Cinema - Art

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169 Items
Tatiane De Oliveira Elias
The Power of Black Video Art and Film in Contemporary Art
DOI: https://doi.org/10.37390/avancacinema.2021.a248
Paulo Avelino de Souza Costa
The other muted
DOI: https://doi.org/10.37390/avancacinema.2020.a115
Leonardo Augusto de Jesus
The movement-image under visual palimpsests in the samba schools of Rio de Janeiro
DOI: https://doi.org/10.37390/avancacinema.2022.a392
Marcia Mansur
The montage of “Cine Rabeca”: music, memory and ethnography in an expanded cinema experience.
DOI: https://doi.org/10.37390/avancacinema.2023.a485
Orlando José Dantas Lopes, Paulo Fernando de Almeida Souza
The meeting: a dialogue between art and design for managing and creating an audiovisual project throughout the COVID-19 pandemic
DOI: https://doi.org/10.37390/avancacinema.2021.a247
Raquel de Araujo Roble
The meaning of blue color in the film Bleu, by Kieslowski
DOI: https://doi.org/10.37390/avancacinema.2020.a116
Patricia Perez de Moraes Nepomuceno, Mauricio Silva Gino
The Masquerade Folia: a reflection about culture and image in the visual metaphors present in the animation The Boy and the World
DOI: https://doi.org/10.37390/avancacinema.2021.a246
Matías López Iglesias
The main character of Ibero-American cinema in the hypermodern model
DOI: https://doi.org/10.37390/avancacinema.2021.a245
Nicoleta Călina, Cristiana Călina
The long life of Carlo Collodi’s puppet between literature and cinema. Pinocchio: short excursus through screen adaptations and performances
DOI: https://doi.org/10.37390/avancacinema.2022.a391
Chan Ka Lok Sobel
The limitless Possibility of Combination: Filmic Lego Poetics of Storytelling and Structure in Global Film Scriptwriting and Duration
DOI: https://doi.org/10.37390/avancacinema.2021.a244
Walmir Barguil Pavam
The language of maturation in Deslembro, by Flávia Castro
DOI: https://doi.org/10.37390/avancacinema.2022.a390
Carla Patrícia Oliveira de Souza
The Haunted Scenarios of Amorteamo (2015) from the perspective of the Semiotics of Culture
DOI: https://doi.org/10.37390/avancacinema.2023.a484
Paulo Alexandre e Castro
The end of cinema as we know it.
DOI: https://doi.org/10.37390/ac.v0i0.21
Pollyanna Rosa Ribeiro, Luciana Alves Rodrigues
The elements of the film narrative “The Book Thief” (2013)
DOI: https://doi.org/10.37390/avancacinema.2021.a243
Eliane Gordeeff
The Dual Path of Cinema Between Real and Fantastic Fiction
DOI: https://doi.org/10.37390/avancacinema.2023.a483
José Alejandro López Pérez
The documenting by opposites of forced disappearance and the Peruvian video installation Liminal (2019) by Maya Watanabe
DOI: https://doi.org/10.37390/avancacinema.2024.a562
Alexandra Tomás, Paulo Bernardino Bastos
The aura of performance on the cinematic condition
DOI: https://doi.org/10.37390/avancacinema.2021.a242
Fabiana de Barros Monteiro Soares, Thelma Panerai Alves
The Artist and the Art in ‘O Guarani’, by José de Alencar, an adaptation by Pedro Pernambuco
DOI: https://doi.org/10.37390/avancacinema.2021.a241
Abbas MOHAMMADI
The aesthetics of light in Afghan Cinema
DOI: https://doi.org/10.37390/avancacinema.2022.a389
Marcos Jiménez González
The aesthetic fascination of the negative character. From expressionist monsters to Breaking Bad
DOI: https://doi.org/10.37390/avancacinema.2021.a240
Ana Císcar Cebriá
The act of seeing with no eyes: a videographic project about visuality as an instrument of power
DOI: https://doi.org/10.37390/avancacinema.2021.a239
Hugo Paquete
Terminal velocity: Chronoscopic time of the orbital bodies in the sound and musical composition.
DOI: https://doi.org/10.37390/avancacinema.2020.a125
Cíntia Mariza do Amaral Moreira , Ana Carolina de Gouvêa Dantas Motta, Mário Elian, Thaís Yamamoto, Antônio Frederico Moreira Lasalvia
Technique of making adobe in a craft workshop using documentary video: an example in Portugal and another in Brazil
DOI: https://doi.org/10.37390/avancacinema.2020.a123
Rodrigo Coelho Pierre Lira
Surviving Images: an analysis of Edipo Re (1967), by Pier Paolo Pasolini
DOI: https://doi.org/10.37390/avancacinema.2022.a388
Nuno Sousa, Sérgio Eliseu
Stylized Artistic animation for virtual reality – Boundaries between the virtual and the physical
DOI: https://doi.org/10.37390/avancacinema.2021.a238