Cine - Tecnología

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Fabiane Urquhart Duarte , Andreia Machado Oliveira

Poética do Tempo: sobre o desgaste e a apropriação de materiais fotossensíveis

octubre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a456
Hugo Paquete

Post-Apocalyptic Negentropy The Intersection of Technology, Environment, and Generative Music in Opera.

diciembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a662
María del Mar Ogea Pozo

Raising awareness and teaching accessibility: a didactic experiment in the audiovisual translation classroom based on audio description

octubre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a457
Alexandre Carvalho

Realidade Virtual Cinematográfica: métodos de captação de atenção num ambiente 360°

octubre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a538
Virgilio Vasconcelos, Suryara Bernardi

Reflections on a Mixed-Method Approach to Animation with Generative AI: Cannibalizing the Tools of Automation in the project AI.D

diciembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a668
Pegah Izadian

Scanner Animation: An Introduction to an Underexplored Experimental Animation Technique

septiembre 3, 2026
https://doi.org/10.37390/avancacinema.2026.a770
Sivakumar Ramachandran

Sensory technology for measuring engaged viewership of broadcast television content

octubre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a348
Manuel Flurin Hendry, Norbert Kottmann, Valentin Karl Huber, Michael Schaerer, Christian Iseli

Simulate This! Virtual Production and Cinematic Education with cineDESK

octubre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a541
João Pedro Ribeiro, Miguel Carvalhais, Pedro Cardoso

Sound in the Mise-en-jeu: Conveying Meaning through Videogames’ Mediated Space

octubre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a190
Richard O’Sullivan

Standing Ground: the index in the landscape of the digital

octubre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a191
Tony Costa

Still teaching on film

diciembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a669
Bruna G. Malta Victal Teodoro, Glaucia E. Davino

Tempos de streaming. Implicações na produção audiovisual no Brasil

octubre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a192
Luis Fernando Medina Cardona

The Amphibian Filmmaker: A new evolutionary species In the time of the Post-truth.

octubre 30, 2019
https://doi.org/10.37390/ac.v0i0.73
Kurtuluş Özgen

The impact of drones in documentary filmmaking: Renaissance of aerial shot.

octubre 30, 2019
https://doi.org/10.37390/ac.v0i0.74
Mª Alexandra Cardoso

The Influence of Science Fiction in Healthcare Technology

octubre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a193
Mariana Bicudo Castelo Branco Cunha

The Poetic Film in the Age of Mechanical Reproduction, or Maya Deren’s Ritualistic Cinema

septiembre 3, 2026
https://doi.org/10.37390/avancacinema.2026.a772
Ersan Ocak

The State of Interactive Documentaries in Turkey Within the Digitalization Process of Documentary Production

diciembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a660
Estella Oncins , Anna Matamala

Training professionals to improve media accessibility

octubre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a350
Maurício Silva Gino, Vitor Amaro Lacerda , Kayke Quadros Carvalho

Transposição de conteúdo fulldome para mídia plana motivado por medidas sanitárias decorrentes da pandemia de COVID-19

octubre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a351
José Miguel Dos Santos Silva, Vítor Quelhas

Uma Lide de Cartazes.

octubre 30, 2019
https://doi.org/10.37390/ac.v0i0.75
Cyril Lepot

Understanding the empirical process of animating to open up the field of stop motion analog simulation

octubre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a544
Eduardo Nespoli

Vestígios: uma exploração arqueológica de signos e ruídos em uma obra de live cinema

octubre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a459
Sofia Figueiredo, Catarina Carneiro de Sousa

Videogames as Interactive Cinema - New Perspectives

octubre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a545
Büşra Kara

Woman and Home in 1980s Turkish Cinema: A Relational Reading Through Atıf Yılmaz’s Films

octubre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a460
Alexandre Oliveira Martins, Ana Gavina, António Costa Valente, Bruno Mendes da Silva

“memories in motion: Women and Cinema”: Archive, Montage, and the Poetics of the Audiovisual Essay

diciembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a665