Abstract

This work intends to explain about the temporal aspects and the appropriation of images of photosensitive materials already revealed, as a way to produce new cinematographic narratives and transformed images, using as a demonstration of time, the wear and tear of this photosensitive material through the process of deterioration and wear of the image. By contact with fungal organisms, arising from the non-maintenance of the photographic or filmic film, providing a new possibility of image, which is in a constant process of change, and the creation of a temporal poetics, called the poetics of time. We propose to investigate the “fungal image”, and its intervention in a biological way, contributing to the aesthetics of the film. The “fungal image” in slides and its development processes is treated, which permeate the analog + digital hybridization, which involves the rescue of old analog technologies and their resignification in the digital context.