All Items

74 Items
Maria Eugénia Pereira

Sophia de Mello Breyner de Andresen na poesia de cinema de João César Monteiro

October 30, 2019
https://doi.org/10.37390/ac.v0i0.82
Anabela Branco de Oliveira, Felipe Muanis

State Funeral (Sergei Loznitsa, 2019): the documentary funeral

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a465
Maria Manuela Lopes, Paulo Bernardino Bastos

Synaesthetic Reverberations: Interaction between Memory, Performance, and Visual Arts in ‘Pictures at an Exhibition’

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a604
Oumayma Bouchanine, Moulay Maati Alaoui Fennane, Abdelfattah Lahiala, Kaoutar Baaj, Hatim Mourtadi

The Aesthetics of Montage and Sports Soft Power : Analyzing the Visual Construction of Morocco’s Geopolitical Narrative (2022–2030)

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a676
Regis Frota Araújo

The case of the North-American writers attracted by Hollywoodian Cinema

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a357
Sanaa SOUDDATI, Abdelfattah LAHIALA, Moulay maati ALAOUI FANNANE

The Cinema as a Social Actor: Codification, Reception, and Communicational Issues

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a683
Nazlı Eda Noyan

The Destiny of a “Baby” Industry: Turkish Animation

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a202
Carina Castro, Lídia Oliveira

The effect of the documentary on reducing the stigma presented by university students regarding mental illnesses

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a777
Narce Dalia Ruiz Guzmán

The presence of women at the Latin American film awards

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a673
José da Silva Ribeiro

The Reconfiguration of the Fieldwork: From Visual Anthropology to Multimodality

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a778
Lara Pereira, Lídia Oliveira

The representation of anxiety in cinema over the last decade

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a597
José da Silva Ribeiro

The Script in Documentary Filmmaking and Cinema Work in Schools

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a602
Manuel Bernardo Cabral, António Costa Valente

The Searchers: Aristoteles Revisited

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a358
Marc Rigaudis, Max Musau

The Team Using Video Games To Help Fight Climate Change

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a359
Meryem EL YOUSSIFI, Mouna HASSANI, Kaoutar EL AIDA, Abdelfattah LAHIALA

The use of films as a pedagogical tool for the development of critical thinking skills of students: conceptual review

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a681
Safae TAOUIL, Abdelfattah LAHIALA

Theater as a pedagogical lever for the development of students’ communication skills: the case of Moroccan ISPITS students

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a685
João Victor Gomide, Tatiana Mazali

Toward a Calibrated Virtual Production Infrastructure for Spatial Media

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a779
José da Silva Ribeiro

Um Percurso pelo Cinema e pela Escola

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a203
Javier Venturi

Utopian and Dystopian Visions in the Movies The Voice of the Moon and Some Time Later

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a204
Anabela Dinis Branco de Oliveira

Van Gogh and Cinema: words, obsessions and textures

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a554
Fatin SOLEIMANI, Yassin RAZKAOUI

Virtual Reality and Educational Cinema: Towards Immersive Higher Education in Morocco

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a684
Igor Abrahão Arantes, Bernardo Giorni Abijaude Bracarense, Samuel Marinho Leidner, Humberto de Campos Rezende, João Victor Boechat Gomide

Workflow for real-time rendering animation

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a199
Patrícia Dourado , Mirian Tavares

Writing and rewriting: screenwriting practices by Anna Muylaert in Second Mother

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a466
Denize Araujo, Fernando Sarmento

“Duoverse” protagonists & “indexical” spectators

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a603