DOI: https://doi.org/10.37390/avancacinema.2025.a667
Paulo Barbosa
Challenges and Innovations in Accessing and Researching Oral Memories: The Case of the AMOPC Archive.
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DOI: https://doi.org/10.37390/avancacinema.2025.a663
Jorge Humberto Flores Romero, Juan Carlos Lobato Valdespino
Domestic spaces in the cinematic house. “Amores Perros” by Alejandro González Iñárritu.
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DOI: https://doi.org/10.37390/avancacinema.2025.a664
Maria Canas, Pedro Cardoso, Sérgio Eliseu
Expanding Expanded Cinema: Audience Agency and Dark Play
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DOI: https://doi.org/10.37390/avancacinema.2025.a659
Marta Amorim, Bruno Mendes da Silva
From photographic representation to statistical abstraction: a self-portrait on (in)visibility.
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DOI: https://doi.org/10.37390/avancacinema.2025.a666
Francisco Silveira
Gamification in Cinema: the Numbers that God Made in Drowning by Numbers and “Nosedive”
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DOI: https://doi.org/10.37390/avancacinema.2025.a661
Alexandre Oliveira Martins, Ana Gavina, António Costa Valente, Bruno Mendes da Silva
“memories in motion: Women and Cinema”: Archive, Montage, and the Poetics of the Audiovisual Essay
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DOI: https://doi.org/10.37390/avancacinema.2025.a665
Hugo Paquete. P.h.D
Post-Apocalyptic Negentropy The Intersection of Technology, Environment, and Generative Music in Opera.
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DOI: https://doi.org/10.37390/avancacinema.2025.a662
Virgilio Vasconcelos, Suryara Bernardi
Reflections on a Mixed-Method Approach to Animation with Generative AI: Cannibalizing the Tools of Automation in the project AI.D
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DOI: https://doi.org/10.37390/avancacinema.2025.a668
Tony Costa
Still teaching on film
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DOI: https://doi.org/10.37390/avancacinema.2025.a669
Ersan Ocak, Ph.D.
The State of Interactive Documentaries in Turkey Within the Digitalization Process of Documentary Production
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DOI: https://doi.org/10.37390/avancacinema.2025.a660

Chapter V _ Guests

Marc Rigaudis, Gitonga Kiigi
AFRICA...THE PLUG and SISTER AI...
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DOI: https://doi.org/10.37390/avancacinema.2025.a672
José da Silva Ribeiro, Ana Beatriz Pimenta de Carvalho, Thelma Panerai Alves
Autobiographies in Anthropology, Cinema, and Education. Between Technologies, Reflexivity, and Interdisciplinarity.
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DOI: https://doi.org/10.37390/avancacinema.2025.a671
José da Silva Ribeiro, Carlos Antônio Alves Pontes, Maria José Cavalcanti Freitas, Maria Thereza Didier de Moraes
Cinema: stories that transform
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DOI: https://doi.org/10.37390/avancacinema.2025.a670
Narce Dalia Ruiz Guzmán
The presence of women at the Latin American film awards
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DOI: https://doi.org/10.37390/avancacinema.2025.a673

Capítulo VI _ Guest Country

Kaoutar Baaj, Elmehdi Boujou, El Arbi El Bakkali, Abdelfattah Lahiala
Artificial Intelligence in Institutional Audiovisual Content Production
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DOI: https://doi.org/10.37390/avancacinema.2025.a675
Mouna HASSANI, Meryem EL YOUSSIFI, Abdelfattah LAHIALA, Moulay Maati Alaoui FANNANE
Cinema as an Educational Technology: Enhancing Socio-pedagogical Communication
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DOI: https://doi.org/10.37390/avancacinema.2025.a682
EL MEHDI ETTALABI
Directing the Invisible: AI, Memory, and Rhythm in HEJJAYTI Pt. VII
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DOI: https://doi.org/10.37390/avancacinema.2025.a686
Latifa Chahbi
Hip-hop culture as an educational and emancipatory tool in Nabil Ayouch’s cinema: a study of the film Haut et Fort
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DOI: https://doi.org/10.37390/avancacinema.2025.a679
Kaoutar EL AIDA, Wissal Boulouah, Mohamed Amine Lahiala, Moulay Maati Alaoui Fennane, Abdelfattah Lahiala
Integrating Film in EFL Education: A Catalyst for Effective Communication Skills Development
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DOI: https://doi.org/10.37390/avancacinema.2025.a674
AMRANI Oussama, EL BAKKALI El Arbi
Literature Through the Lens of Cinema: From Morceaux de choix by Nedali to Les ailes de l’amour by Laraki
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DOI: https://doi.org/10.37390/avancacinema.2025.a677
Mariam KERROUDI , Yassin RAZKAOUI
Cinéma marocain et politique audiovisuelle : Enjeux, ambitions et contraintes pratiques
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DOI: https://doi.org/10.37390/avancacinema.2025.a680
Wissal BOULOUAH, Kaoutar EL AIDA, Houssame NEKHASS, Imane EL KORTBI, Laila DROUICHE, Abdelfettah LAHIALA
Morocco in Cinema: Between Global Fantasies and Local Realities in Shaping Tourism Image Destination
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DOI: https://doi.org/10.37390/avancacinema.2025.a678
Oumayma Bouchanine, Moulay Maati Alaoui Fennane, Abdelfattah Lahiala, Kaoutar Baaj, Hatim Mourtadi
The Aesthetics of Montage and Sports Soft Power : Analyzing the Visual Construction of Morocco’s Geopolitical Narrative (2022–2030)
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DOI: https://doi.org/10.37390/avancacinema.2025.a676
Sanaa SOUDDATI, Abdelfattah LAHIALA, Moulay maati ALAOUI FANNANE
The Cinema as a Social Actor: Codification, Reception, and Communicational Issues
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DOI: https://doi.org/10.37390/avancacinema.2025.a683
Meryem EL YOUSSIFI, Mouna HASSANI, Kaoutar EL AIDA, Abdelfattah LAHIALA
The use of films as a pedagogical tool for the development of critical thinking skills of students: conceptual review
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DOI: https://doi.org/10.37390/avancacinema.2025.a681
Safae TAOUIL, Abdelfattah LAHIALA
Theater as a pedagogical lever for the development of students’ communication skills: the case of Moroccan ISPITS students
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DOI: https://doi.org/10.37390/avancacinema.2025.a685
Fatin SOLEIMANI, Yassin RAZKAOUI
Virtual Reality and Educational Cinema: Towards Immersive Higher Education in Morocco
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DOI: https://doi.org/10.37390/avancacinema.2025.a684