Tous les titres

217 titres
Ivana Denise Grehs

Símbolos, religiosidade e pertencimento. Diálogos entre história do Brasil e da África em três documentários

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a300
Fernanda Aguiar Carneiro Martins

Sinfonias Urbanas: Utopia e Semiose Documentária

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a265
Inês Xará, Filipe Lopes

Som, Corpo e Emoção no Cinema

octobre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a503
Oscar Canalís Hernández

Structure, Geometry And Method In Peter Greenaway's The Draughtsman’s Contract. The 4 Dimensions In The Cinematic “Canvas”

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a298
Amanda Mansur Custódio Nogueira

Suspensão narrativa e fluxo temporal. A experiência musical em Tatuagem (2013), de Hilton Lacerda.

octobre 30, 2019
https://doi.org/10.37390/ac.v0i0.53
Mariana Schwartz, Alfredo Taunay

Texturas visíveis em A Vida Invisível: uma análise da direção de arte

octobre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a510
Juan Pablo López Rincón

The classic Theories of editing for the cinema and its impact on Video Games’s narrative

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a302
Julio Vallejo Herán

The confusion between person and character in Cravan vs Cravan (Lacuesta, 2002)

octobre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a414
Carolina Fadigas, João Barata

The creative process of historical costume reconstruction in film and theatre - Interview with Miss Suzie

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a634
Edmundo Cordeiro

The elevator scene in ‘Horse Money’: the sound-image.

octobre 30, 2019
https://doi.org/10.37390/ac.v0i0.54
Paulo Portugal

The FILMar project: the reconfiguration of cinephilia and the new authors

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a647
Elahe Saberi

The Impact of Non-linear Narrative Structures on Better Character Development in Animated-short Movies

octobre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a505
Marcela Negro, Javier Olarte

The montage cinema and the narrative structure, strengths for the story progression.

octobre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a419
Diana Martinez Muñoz, Melissa de Raaf

The Non-Existent Documentary Nor Fiction

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a305
Abbas mohammadi

The place of literature adaptation in Afghan cinema

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a306
Caio Chaves Faria

The Sheik (1921), de George Melford: Uma fantasia oriental e racialidade

octobre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a509
Inês Varandas Fernandes

The symphony of (not) belonging: music tales in two coming-of-age films

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a631
Lardyanne Pimentel Guimarães

The Virtualization of Culture in the Age of Digital Convergence: Networks, Media and Participation in the Network Society

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a633
Saša Miletić

The Whistleblower Film – Is it a Genre and Why Does it Matter?

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a309
Cátia Candido da Silva , Waleska Karinne Soares Coutinho Souto , Fabrícia Teixeira Borges

Toc Toc – uma reflexão sobre o papel da alteridade no acabamento estético de si

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a310
Gönül Cengiz

Traces of War in Caucasian Cinema: Tangerines (2013) and Nabat (2014)

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a629
Francisco Malta, Fernando Rodrigues, Renan Oliveira, Thiago Malvar, Matheus Moita, Wilson Oliveira

Trânsitos narrativos que o cinema imersivo em 360 permite ao telespectador em Toy Story 4

octobre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a167
Diana de Oliveira Souza Reis, Mateus Costa de Oliveira

Transnationality, Counter-archive and Memory: historical (re)readings in Nelly & Nadine (2022) and Torre das Donzelas (2018)

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a639
Miguel García Victoria

Três retratos do cangaço: Documentário, vanguarda e paródia

janvier 22, 2025
https://doi.org/10.37390/avancacinema.2024.a581
Manuel Bernardo Cabral

Uma possível leitura do universo fordiano em “O Homem que Matou Liberty Valance”.

octobre 30, 2019
https://doi.org/10.37390/ac.v0i0.55