Resumo

This study aims to examine the relationship between cinema and communication, by foregrounding the communicative dimension of cinema and its capacity to transmit ideas, values, and influence collective consciousness. Contrary to the traditional view that associates cinema primarily with visual entertainment, this research addresses the communicative aspect of cinematic art, considering it a mass-mediated and symbolically coded discourse received by a culturally and socially diverse audience. Through the lens of mass communication theory, the study reveals that film is not merely an aesthetic product but a social discourse that utilizes imagery, language, and symbols to fulfill cognitive, emotional, and ideological functions. The study is structured around four main axes: First, the theoretical framework, which situates cinema within the mass communication system, drawing on key concepts such as the linear communication model (Shannon and Weaver 1949) and the encoding/decoding theory (Hall 1980). Second, the historical development of cinema as a tool for social communication, from silent films to the digital era, with attention to its use in propaganda, development, and social critique. Third, analyzing cinematic elements that contribute to conveying social messages, particularly the screenplay, visual composition, language, and symbolism. Fourth, a case study of selected Arab and international films, such as The Yacoubian Building (Egypt) and Parasite (South Korea), to illustrate how cinema functions as a communicative discourse in the service of social issues. The study also explores the interactive relationship between cinema and the viewer, based on the interpretation and reconstruction of meaning. A cinematic message is not understood in isolation, but rather reinterpreted through the viewer’s cultural framework, opening up a discussion on levels of reception and dynamics of influence. The case studies show that films can stimulate public debate, shape opinion, and even contribute to social change. The study concludes that, due to its audiovisual nature, cinema is one of the most powerful media for creating emotional and cultural communication across social boundaries.