All Items

213 Items
Isac Chateauneuf

Becoming a Corporeal-Interagent: Conceptualizing Interaction, Shared Learning, and Artistic Practices in Fan Communities

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a607
Ahmad Khoshniat

Bertolt Brecht’s Soul in the Body of Experimental Animation: Common Audiovisual Strategies between Epic Theatre and Robert Breer’s Short Animations

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a369
Lardyanne Pimentel Guimarães

Between Algorithms and Cinema: Reflections on AI-Generated Art

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a705
Maíra Ortins, Paulo Bernardino Bastos

Between Gesture and Memory: Cut-Out and Lost Matrix in the Exploration of Time.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a621
Isabelle Ingrid Freitas Rodrigues

BETWEEN THE PERFORMATIVE AND THE CAPTURED ON THE SCENE: creative processes and innovations in the creation of videodance and play Donna

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a370
Mariana Beatriz Marques Fernandes

Big Eyes: Life and Work of Margaret Keane Through Tim Burton’s eyes.

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a98
Pavel Prokopic

Chance Semiotics: The Value and Application of Contingency in Cinema Art Practice

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a216
Sílvia Pinto Coelho

Choreography and Cinema #1: after the choreographic work of Cathy Weis

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a471
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

Cine-concert community project: Heróis do Mar (1949; 2022) by Fernando Garcia, revisited by Portovedo, Martins and Sampaio

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a472
Florencia Varela Gadea

Cinema and Art: A Critique of Spectacularized Subjectivity

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a706
Leonardo de Castro Soutelo, Débora Emanuelle Nascimento Lomba

Cinema and everyday life: Tours and aesthetic dialogues

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a473
Miguel Ángel Rivas Romero

Cinema and its relationship with merchandising at the beginning of the 21st century

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a217
Marcello Zeppi

Cinema and landscape, Italian heritage and widespread museum

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a99
Mar Garrido Román

Cinema as Illuminated Manuscript: Aesthetics, Symbol and Resistance in Parajanov’s The Colour of Pomegranates

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a707
Maria Fátima Nunes, Carlos Miguel Rodrigues

Cinema e pintura em diálogo

October 30, 2019
https://doi.org/10.37390/ac.v0i0.6
Carolina Duarte Gonçalves Ramos, Miriam de Oliveira Gonçalves

Cinema narratives through walking in urban landscapes

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a371
Derya Yıldız

Cinematic Experience as Spatial Perception: Remembering the Remembrance

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a372
Sebastián Eguiluz, Andrés Haye, María José Bello, Esteban Radiszcz

Cinematic Humor, National Identity, and Temporality in José Bohr and Raúl Ruiz films

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a627
Marc Boumeester

Cinematic Perception and the Image by Proxy

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a373
Paulo Portugal

Cinephilia in the digital age - state of the art

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a708
Aleix Rodríguez Gracia

Coincidences and Consequences: A Note on the Endings in Chekhov and Rohmer

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a559
Manuel Siabato

Concepts and realities of 360° cinema.

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a100
Mário Afonso, Paulo Bernardino Bastos

Contemporary Archives and Practices

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a96
Juan José Domínguez López

Continuity and Transformation in the Cinematic Sound Model: A Comparative Study of Roma and The Zone of Interest

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a709
Latifa Chahbi, Omar Saadoune, Mohamed El Annaz

Creating to Be Free: Art as a Vector of Emancipation in Contemporary Moroccan Cinema. The Case of Zanka Contact (Ismaël El Iraki, 2020)

September 3, 2026
https://doi.org/10.37390/avancacinema.2026.a710