No. 16 (2025): AVANCA | CINEMA 2025 | AVANCA | CINEMA

AVANCA | CINEMA 2025

AVANCA | CINEMA 2025

AVANCA | CINEMA 2025

No. 16 (2025)

Online Journal with 80 communications (ISSN: 2184-4682) from various authors from different parts of the world, which reflect the International Conference AVANCA | CINEMA 2025 and gather scientific communications around the cinema.

Published December 16, 2025

Editorial

Editorial | Table of Contents 2025

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Chapter I _ Cinema - Art

Carlos Gonçalves Tavares, Francione Oliveira Carvalho

A reflection on intermediality in the show A woman dressed in the sun, by Cia de Dança Ormeo (Brazil)

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DOI: https://doi.org/10.37390/avancacinema.2025.a612

Heloisa Toledo Machado

Active Analysis in Actor Direction and Filmmaking

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DOI: https://doi.org/10.37390/avancacinema.2025.a624

Isac Chateauneuf

Becoming a Corporeal-Interagent: Conceptualizing Interaction, Shared Learning, and Artistic Practices in Fan Communities

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DOI: https://doi.org/10.37390/avancacinema.2025.a607

Maíra Ortins, Paulo Bernardino Bastos

Between Gesture and Memory: Cut-Out and Lost Matrix in the Exploration of Time.

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DOI: https://doi.org/10.37390/avancacinema.2025.a621

Sebastián Eguiluz, Andrés Haye, María José Bello, Esteban Radiszcz

Cinematic Humor, National Identity, and Temporality in José Bohr and Raúl Ruiz films

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DOI: https://doi.org/10.37390/avancacinema.2025.a627

Maria Irene Aparício

Dark Souls and evil in Bresson`s The Trial of Joan of Arc and Chahine`s Destiny: Cinema In-Between Art, Philosophy and Science.

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DOI: https://doi.org/10.37390/avancacinema.2025.a620

Ana Roberto

Desire and Alienation: The Feminine as Double in Peppermint Frappé.

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DOI: https://doi.org/10.37390/avancacinema.2025.a610

Xinran Liu

From Memory to Affective Archives: Documentary as a Prosthesis.

DOI: https://doi.org/10.37390/avancacinema.2025.a622

Fábio Jabur de Noronha

Latin America and Portugal: new interactions between cuisine, performance, and video in the INTOXICAÇÃO series

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DOI: https://doi.org/10.37390/avancacinema.2025.a611

Maria do Rosário da Silva Santana, Helena Maria da Silva Santana

Madame Butterfly by John Luther Long and its reworking on the homonymous opera by Giacomo Puccini and the film M. Butterfly by David Cronenberg: symbology, intentions and identities

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DOI: https://doi.org/10.37390/avancacinema.2025.a609

Gilmar Santana, Walmir Pavam, Miriam de Oliveira Gonçalves

Portraits of cinematic affections in a changing city.

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DOI: https://doi.org/10.37390/avancacinema.2025.a613

Luciana Molina

Proletarian Romance in the 21st Century: Comparative Study of Fallen Leaves and The Day I Met You.

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DOI: https://doi.org/10.37390/avancacinema.2025.a614

Miguel Peña Méndez

Six Degrees of Separation: The great fable of the Art World

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DOI: https://doi.org/10.37390/avancacinema.2025.a623

Mar Garrido Román

Soundscapes, Perception, and Narrative in Lucrecia Martel’s Films.

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DOI: https://doi.org/10.37390/avancacinema.2025.a616

India Mara Martins

Strategies for conservation of materials from the Material Collection for Art Direction of the UFF Film and Video Department

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DOI: https://doi.org/10.37390/avancacinema.2025.a628

Mário Vaz Almeida

The biopic “O DERRADEIRO GESTO”: the strange methods of a disruptive visual artist and his relationship with the “SENSORY TURN” in art.

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DOI: https://doi.org/10.37390/avancacinema.2025.a618

Isac Chateauneuf

The Erasure and Inscription of Existences in the Series El secreto del río: Tensions in Heteronormativity, Indigestible Imaginaries, and Educational Foundations

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DOI: https://doi.org/10.37390/avancacinema.2025.a625

Carla Patrícia Oliveira de Souza

The Meaning exuded by the Masks in Squid Game (2021-2024)

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DOI: https://doi.org/10.37390/avancacinema.2025.a626

Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

The pursuit of beauty in the relationship between Aschenbach and Tadzio in Death in Venice (1971) by Luchino Visconti

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DOI: https://doi.org/10.37390/avancacinema.2025.a608

João Dias Ferreira

The Sound of Memory: Musical Analysis of Flashbacks in Film Noir.

