No 16 (2025): AVANCA | CINEMA 2025 | AVANCA | CINEMA

AVANCA | CINEMA 2025

AVANCA | CINEMA 2025

AVANCA | CINEMA 2025

No 16 (2025)

Revue en ligne avec 80 communications (ISSN: 2184-4682) de divers auteurs de différentes parties du monde, qui reflètent la Conférence internationale AVANCA | CINÉMA 2025 et rassemblez des communications scientifiques autour du cinéma.

Publié le décembre 16, 2025

https://doi.org/10.37390/avancacinema.2025

Éditorial

Éditorial | Indice 2025

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Chapitre I _ Cinéma - Art

Carlos Gonçalves Tavares, Francione Oliveira Carvalho

Uma reflexão sobre a intermidialidade no espetáculo Uma mulher vestida de sol, da Cia de Dança Ormeo (Brasil)

https://doi.org/10.37390/avancacinema.2025.a612

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Heloisa Toledo Machado

A Análise Ativa na Direção de Atores e na Realização Cinematográfica

https://doi.org/10.37390/avancacinema.2025.a624

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Isac Chateauneuf

Tornar-se interagente-corpóreo: conceituando interação, aprendizagem compartilhada e práticas artísticas em comunidades de fãs

https://doi.org/10.37390/avancacinema.2025.a607

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Maíra Ortins, Paulo Bernardino Bastos

Entre Gesto e Memória: Cut-Out e Matriz Perdida na exploração do tempo.

https://doi.org/10.37390/avancacinema.2025.a621

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Sebastián Eguiluz, Andrés Haye, María José Bello, Esteban Radiszcz

Humor Cinematográfico, Identidad Nacional y Temporalidad en las Películas de José Bohr y Raúl Ruiz

https://doi.org/10.37390/avancacinema.2025.a627

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Maria Irene Aparício

O problema do Mal nos filmes O Processo de Joana d`Arc (Bresson), e Destino (Chahine): O Cinema entre a Arte, a Filosofia e a Ciência.

https://doi.org/10.37390/avancacinema.2025.a620

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Ana Roberto

Desejo e Alienação: O Feminino como Duplo em Peppermint Frappé.

https://doi.org/10.37390/avancacinema.2025.a610

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Xinran Liu

From Memory to Affective Archives: Documentary as a Prosthesis.

https://doi.org/10.37390/avancacinema.2025.a622

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Fábio Jabur de Noronha

América Latina e Portugal: novas interações entre culinária, performance e vídeo na série INTOXICAÇÃO

https://doi.org/10.37390/avancacinema.2025.a611

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Maria do Rosário da Silva Santana, Helena Maria da Silva Santana

Madame Butterfly de John Luther Long e a sua adaptação para a ópera homónima de Giacomo Puccini e o filme M. Butterfly de David Cronenberg: simbologias, intenções e identidades

https://doi.org/10.37390/avancacinema.2025.a609

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Gilmar Santana, Walmir Pavam, Miriam de Oliveira Gonçalves

Retratos de afetos cinematográficos numa cidade em mudança.

https://doi.org/10.37390/avancacinema.2025.a613

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Luciana Molina

Romance proletário no século XXI: Estudo comparado de Folhas de Outono e O dia que te conheci.

https://doi.org/10.37390/avancacinema.2025.a614

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Miguel Peña Méndez

Seis grados de separación: La gran fábula del mundo del arte

https://doi.org/10.37390/avancacinema.2025.a623

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Mar Garrido Román

Paisajes sonoros, percepción y narrativa en el cine de Lucrecia Martel.

https://doi.org/10.37390/avancacinema.2025.a616

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India Mara Martins

Estratégias de conservação dos materiais do Acervo Material para Direção de Arte do Departamento de Cinema e Vídeo da UFF

https://doi.org/10.37390/avancacinema.2025.a628

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Mário Vaz Almeida

O filme biográfico “O DERRADEIRO GESTO” os estranhos métodos de um artista plástico disruptivo e sua relação com o “SENSORY TURN” na arte.

https://doi.org/10.37390/avancacinema.2025.a618

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Isac Chateauneuf

O apagar e o escrever de existências na série “El secreto del río”: tensões na heteronormatividade, imaginários indigestos e fundamentos educativos

https://doi.org/10.37390/avancacinema.2025.a625

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Carla Patrícia Oliveira de Souza

O Sentido Exalado pelas Máscaras em Squid Game (2021-2024)

https://doi.org/10.37390/avancacinema.2025.a626

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Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

