Tous les titres

191 titres
Gilmar Santana, Walmir Pavam, Miriam de Oliveira Gonçalves

Retratos de afetos cinematográficos numa cidade em mudança.

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a613
Mariana Ramos e Silva, Vítor Quelhas

Revivalismo dos Cartazes de Cinema de 1946–1951.

octobre 30, 2019
https://doi.org/10.37390/ac.v0i0.18
Yi Chen

Ritournelles de la mémoire : autour d’Un grand voyage vers la nuit de Bi Gan

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a249
Luciana Molina

Romance proletário no século XXI: Estudo comparado de Folhas de Outono e O dia que te conheci.

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a614
Miguel Peña Méndez

Seis grados de separación: La gran fábula del mundo del arte

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a623
Alexandra Canaveira de Campos

Show and/or tell: what is the role of historical dance in period cinema? And what memory of the history of dance are we left with?

octobre 30, 2019
https://doi.org/10.37390/ac.v0i0.19
Edward Slopek

Shutter/Shudder to Think: Cinema after Cage

octobre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a386
Veruza de Morais Ferreira, Maria Helena Braga e Vaz da Costa

Simbolismo e Hibridismo Estéticos em Jean-Luc Godard Adeus à Linguagem

octobre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a364
Carla Patrícia Oliveira de Souza

Similitudes entre o filme O Ilusionista (2006) e a instalação A Body of Water (1999) a partir da fantasmagoria

janvier 22, 2025
https://doi.org/10.37390/avancacinema.2024.a570
Nélia Lúcia Fonseca

Sobre Educação, Arte e Vídeoarte: rupturas, resiliência e práticas de ensino/aprendizagem na sala de aula.

octobre 30, 2019
https://doi.org/10.37390/ac.v0i0.20
Pedro Alves da Veiga

Speciesism | Ageism | Racism

octobre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a122
Cíntia Mariza do Amaral Moreira , Ana Carolina de Gouvêa Dantas Motta, Mário Elian, Thaís Yamamoto, Antônio Frederico Moreira Lasalvia

Técnica de fabricação de adobe em oficina artesanal a partir de vídeo documental: um exemplo em Portugal e outro no Brasil

octobre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a123
Ana Císcar Cebriá

The act of seeing with no eyes: a videographic project about visuality as an instrument of power

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a239
Marcos Jiménez González

The aesthetic fascination of the negative character. From expressionist monsters to Breaking Bad

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a240
Abbas MOHAMMADI

The aesthetics of light in Afghan Cinema

octobre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a389
Fabiana de Barros Monteiro Soares, Thelma Panerai Alves

The Artist and the Art in ‘O Guarani’, by José de Alencar, an adaptation by Pedro Pernambuco

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a241
Paulo Alexandre e Castro

The end of cinema as we know it.

octobre 30, 2019
https://doi.org/10.37390/ac.v0i0.21
Chan Ka Lok Sobel

The limitless Possibility of Combination: Filmic Lego Poetics of Storytelling and Structure in Global Film Scriptwriting and Duration

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a244
Nicoleta Călina, Cristiana Călina

The long life of Carlo Collodi’s puppet between literature and cinema. Pinocchio: short excursus through screen adaptations and performances

octobre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a391
Matías López Iglesias

The main character of Ibero-American cinema in the hypermodern model

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a245
Marcia Mansur

The montage of “Cine Rabeca”: music, memory and ethnography in an expanded cinema experience.

octobre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a485
João Dias Ferreira

The Sound of Memory: Musical Analysis of Flashbacks in Film Noir.

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a617
Juan Manuel Ruiz Prieto

Time Travel, Audiovisual Narratives and TV Fiction: The Bootstrap Paradox in BBC’s Doctor Who

octobre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a251
Isac Chateauneuf

Tornar-se interagente-corpóreo: conceituando interação, aprendizagem compartilhada e práticas artísticas em comunidades de fãs

décembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a607
Isac dos Santos Pereira, Maria Ignes Carlos Magno

Travessias do Corpo infantil: Naruto, Vídeos e Performances Nas Aulas de Arte

janvier 22, 2025
https://doi.org/10.37390/avancacinema.2024.a571