DOI: https://doi.org/10.37390/avancacinema.2025.a617

Guy Amado

The relational disillusion in The Square.

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DOI: https://doi.org/10.37390/avancacinema.2025.a619

Luis Fernando Zubieta

Theatrical and Cinematic Staging as a Method of Approaching Reality with Immigrant Groups

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DOI: https://doi.org/10.37390/avancacinema.2025.a615

Chapter II _ Cinema - Cinema

Mohammad Reza Hemmati, Negar Hassanzadeh, Nahal Marghaei Zadah

Acting Evolution in cinema: D.W. Griffith and Lillian Gish.

DOI: https://doi.org/10.37390/avancacinema.2025.a636

Francisco Malta, Pedro Losch, Zeca Pedroso

Between Images and Memories: Memory and Identity in I’m Still Here

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DOI: https://doi.org/10.37390/avancacinema.2025.a638

Selma Pereira, Ricardo Alexino Ferreira, Adérito Fernandes-Marcos

Black Saints in Brazilian Cinema: Representation, Spirituality, and Cultural Identity.

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DOI: https://doi.org/10.37390/avancacinema.2025.a642

Francisco Malta, Nívea Faso, Wilson Oliveira Filho

Bridging Education and Industry: The Role of Experimental Agencies in Brazilian University Cinema

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DOI: https://doi.org/10.37390/avancacinema.2025.a641

Ana Camila Esteves

Cinematography as Distinction: Ebun Pataki and the Visual Aesthetics of “Beyond Nollywood” films.

DOI: https://doi.org/10.37390/avancacinema.2025.a644

Amanda Lopes Fernandes

Contemporary Contributions of Lusophone Women Filmmakers: Mappings, Policies, and New Voices.

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DOI: https://doi.org/10.37390/avancacinema.2025.a643

Carolina Fadigas, João Barata

The creative process of historical costume reconstruction in film and theatre - Interview with Miss Suzie

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DOI: https://doi.org/10.37390/avancacinema.2025.a634

Filipe Freitas Chaves, Sérgio Henrique Carvalho Vilaça

Echoes of the Unknown: Herzog’s Search for Humanity’s Edges

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DOI: https://doi.org/10.37390/avancacinema.2025.a645

Matilde Dias

“Films are Slow Weapons”: The Resistance of Memory through Art in Aurora’s Sunrise (2022).

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DOI: https://doi.org/10.37390/avancacinema.2025.a637

Sheida Sheikhha, Bruno Grandino

Introducing Miss Havisham: A Comparative Analysis of Different Adaptations of Great Expectations.

DOI: https://doi.org/10.37390/avancacinema.2025.a646

Ana Catarina Pereira, Ana Isabel Soares, Julia Marques

Imperfect Being(s): The creation process in the autobiographic documentary Teko Haxi

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DOI: https://doi.org/10.37390/avancacinema.2025.a640

José Francisco Serafim, Morgana Gama, Regina Glória Andrade, Feliphe Alencar, Amanda Dantas Moreira Cruz

Migration documentaries: reclaiming memories for lives in motion.

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DOI: https://doi.org/10.37390/avancacinema.2025.a635

Carlos Canelas

Portuguese Cinema after the COVID-19 Pandemic

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DOI: https://doi.org/10.37390/avancacinema.2025.a632

Paulo Portugal

The FILMar project: the reconfiguration of cinephilia and the new authors

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DOI: https://doi.org/10.37390/avancacinema.2025.a647

Inês Varandas Fernandes

The symphony of (not) belonging: music tales in two coming-of-age films

DOI: https://doi.org/10.37390/avancacinema.2025.a631

Angélica Coutinho

The value of audiovisual products – between cultural and economic revenue.

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DOI: https://doi.org/10.37390/avancacinema.2025.a630

Lardyanne Pimentel Guimarães

The Virtualization of Culture in the Age of Digital Convergence: Networks, Media and Participation in the Network Society

DOI: https://doi.org/10.37390/avancacinema.2025.a633

Gönül Cengiz

Traces of War in Caucasian Cinema: Tangerines (2013) and Nabat (2014)

DOI: https://doi.org/10.37390/avancacinema.2025.a629

Diana de Oliveira Souza Reis, Mateus Costa de Oliveira

Transnationality, Counter-archive and Memory: historical (re)readings in Nelly & Nadine (2022) and Torre das Donzelas (2018)

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DOI: https://doi.org/10.37390/avancacinema.2025.a639

