All Items

69 Items
Lilian Cristina Monteiro França

From Flash to Klynt: algorithmic standardization of webdocumentary´s narrative

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a453
Marcello Ferreira, Bárbara Cleto, Luís Leite

From Performative Animation to Film Production

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a343
Marta Amorim, Bruno Mendes da Silva

From photographic representation to statistical abstraction: a self-portrait on (in)visibility.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a666
Maria Valentina Fandiño

From the maloca to the screen. Narrative connections between the oral tradition of Múrui-Muina amazonian community and interactive audiovisual content.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a454
Francisco Silveira

Gamification in Cinema: the Numbers that God Made in Drowning by Numbers and “Nosedive”

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a661
Sofia Figueiredo

Interactive cinema - videogames: a possible approach?

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a344
Luciano Marafon

Interactivity and post-media: the coexistence between technology and narratives

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a345
Juan José Domínguez López

La problemática de los códecs en la edición y la distribución del audiovisual.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.70
Alexandre Catarino Oliveira Martins

Memories in motion: the creation of video Art through the anthropological archetype and the a/r/tographic and a/r/cographic models

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a455
Francisco-Julián Martínez-Cano

Metaverse film. The rising of immersive audiovisual through disrupting traditional moving image and its conventions

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a540
Francisco-Julián Martínez-Cano

Methodologies and Procedures for the Audiovisual Creation and Direction of Virtual Reality Short Films with Volumetric Capture. An Innovation Project for Higher Education

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a595
Ana Perfeito, Bruno Mendes Silva

Moda Vestra - um espetáculo de cinema ao vivo sobre o Algarve.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.71
Tugay Arat

New Media and Technological Transformation

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a346
Wilson Oliveira Filho , Gabriel Linhares Falcão, Francisco Malta, Márcia Cristina da Silva Sousa

O escuro tem sua casa: O retorno à sala de exibição como resposta as novas tecnologias de imersão.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.72
Petra Dominkova

Phenomenology of a Projection Booth

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a347
Fabiane Urquhart Duarte , Andreia Machado Oliveira

Poetics of Time: on the wear and tear and appropriation of photosensitive materials

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a456
Hugo Paquete. P.h.D

Post-Apocalyptic Negentropy The Intersection of Technology, Environment, and Generative Music in Opera.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a662
María del Mar Ogea Pozo

Raising awareness and teaching accessibility: a didactic experiment in the audiovisual translation classroom based on audio description

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a457
Virgilio Vasconcelos, Suryara Bernardi

Reflections on a Mixed-Method Approach to Animation with Generative AI: Cannibalizing the Tools of Automation in the project AI.D

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a668
Sivakumar Ramachandran

Sensory technology for measuring engaged viewership of broadcast television content

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a348
Manuel Flurin Hendry, Norbert Kottmann, Valentin Karl Huber, Michael Schaerer, Christian Iseli

Simulate This! Virtual Production and Cinematic Education with cineDESK

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a541
João Pedro Ribeiro, Miguel Carvalhais, Pedro Cardoso

Sound in the Mise-en-jeu: Conveying Meaning through Videogames’ Mediated Space

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a190
Richard O’Sullivan

Standing Ground: the index in the landscape of the digital

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a191
Tony Costa

Still teaching on film

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a669
Bruna G. Malta Victal Teodoro, Glaucia E. Davino

Streaming times. Implications on audiovisual production in Brazil

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a192