A perseguição do belo na relação entre Aschenbach e Tadzio em A Morte em Veneza (1971) de Luchino Visconti

https://doi.org/10.37390/avancacinema.2025.a608

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João Dias Ferreira

The Sound of Memory: Musical Analysis of Flashbacks in Film Noir.

https://doi.org/10.37390/avancacinema.2025.a617

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Guy Amado

O desencanto relacional em The Square.

https://doi.org/10.37390/avancacinema.2025.a619

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Luis Fernando Zubieta

La puesta en escena teatral y cinematográfica como método de aproximación a la realidad con grupos inmigrantes

https://doi.org/10.37390/avancacinema.2025.a615

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Chapitre II _ Cinéma - Cinéma

Mohammad Reza Hemmati, Negar Hassanzadeh, Nahal Marghaei Zadah

Acting Evolution in cinema: D.W. Griffith and Lillian Gish.

https://doi.org/10.37390/avancacinema.2025.a636

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Francisco Malta, Pedro Losch, Zeca Pedroso

Between Images and Memories: Memory and Identity in I’m Still Here

https://doi.org/10.37390/avancacinema.2025.a638

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Selma Pereira, Ricardo Alexino Ferreira, Adérito Fernandes-Marcos

Black Saints in Brazilian Cinema: Representation, Spirituality, and Cultural Identity.

https://doi.org/10.37390/avancacinema.2025.a642

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Francisco Malta, Nívea Faso, Wilson Oliveira Filho

Bridging Education and Industry: The Role of Experimental Agencies in Brazilian University Cinema

https://doi.org/10.37390/avancacinema.2025.a641

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Ana Camila Esteves

Cinematography as Distinction: Ebun Pataki and the Visual Aesthetics of “Beyond Nollywood” films.

https://doi.org/10.37390/avancacinema.2025.a644

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Amanda Lopes Fernandes

Contemporary Contributions of Lusophone Women Filmmakers: Mappings, Policies, and New Voices.

https://doi.org/10.37390/avancacinema.2025.a643

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Carolina Fadigas, João Barata

The creative process of historical costume reconstruction in film and theatre - Interview with Miss Suzie

https://doi.org/10.37390/avancacinema.2025.a634

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Filipe Freitas Chaves, Sérgio Henrique Carvalho Vilaça

Echoes of the Unknown: Herzog’s Search for Humanity’s Edges

https://doi.org/10.37390/avancacinema.2025.a645

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Matilde Dias

“Films are Slow Weapons”: The Resistance of Memory through Art in Aurora’s Sunrise (2022).

https://doi.org/10.37390/avancacinema.2025.a637

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Sheida Sheikhha, Bruno Grandino

Introducing Miss Havisham: A Comparative Analysis of Different Adaptations of Great Expectations.

https://doi.org/10.37390/avancacinema.2025.a646

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Ana Catarina Pereira, Ana Isabel Soares, Julia Marques

Imperfect Being(s): The creation process in the autobiographic documentary Teko Haxi

https://doi.org/10.37390/avancacinema.2025.a640

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José Francisco Serafim, Morgana Gama, Regina Glória Andrade, Feliphe Alencar, Amanda Dantas Moreira Cruz

Migration documentaries: reclaiming memories for lives in motion.

https://doi.org/10.37390/avancacinema.2025.a635

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Carlos Canelas

O Cinema Português após a Pandemia COVID-19

https://doi.org/10.37390/avancacinema.2025.a632

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Paulo Portugal

The FILMar project: the reconfiguration of cinephilia and the new authors

https://doi.org/10.37390/avancacinema.2025.a647

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Inês Varandas Fernandes

The symphony of (not) belonging: music tales in two coming-of-age films

https://doi.org/10.37390/avancacinema.2025.a631

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Angélica Coutinho

O valor do produto audiovisual – entre o retorno cultural e o retorno financeiro.

https://doi.org/10.37390/avancacinema.2025.a630

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Lardyanne Pimentel Guimarães

The Virtualization of Culture in the Age of Digital Convergence: Networks, Media and Participation in the Network Society

https://doi.org/10.37390/avancacinema.2025.a633

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Gönül Cengiz

Traces of War in Caucasian Cinema: Tangerines (2013) and Nabat (2014)

https://doi.org/10.37390/avancacinema.2025.a629

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Diana de Oliveira Souza Reis, Mateus Costa de Oliveira