Chapter III _ Cinema - Communication

Maria Cecília Ribeiro Nunes Nascimento, Andrea Cristina Versuti

Amefricanizing brazilian cinema through the direction of black women

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DOI: https://doi.org/10.37390/avancacinema.2025.a649

Isabel Pina

Aurélio da Paz dos Reis: Stereoscopic Photography and Panoramic Visions

DOI: https://doi.org/10.37390/avancacinema.2025.a652

Marta Fiolić, Maria Irene Aparício

Cinema beyond Cinema: The Anthropocene Project as an econarrative

DOI: https://doi.org/10.37390/avancacinema.2025.a655

Francisco Madureira

Cinema, rolling stock: the transitive experiment of Aleksandr Medvedkin’s cine-train (1932)

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DOI: https://doi.org/10.37390/avancacinema.2025.a648

Otávio Augusto Castro Risieri, Fabrícia Teixeira Borges

CinePsi: film clubs as a new teaching method in psychology while spreading audio-visual culture.

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DOI: https://doi.org/10.37390/avancacinema.2025.a650

William E. Ottowitz III, MD

HEMVFED and The Double Narrative: Theoretical Framework and Initial Evidence

DOI: https://doi.org/10.37390/avancacinema.2025.a654

Fabiana de Barros Monteiro Soares, Thelma Panerai Alves

Participatory culture and the enduring presence of Auto da Compadecida in the collective memory.

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DOI: https://doi.org/10.37390/avancacinema.2025.a657

Jaime Aníbal Venegas Gavilanes

Portrait / Self-portrait

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DOI: https://doi.org/10.37390/avancacinema.2025.a651

António Manuel Rodrigues Ferreira, Daniel Brandão, Pedro Mota Teixeira

The impact of non-verbal communication in animation: A case study of “Fragmentos” short animated film

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DOI: https://doi.org/10.37390/avancacinema.2025.a658

Alfredo José Mainar Causapé, Patricia Fuentes Saguar, Ángeles Cámara Sánchez, Guadalupe Valera Blanes

The impact of the film sector on the Spanish economy: from production to exhibition

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DOI: https://doi.org/10.37390/avancacinema.2025.a656

Alina Kuzo

“You remind me of a man”: How the prior knowledge about the director is shaping the viewers’ reception of a film

DOI: https://doi.org/10.37390/avancacinema.2025.a653

Chapter IV _ Cinema - Technology

Pedro Henriques, Pedro Alves da Veiga

Angústia: An Autoethnographic and Phenomenological Analysis of the Documentation of Subjectivity through Artificial Intelligence

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DOI: https://doi.org/10.37390/avancacinema.2025.a667

Paulo Barbosa

Challenges and Innovations in Accessing and Researching Oral Memories: The Case of the AMOPC Archive.

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DOI: https://doi.org/10.37390/avancacinema.2025.a663

Jorge Humberto Flores Romero, Juan Carlos Lobato Valdespino

Domestic spaces in the cinematic house. “Amores Perros” by Alejandro González Iñárritu.

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DOI: https://doi.org/10.37390/avancacinema.2025.a664

Maria Canas, Pedro Cardoso, Sérgio Eliseu

Expanding Expanded Cinema: Audience Agency and Dark Play

DOI: https://doi.org/10.37390/avancacinema.2025.a659

Marta Amorim, Bruno Mendes da Silva

From photographic representation to statistical abstraction: a self-portrait on (in)visibility.

DOI: https://doi.org/10.37390/avancacinema.2025.a666

Francisco Silveira

Gamification in Cinema: the Numbers that God Made in Drowning by Numbers and “Nosedive”

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DOI: https://doi.org/10.37390/avancacinema.2025.a661

Alexandre Oliveira Martins, Ana Gavina, António Costa Valente, Bruno Mendes da Silva

“memories in motion: Women and Cinema”: Archive, Montage, and the Poetics of the Audiovisual Essay

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DOI: https://doi.org/10.37390/avancacinema.2025.a665

Hugo Paquete. P.h.D

Post-Apocalyptic Negentropy The Intersection of Technology, Environment, and Generative Music in Opera.

DOI: https://doi.org/10.37390/avancacinema.2025.a662

Virgilio Vasconcelos, Suryara Bernardi

Reflections on a Mixed-Method Approach to Animation with Generative AI: Cannibalizing the Tools of Automation in the project AI.D

DOI: https://doi.org/10.37390/avancacinema.2025.a668

Tony Costa

Still teaching on film

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DOI: https://doi.org/10.37390/avancacinema.2025.a669

Ersan Ocak, Ph.D.

