Cinéma - Communication

Tous les titres

119 titres
Filipe Pereira

The documentary film as a tool for the ethnography of performance

octobre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a181
Chan Ka Lok Sobel

The Dynamic Aesthetics, Locality and Dehybrid Style of Hong Kong Cinema facing the Recovery of Post-Pandemic Period.

octobre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a530
Moqadassa SARWARI, Abbas MOHAMMADI

The effect of cinema on human social behavior

octobre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a531
Noni Geiger

The Eschatological Screen

janvier 22, 2025
https://doi.org/10.37390/avancacinema.2024.a593
António Manuel Rodrigues Ferreira, Daniel Brandão, Pedro Mota Teixeira

The impact of non-verbal communication in animation: A case study of “Fragmentos” short animated film

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a658
Alfredo José Mainar Causapé, Patricia Fuentes Saguar, Ángeles Cámara Sánchez, Guadalupe Valera Blanes

The impact of the film sector on the Spanish economy: from production to exhibition

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a656
María del Mar Ogea Pozo

The translation of Watchmen: a job for superheroes?

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a336
Fuad Halwani

The Trickster in Serialized Television: An Anti-hero of Postmodern Mythologies

octobre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a182
Francisco Malta, Thiago Barboza

TRUE CRIME: Era uma vez um crime

octobre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a536
Eliane Gordeeff

Um Duplo Olhar Sobre As Imagens Animada e Filmada

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a316
Cristian Avello Cancino

Uma câmera-flecha; mobilizações, cosmopolítica e modos de aldear o cinema

octobre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a421
Carlos Pantaleón Panaro

Un recorrido real por la Viena del filme El Tercer Hombre.

octobre 30, 2019
https://doi.org/10.37390/ac.v0i0.66
Cheong Kin Man

Une identité réinterprétée : Notes sur un vieux documentaire et recherche autour de l’identité macanaise

octobre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a184
Taher Abdel-Ghani

Using Bernard Tschumi's Manhattan Transcripts as a Cinematic Pedagogical Tool in Architecture Schools in Egypt

octobre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a185
Monica Rodrigues Klemz

Videoclipe oficial da Copa do Mundo do Catar - uma montagem cartográfica

octobre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a525
Gregorio Galvão de Albuquerque

“É você?”: a criação para si e para os outros

octobre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a524
David Wall

“Paging Dr. Freud!” Theorizing John Boorman’s Zardoz.

octobre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a437
Claudio Fontan, Denise Azevedo Duarte Guimarães

“THIS IS AMERICA”: Um Videoclipe estético e ativista social

octobre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a183
Alina Kuzo

“You remind me of a man”: How the prior knowledge about the director is shaping the viewers’ reception of a film

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a653