Cinema - Art

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191 Items
Patricia Perez de Moraes Nepomuceno, Mauricio Silva Gino
The relationship between image and sound in the sound environment of the animation The boy and the World
DOI: https://doi.org/10.37390/avancacinema.2021.a250
Guy Amado
The relational disillusion in The Square.
DOI: https://doi.org/10.37390/avancacinema.2025.a619
Yi Chen
The Refrains of Memory: Bi Gan’s Long Day’s Journey into Night
DOI: https://doi.org/10.37390/avancacinema.2021.a249
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
The pursuit of beauty in the relationship between Aschenbach and Tadzio in Death in Venice (1971) by Luchino Visconti
DOI: https://doi.org/10.37390/avancacinema.2025.a608
Tatiane De Oliveira Elias
The Power of Black Video Art and Film in Contemporary Art
DOI: https://doi.org/10.37390/avancacinema.2021.a248
Paulo Avelino de Souza Costa
The other muted
DOI: https://doi.org/10.37390/avancacinema.2020.a115
Leonardo Augusto de Jesus
The movement-image under visual palimpsests in the samba schools of Rio de Janeiro
DOI: https://doi.org/10.37390/avancacinema.2022.a392
Marcia Mansur
The montage of “Cine Rabeca”: music, memory and ethnography in an expanded cinema experience.
DOI: https://doi.org/10.37390/avancacinema.2023.a485
Orlando José Dantas Lopes, Paulo Fernando de Almeida Souza
The meeting: a dialogue between art and design for managing and creating an audiovisual project throughout the COVID-19 pandemic
DOI: https://doi.org/10.37390/avancacinema.2021.a247
Raquel de Araujo Roble
The meaning of blue color in the film Bleu, by Kieslowski
DOI: https://doi.org/10.37390/avancacinema.2020.a116
Carla Patrícia Oliveira de Souza
The Meaning exuded by the Masks in Squid Game (2021-2024)
DOI: https://doi.org/10.37390/avancacinema.2025.a626
Patricia Perez de Moraes Nepomuceno, Mauricio Silva Gino
The Masquerade Folia: a reflection about culture and image in the visual metaphors present in the animation The Boy and the World
DOI: https://doi.org/10.37390/avancacinema.2021.a246
Matías López Iglesias
The main character of Ibero-American cinema in the hypermodern model
DOI: https://doi.org/10.37390/avancacinema.2021.a245
Nicoleta Călina, Cristiana Călina
The long life of Carlo Collodi’s puppet between literature and cinema. Pinocchio: short excursus through screen adaptations and performances
DOI: https://doi.org/10.37390/avancacinema.2022.a391
Chan Ka Lok Sobel
The limitless Possibility of Combination: Filmic Lego Poetics of Storytelling and Structure in Global Film Scriptwriting and Duration
DOI: https://doi.org/10.37390/avancacinema.2021.a244
Walmir Barguil Pavam
The language of maturation in Deslembro, by Flávia Castro
DOI: https://doi.org/10.37390/avancacinema.2022.a390
Carla Patrícia Oliveira de Souza
The Haunted Scenarios of Amorteamo (2015) from the perspective of the Semiotics of Culture
DOI: https://doi.org/10.37390/avancacinema.2023.a484
Isac Chateauneuf
The Erasure and Inscription of Existences in the Series El secreto del río: Tensions in Heteronormativity, Indigestible Imaginaries, and Educational Foundations
DOI: https://doi.org/10.37390/avancacinema.2025.a625
Paulo Alexandre e Castro
The end of cinema as we know it.
DOI: https://doi.org/10.37390/ac.v0i0.21
Pollyanna Rosa Ribeiro, Luciana Alves Rodrigues
The elements of the film narrative “The Book Thief” (2013)
DOI: https://doi.org/10.37390/avancacinema.2021.a243
Eliane Gordeeff
The Dual Path of Cinema Between Real and Fantastic Fiction
DOI: https://doi.org/10.37390/avancacinema.2023.a483
José Alejandro López Pérez
The documenting by opposites of forced disappearance and the Peruvian video installation Liminal (2019) by Maya Watanabe
DOI: https://doi.org/10.37390/avancacinema.2024.a562
Mário Vaz Almeida
The biopic “O DERRADEIRO GESTO”: the strange methods of a disruptive visual artist and his relationship with the “SENSORY TURN” in art.
DOI: https://doi.org/10.37390/avancacinema.2025.a618
Alexandra Tomás, Paulo Bernardino Bastos
The aura of performance on the cinematic condition
DOI: https://doi.org/10.37390/avancacinema.2021.a242
Fabiana de Barros Monteiro Soares, Thelma Panerai Alves
The Artist and the Art in ‘O Guarani’, by José de Alencar, an adaptation by Pedro Pernambuco
DOI: https://doi.org/10.37390/avancacinema.2021.a241