Résumé

The text aims - in an impressionistic tone - to recall the construction of a biblically inspired cinematic cycle, guided by the Hollywood achievements of the 1950s and 60s, here, interpreted as the result of a Eurocentric vision, as North American cinema, as well as knowledge European, it has a colonialist and depreciating nature in the East, making it a true Western invention, in Edward Saidian terms.