Cine - Cine

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241 elementos
Hugo Nogueira Neto, Sandra Regina Nunes Chaves

Faroeste brasileiro: a boi, a bala e a bíblia.

octubre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a147
Fabiana Wielewicki, Guy Amado

Ficção e fricção: imagens da Amazónia no cinema internacional

octubre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a148
Jose Francisco Serafim, Regina Gloria Andrade , Natalia Ramos

Ficções do real no documentário Era o Hotel Cambridge - Eliana Caffé (2016)

octubre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a405
Katrin Pieper

Filmes cortados e legendas manipuladas: A censura de filmes estrangeiros durante o Estado Novo

octubre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a403
Marcos De Bona de Carvalho

Filosofia e psicologia na obra de Charlie Kaufman

octubre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a291
Yorgos Drosos , Stella Klimatsaki

Flesh and Blood: Generic Monstrosities in Contemporary Greek Film

octubre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a406
Quentin Mur

Folds, Cracks, splits of the Subject. Otto e mezzo or the discovery of an authenticity of cinema

octubre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a276
Fausto Cruchinho

Fora de campo e Campo sonoro em Cinema

octubre 30, 2019
https://doi.org/10.37390/ac.v0i0.35
Roberta Veiga

Formas de Insubordinação Cinematográfica aos Mitos da Maternidade: método, pesquisa e inventário

octubre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a407
Regina Glória Andrade , José Francisco Serafim, Sandra Straccialano Coelho

Fragmentos da autoria feminina no cinema brasileiro: considerações sobre o cinema de carla Civelli (1921-1977)

octubre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a277
Regina Glória Andrade, Jose Francisco Serafim, Sandra Straccialano Coelho

Fragmentos da autoria feminina no cinema brasileiro: considerações sobre o cinema de Gilda de Abreu (1904 - 1979)

octubre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a149
Pedro Afonso, José Alberto Pinheiro

Fritz Lang: o Mundo pelo monóculo do Modernismo.

octubre 30, 2019
https://doi.org/10.37390/ac.v0i0.36
Eva Vitija, Annette Brütsch, Christian Iseli

GADGETS, PHONES AND DRONES Multi-Perspective Documentary Storytelling

octubre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a150
Jailan Mahmoud Sharaf

Health Knowledge, Awareness & Social Stigma as Reflected in Egyptian Drama - HIV/AIDS as Paradigm

octubre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a278
Nikbanoo Ardalan

Homebound Documentaries: A Reflection upon the Significance of Self-reflexive Cinema in the Digital Age

octubre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a280
Giulianna Nogueira Ronna, Cristiane Freitas Gutfreind

Imagens por vir: a reinscrição política no documentário Brasileiro contemporâneo.

octubre 30, 2022
https://doi.org/10.37390/avancacinema.2022.a408
Ana Catarina Pereira, Ana Isabel Soares, Julia Marques

Imperfect Being(s): The creation process in the autobiographic documentary Teko Haxi

diciembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a640
Sigmund Trageton

In the pursuit of the authentic cinema. A comparative study of two films about the 22. July 2011 terrorist attack in Norway

octubre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a151
Amin Mokhtari, Farzad Khoshnoodan

In-depth analysis of challenges facing the movie industry in the pandemic era and its competition with VOD platforms

octubre 30, 2023
https://doi.org/10.37390/avancacinema.2023.a498
Francisco-Julián Martínez-Cano

Innovaciones digitales en la práctica cinematográfica de principios del siglo XXI: el caso de The Mandalorian

octubre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a271
Laís Bravo Serra

Interseções entre Cinema e Pintura em Maria Antonieta de Sofia Coppola

octubre 30, 2020
https://doi.org/10.37390/avancacinema.2020.a152
Sheida Sheikhha, Bruno Grandino

Introducing Miss Havisham: A Comparative Analysis of Different Adaptations of Great Expectations.

diciembre 16, 2025
https://doi.org/10.37390/avancacinema.2025.a646
Marcello Zeppi

Italian Identities – Stories and Memories of the Community

octubre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a282
Mauricio Mario Monteiro, Ricardo Tsutomu Matsuzawa

Jornada nas Estrelas: feminismo e identidade no caso de Nyota Uhura

octubre 30, 2021
https://doi.org/10.37390/avancacinema.2021.a297
Aidouni Samah

La Cinémathèque au Maroc : reconfiguration économique, pluralité institutionnelle et mission patrimoniale nationale

septiembre 3, 2026
https://doi.org/10.37390/avancacinema.2026.a745