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74 Items
Film Subtitling: A New Research Genre in Africa
October 30, 2020
Framing the Rural – Finding narratives in the making of a documentary about Amiais, Portugal
October 30, 2020
From Magical Realism to the Pedagogy of Revolt: A Three-Dimensional Reading of Zero de Conduite in Teacher Training
September 3, 2026
From screenwriting to montage, evidence to understand the evolution of audiovisual narratives
October 30, 2021
Hablando de cine, el papel de las revistas cinematográficas.
October 30, 2019
Hip-hop culture as an educational and emancipatory tool in Nabil Ayouch’s cinema: a study of the film Haut et Fort
December 16, 2025
Insights about an interactive film installation.
October 30, 2019
Integrating Film in EFL Education: A Catalyst for Effective Communication Skills Development
December 16, 2025
Interactive narratives: Webdocumentary a audiovisual genre
October 30, 2023
Is it still cinema? The use of Artificial Intelligence in filmmaking and the future of the art
September 3, 2026
Law and Psychoanalysis in Dostoevsky’s Book “The Brothers Karamazov”
October 30, 2022
Literature Through the Lens of Cinema: From Morceaux de choix by Nedali to Les ailes de l’amour by Laraki
December 16, 2025
Live cinema and its potential as a resource for online classes
October 30, 2023
Manoel de Oliveira: a inevitabilidade da memória
October 30, 2019
Melodrama noir: Beyond the Forest and Leave Her To Heaven
October 30, 2023
Montage as a strategy for re-signifying images and archives: the legacy of women filmmakers Esfir Shub and Maya Deren
September 3, 2026
Morocco in Cinema: Between Global Fantasies and Local Realities in Shaping Tourism Image Destination
December 16, 2025
Multiscreen Narratives and the “Expanded Spectator”
January 22, 2025
O Acossado e o cinema moderno da desmistificação godardiana
October 30, 2020
PARTICIPATORY CULTURE: THE EMANCIPATED SPECTATOR
January 22, 2025
Plataformas de creación colaborativa en el audiovisual.
October 30, 2019