The State of Interactive Documentaries in Turkey Within the Digitalization Process of Documentary Production

DOI: https://doi.org/10.37390/avancacinema.2025.a660

Chapter V _ Guests

Marc Rigaudis, Gitonga Kiigi

AFRICA...THE PLUG and SISTER AI...

DOI: https://doi.org/10.37390/avancacinema.2025.a672

José da Silva Ribeiro, Ana Beatriz Pimenta de Carvalho, Thelma Panerai Alves

Autobiographies in Anthropology, Cinema, and Education. Between Technologies, Reflexivity, and Interdisciplinarity.

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DOI: https://doi.org/10.37390/avancacinema.2025.a671

José da Silva Ribeiro, Carlos Antônio Alves Pontes, Maria José Cavalcanti Freitas, Maria Thereza Didier de Moraes

Cinema: stories that transform

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DOI: https://doi.org/10.37390/avancacinema.2025.a670

Narce Dalia Ruiz Guzmán

The presence of women at the Latin American film awards

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DOI: https://doi.org/10.37390/avancacinema.2025.a673

Capítulo VI _ Guest Country

Kaoutar Baaj, Elmehdi Boujou, El Arbi El Bakkali, Abdelfattah Lahiala

Artificial Intelligence in Institutional Audiovisual Content Production

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DOI: https://doi.org/10.37390/avancacinema.2025.a675

Mouna HASSANI, Meryem EL YOUSSIFI, Abdelfattah LAHIALA, Moulay Maati Alaoui FANNANE

Cinema as an Educational Technology: Enhancing Socio-pedagogical Communication

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DOI: https://doi.org/10.37390/avancacinema.2025.a682

EL MEHDI ETTALABI

Directing the Invisible: AI, Memory, and Rhythm in HEJJAYTI Pt. VII

DOI: https://doi.org/10.37390/avancacinema.2025.a686

Latifa Chahbi

Hip-hop culture as an educational and emancipatory tool in Nabil Ayouch’s cinema: a study of the film Haut et Fort

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DOI: https://doi.org/10.37390/avancacinema.2025.a679

Kaoutar EL AIDA, Wissal Boulouah, Mohamed Amine Lahiala, Moulay Maati Alaoui Fennane, Abdelfattah Lahiala

Integrating Film in EFL Education: A Catalyst for Effective Communication Skills Development

DOI: https://doi.org/10.37390/avancacinema.2025.a674

AMRANI Oussama, EL BAKKALI El Arbi

Literature Through the Lens of Cinema: From Morceaux de choix by Nedali to Les ailes de l’amour by Laraki

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DOI: https://doi.org/10.37390/avancacinema.2025.a677

Mariam KERROUDI , Yassin RAZKAOUI

Cinéma marocain et politique audiovisuelle : Enjeux, ambitions et contraintes pratiques

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DOI: https://doi.org/10.37390/avancacinema.2025.a680

Wissal BOULOUAH, Kaoutar EL AIDA, Houssame NEKHASS, Imane EL KORTBI, Laila DROUICHE, Abdelfettah LAHIALA

Morocco in Cinema: Between Global Fantasies and Local Realities in Shaping Tourism Image Destination

DOI: https://doi.org/10.37390/avancacinema.2025.a678

Oumayma Bouchanine, Moulay Maati Alaoui Fennane, Abdelfattah Lahiala, Kaoutar Baaj, Hatim Mourtadi

The Aesthetics of Montage and Sports Soft Power : Analyzing the Visual Construction of Morocco’s Geopolitical Narrative (2022–2030)

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DOI: https://doi.org/10.37390/avancacinema.2025.a676

Sanaa SOUDDATI, Abdelfattah LAHIALA, Moulay maati ALAOUI FANNANE

The Cinema as a Social Actor: Codification, Reception, and Communicational Issues

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DOI: https://doi.org/10.37390/avancacinema.2025.a683

Meryem EL YOUSSIFI, Mouna HASSANI, Kaoutar EL AIDA, Abdelfattah LAHIALA

The use of films as a pedagogical tool for the development of critical thinking skills of students: conceptual review

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DOI: https://doi.org/10.37390/avancacinema.2025.a681

Safae TAOUIL, Abdelfattah LAHIALA

Theater as a pedagogical lever for the development of students’ communication skills: the case of Moroccan ISPITS students

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DOI: https://doi.org/10.37390/avancacinema.2025.a685

Fatin SOLEIMANI, Yassin RAZKAOUI

Virtual Reality and Educational Cinema: Towards Immersive Higher Education in Morocco

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DOI: https://doi.org/10.37390/avancacinema.2025.a684