Transnationality, Counter-archive and Memory: historical (re)readings in Nelly & Nadine (2022) and Torre das Donzelas (2018)

https://doi.org/10.37390/avancacinema.2025.a639

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Chapitre III _ Cinéma - Communication

Maria Cecília Ribeiro Nunes Nascimento, Andrea Cristina Versuti

Amefricanizing brazilian cinema through the direction of black women

https://doi.org/10.37390/avancacinema.2025.a649

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Isabel Pina

Aurélio da Paz dos Reis: Stereoscopic Photography and Panoramic Visions

https://doi.org/10.37390/avancacinema.2025.a652

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Marta Fiolić, Maria Irene Aparício

Cinema beyond Cinema: The Anthropocene Project as an econarrative

https://doi.org/10.37390/avancacinema.2025.a655

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Francisco Madureira

Cinema, rolling stock: the transitive experiment of Aleksandr Medvedkin’s cine-train (1932)

https://doi.org/10.37390/avancacinema.2025.a648

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Otávio Augusto Castro Risieri, Fabrícia Teixeira Borges

CinePsi: film clubs as a new teaching method in psychology while spreading audio-visual culture.

https://doi.org/10.37390/avancacinema.2025.a650

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William E. Ottowitz III

HEMVFED and The Double Narrative: Theoretical Framework and Initial Evidence

https://doi.org/10.37390/avancacinema.2025.a654

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Fabiana de Barros Monteiro Soares, Thelma Panerai Alves

Participatory culture and the enduring presence of Auto da Compadecida in the collective memory.

https://doi.org/10.37390/avancacinema.2025.a657

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Jaime Aníbal Venegas Gavilanes

Portrait / Self-portrait

https://doi.org/10.37390/avancacinema.2025.a651

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António Manuel Rodrigues Ferreira, Daniel Brandão, Pedro Mota Teixeira

The impact of non-verbal communication in animation: A case study of “Fragmentos” short animated film

https://doi.org/10.37390/avancacinema.2025.a658

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Alfredo José Mainar Causapé, Patricia Fuentes Saguar, Ángeles Cámara Sánchez, Guadalupe Valera Blanes

The impact of the film sector on the Spanish economy: from production to exhibition

https://doi.org/10.37390/avancacinema.2025.a656

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Alina Kuzo

“You remind me of a man”: How the prior knowledge about the director is shaping the viewers’ reception of a film

https://doi.org/10.37390/avancacinema.2025.a653

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Chapitre IV _ Cinéma - Technologie

Pedro Henriques, Pedro Alves da Veiga

Angústia: An Autoethnographic and Phenomenological Analysis of the Documentation of Subjectivity through Artificial Intelligence

https://doi.org/10.37390/avancacinema.2025.a667

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Paulo Barbosa

Challenges and Innovations in Accessing and Researching Oral Memories: The Case of the AMOPC Archive.

https://doi.org/10.37390/avancacinema.2025.a663

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Jorge Humberto Flores Romero, Juan Carlos Lobato Valdespino

Domestic spaces in the cinematic house. “Amores Perros” by Alejandro González Iñárritu.

https://doi.org/10.37390/avancacinema.2025.a664

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Maria Canas, Pedro Cardoso, Sérgio Eliseu

Expanding Expanded Cinema: Audience Agency and Dark Play

https://doi.org/10.37390/avancacinema.2025.a659

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Marta Amorim, Bruno Mendes da Silva

From photographic representation to statistical abstraction: a self-portrait on (in)visibility.

https://doi.org/10.37390/avancacinema.2025.a666

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Francisco Silveira

Gamification in Cinema: the Numbers that God Made in Drowning by Numbers and “Nosedive”

https://doi.org/10.37390/avancacinema.2025.a661

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Alexandre Oliveira Martins, Ana Gavina, António Costa Valente, Bruno Mendes da Silva

“memories in motion: Women and Cinema”: Archive, Montage, and the Poetics of the Audiovisual Essay

https://doi.org/10.37390/avancacinema.2025.a665

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Hugo Paquete

Post-Apocalyptic Negentropy The Intersection of Technology, Environment, and Generative Music in Opera.

https://doi.org/10.37390/avancacinema.2025.a662

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Virgilio Vasconcelos, Suryara Bernardi

Reflections on a Mixed-Method Approach to Animation with Generative AI: Cannibalizing the Tools of Automation in the project AI.D

https://doi.org/10.37390/avancacinema.2025.a668

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Tony Costa

Still teaching on film

https://doi.org/10.37390/avancacinema.2025.a669

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Ersan Ocak

The State of Interactive Documentaries in Turkey Within the Digitalization Process of Documentary Production

https://doi.org/10.37390/avancacinema.2025.a660

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Chapitre V _ Invités

Marc Rigaudis, Gitonga Kiigi

AFRICA...THE PLUG and SISTER AI...

