Chapitre V _ Invités
O Acossado e o cinema moderno da desmistificação godardiana
Résumé
The French film “À bout de souffle” (Acossado, 1959) directed by Jean-Luc Godard represents the transgression of social, political and aesthetic norms. Having begun a new cycle in twentieth-century cinematography, this film questions, explains, and parodies American gangster films. We intend, here, to interpret them on their foundations and aesthetic results.
Mots-clés : Array, Array, Array, Array.
https://doi.org/10.37390/avancacinema.2020.a200
Références

Ce travail est disponible sous la licence Creative Commons Attribution 4.0 International .
Merci de créditer les auteurs lors de toute citation : AVANCA | CINEMA (2020)

