Résumé

The intention of the text that follows seeks to reflect on the self-explanatory desires of the artistic direction of the Brazilian film, recently made by Elizeu Ewald, Entre Macacos e anjos (2019) and the results obtained by his edited images, under the different optics, of the diegétic dialectic to the merely dramatic, in terms of common narrative, in challenging the viewer to demystify the kinetic text.