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217 titres
Tiago Luís Minau Ramos

Uma Questão de Crença: Uma Leitura de Cerrar los ojos (Victor Erice, 2023)

janvier 22, 2025
https://doi.org/10.37390/avancacinema.2024.a582
Luís Proença

Voices of Justice in Non-Fiction Films and in Christianity.

octobre 30, 2019
https://doi.org/10.37390/ac.v0i0.56
Francisco-Julián Martínez-Cano

Volumetric filmmaking, new mediums and formats for digital audiovisual storytelling

octobre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a168
José Francisco Serafim, Regina Gloria Andrade, Maria Natália Ramos, Maria Conceição Ramos

Vozes e Narrativas no Documentário Casa en Tierra Ajena

octobre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a511
Luciana de Almeida Pereira Jordão

Walter White/Heisenberg: construção da personagem em Breaking Bad.

octobre 30, 2019
https://doi.org/10.37390/ac.v0i0.57
Gordana Smudja

Western Myth

octobre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a512
Yuying Song

Why do I live here? - Documentary essay on Chinese immigration in Spain

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a313
Alberto Pino Serradilla

Why do we believe? Cinema as the ultimate device for the historical distortion of Jesus of Nazareth.

janvier 22, 2025
https://doi.org/10.37390/avancacinema.2024.a688
Maryam Khaleghipour, Azam Ravadrad

Why We Don’t Go to the Cinema: A Qualitative Study in Iran

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a314
Paulina Stephani Hernández Ríos, Jean-Pierre Marcos

« Douleur et Gloire », Pedro Almodovar et comment ne pas se répéter 

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a290
Ariani dos Santos Fontes

“A Dama de Shanghai”: Investigações sobre o Cinema Noir

octobre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a417
Diana Marques, Ana Rita Martins

“A house as old as this”: Domestic Horror in Del Toro’s Crimson Peak

octobre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a492
Matilde Dias

“Films are Slow Weapons”: The Resistance of Memory through Art in Aurora’s Sunrise (2022).

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a637
André Francisco

“It’s hard to say whether that idea is really hers”: a tecnologia como elemento disruptor de identidade em Possessor (2020)

octobre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a409
Alexandre Wahrhaftig

“Lavra-dor”, filme-poema: a relação entre cinema e poesia a partir da repetição

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a283
Edileuza Penha de Souza

“O caso do homem errado” – o cinema como instrumento de denúncias do genocídio da população negra

octobre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a158
André Francisco

“Your choices are only as good as your options are”: o small-town noir em Little Woods (2018)

octobre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a513