Cine - Comunicación

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135 elementos
Fabiana de Barros Monteiro Soares, Thelma Panerai Alves

Participatory culture and the enduring presence of Auto da Compadecida in the collective memory.

diciembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a657
Gregorio Albuquerque

Pensar pela imagem: educação audiovisual pela perspectiva cultural, política e pedagógica

octubre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a445
Vahid Rajabi, Afsaneh Nazeri, Samira Khodabakhshi

Perspectives of Intertextuality in Cinema, with Special References to the Work of Kristeva, Barthes, and Jenny: A Comparative Study

octubre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a528
Gabriela Santos Alves, Karolyne Mendes Gomes, Rosane Vasconcelos Zanotti

Pertencimento e (sobre)vivência nas cidades: análise do documentário Chega de Fiu Fiu (2018), de Amanda Kamanchek e Fernanda Frazão

octubre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a423
Jaime Aníbal Venegas Gavilanes

Portrait / Self-portrait

diciembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a651
Marco Sironi, Nicolò Ceccarelli

Prison Views: Rethinking the Moving Image in the era of transmedia communication.

octubre 30, 2019
https://doi.org/10.37390/ac.v0i0.65
Sílvia R. B. Pinto , Bruna Banon

Questões de género desconstruídas a partir de fragmentos de animação

octubre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a329
Lucas Waltenberg, Marcela Soalheiro

Reencontros entre audiência e narrativas na adaptação do jogo “The Last of Us”

enero 22, 2025
https://doi.org/10.37390/avancacinema.2024.a590
Maria Marta Amancio Amorim, Maria Natália Ramos, Maria da Conceição Ramos

Representações sociais da alimentação retratadas em Festa de Babette

enero 22, 2025
https://doi.org/10.37390/avancacinema.2024.a591
Naouar kidari, El Bakkali El Arbi

Représentations du corps dans le cinéma marocain contemporain : désir, silence et normes sociales dans Le Bleu du caftan

septiembre 3, 2026
https://doi.org/10.37390/avancacinema.2026.a763
Anna Ter-Gabrielyan

Resisting the Canvas of Soviet Ideology: Analysing Dissent and Despair in Albert Mkrtchyan’s ‘The Song of the Old Days’ (1982)

enero 22, 2025
https://doi.org/10.37390/avancacinema.2024.a592
Svea Kröner

Se Não Me Falha a Memória. Catalogação de acervo fotográfico para longa-metragem familiar

septiembre 3, 2026
https://doi.org/10.37390/avancacinema.2026.a760
Rosa Schrott, Marcela Negro

Sobre la enseñanza y el aprendizaje de la escritura audiovisual

octubre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a436
Carlos Mauricio Gómez

Sociedad, segregación y libertad: La transformación de la imagen femenina en el cine iraní

octubre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a438
Teresa Gouveia, Ana Oliveira

Storytelling audiovisual: práticas de consumo de estudantes do ensino superior

octubre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a319
Pedro Alves da Veiga

The Cinematic Selfie: Questioning the Self through Generative Art

octubre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a439
Filipe Pereira

The documentary film as a tool for the ethnography of performance

octubre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a181
Chan Ka Lok Sobel

The Dynamic Aesthetics, Locality and Dehybrid Style of Hong Kong Cinema facing the Recovery of Post-Pandemic Period.

octubre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a530
Moqadassa SARWARI, Abbas MOHAMMADI

The effect of cinema on human social behavior

octubre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a531
Noni Geiger

The Eschatological Screen

enero 22, 2025
https://doi.org/10.37390/avancacinema.2024.a593
António Manuel Rodrigues Ferreira, Daniel Brandão, Pedro Mota Teixeira

The impact of non-verbal communication in animation: A case study of “Fragmentos” short animated film

diciembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a658
Fuad Halwani

The Trickster in Serialized Television: An Anti-hero of Postmodern Mythologies

octubre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a182
Radhika Khanna, Hervé Zénouda, Tathagata Mitra

The Two Levels of the Treatment of Time in Christopher Nolan’s Films: The Narrative and Its Cinematic Treatment

septiembre 3, 2026
https://doi.org/10.37390/avancacinema.2026.a766
Francisco Malta, Thiago Barboza

TRUE CRIME: Era uma vez um crime

octubre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a536
Eliane Gordeeff

Um Duplo Olhar Sobre As Imagens Animada e Filmada

octubre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a316