Resumen

This article explores the evolution and significance of Scanner Animation, an experimental animation technique that directly transforms analogue spaces into digital pixels. It defines scanner animation as a frame-by-frame method and connects it to recent applications. This study also investigates the unique characteristics of scanner animation, distinguishing it from other animation forms by analysing its historical context and previous research.
Focusing on semiotic and aesthetic aspects, including hybridization and instant physical interaction with the medium, this study delves into the individuality, personal styles, and poetic expressions found in scanner animations. It also highlights the artistic value of errors, glitches, flickers, and other visual artifacts that emerge as essential elements of this medium, thereby reshaping its visual language. The article also showcases notable works in scanner animation, emphasizing the variety of approaches and conceptual explorations within the field. 
As artists continue to experiment with this technique, scanner animation challenges traditional perceptions of cinematic language and broadens the understanding of digital arts. Therefore, a dedicated section of this article explores the new visual language this technique generates, offering insights into ways to improve and evolve it further.
All in all, this study aims to define scanner animation through a comprehensive overview of various approaches, spotlighting its unique position at the intersection of technology and artistic expression. It represents insights into the technological dimensions of cinema, contributing to a deeper understanding of its trajectory and future potential in the ever-expanding field of digital arts.