https://doi.org/10.37390/avancacinema.2025.a672

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José da Silva Ribeiro, Ana Beatriz Pimenta de Carvalho, Thelma Panerai Alves

Autobiographies in Anthropology, Cinema, and Education. Between Technologies, Reflexivity, and Interdisciplinarity.

https://doi.org/10.37390/avancacinema.2025.a671

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José da Silva Ribeiro, Carlos Antônio Alves Pontes, Maria José Cavalcanti Freitas, Maria Thereza Didier de Moraes

Cinema: stories that transform

https://doi.org/10.37390/avancacinema.2025.a670

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Narce Dalia Ruiz Guzmán

The presence of women at the Latin American film awards

https://doi.org/10.37390/avancacinema.2025.a673

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Capítulo VI _ Pays invité

Kaoutar Baaj, Elmehdi Boujou, El Arbi El Bakkali, Abdelfattah Lahiala

L’usage de l’intelligence artificielle dans la création de contenus audiovisuels pour les institutions

https://doi.org/10.37390/avancacinema.2025.a675

Mouna HASSANI, Meryem EL YOUSSIFI, Abdelfattah LAHIALA, Moulay Maati Alaoui FANNANE

Le cinéma comme technologie éducative : contribution à l’efficacité de la communication socio-pédagogique

https://doi.org/10.37390/avancacinema.2025.a682

EL MEHDI ETTALABI

Directing the Invisible: AI, Memory, and Rhythm in HEJJAYTI Pt. VII

https://doi.org/10.37390/avancacinema.2025.a686

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Latifa Chahbi

La culture hip-hop comme levier éducatif et d’émancipation dans le cinéma de Nabil Ayouch étude du film Haut et Fort

https://doi.org/10.37390/avancacinema.2025.a679

Kaoutar EL AIDA, Wissal Boulouah, Mohamed Amine Lahiala, Moulay Maati Alaoui Fennane, Abdelfattah Lahiala

Integrating Film in EFL Education: A Catalyst for Effective Communication Skills Development

https://doi.org/10.37390/avancacinema.2025.a674

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AMRANI Oussama, EL BAKKALI El Arbi

La littérature au prisme du cinéma : de Morceaux de choix de Nedali à Les ailes de l’amour de Laraki.

https://doi.org/10.37390/avancacinema.2025.a677

Mariam KERROUDI , Yassin RAZKAOUI

Moroccan Cinema and Audiovisual Policy: Issues, Ambitions, and Practical Constraints

https://doi.org/10.37390/avancacinema.2025.a680

Wissal BOULOUAH, Kaoutar EL AIDA, Houssame NEKHASS, Imane EL KORTBI, Laila DROUICHE, Abdelfettah LAHIALA

Morocco in Cinema: Between Global Fantasies and Local Realities in Shaping Tourism Image Destination

https://doi.org/10.37390/avancacinema.2025.a678

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Oumayma Bouchanine, Moulay Maati Alaoui Fennane, Abdelfattah Lahiala, Kaoutar Baaj, Hatim Mourtadi

Esthétique du montage et soft power sportif : analyser la fabrique visuelle du récit géopolitique marocain (2022–2030)

https://doi.org/10.37390/avancacinema.2025.a676

Sanaa SOUDDATI, Abdelfattah LAHIALA, Moulay maati ALAOUI FANNANE

Le Cinéma comme Acteur Social: Codification, Réception et Enjeux Communicationnels

https://doi.org/10.37390/avancacinema.2025.a683

Meryem EL YOUSSIFI, Mouna HASSANI, Kaoutar EL AIDA, Abdelfattah LAHIALA

L’utilisation des films comme outil pédagogique pour le développement de l’esprit critique des étudiants : une revue conceptuelle

https://doi.org/10.37390/avancacinema.2025.a681

Safae TAOUIL, Abdelfattah LAHIALA

Le théâtre comme levier pédagogique pour le développement des compétences communicationnelles des étudiants : cas des étudiants ISPITS marocains

https://doi.org/10.37390/avancacinema.2025.a685

Fatin SOLEIMANI, Yassin RAZKAOUI

Réalité virtuelle et cinéma éducatif : Vers un enseignement supérieur immersif au Maroc

https://doi.org/10.37390/avancacinema.2025.a684