Resumo

The dialogues undertaken by the various forms of artistic expression characterize the entire history of humanity. In the twentieth century it is clear the influence of the media and technical devices in research and artistic creations. Dance has also, in different ways and styles, undergone significant changes. Both in its artistic and in the educational and social context, it uses the whole evolution of media in their creations, from those who already belonged to the dance, historically, as lighting and music, to the more recent use of cameras, image projectors and other technological means. This paper investigates the intermedial relations between dance, image, theater and music in the spectacles of Ormeo Company, a dance collective situated in the city of Cataguases (state of Minas Gerais, Brazil) and that placed in the contemporary dance dialogue, theater, music and audiovisual media by means of the image projection. This paper analyzes the work A woman dressed in the sun (2007), using the concept of intermediality, theorized by various authors and especially Irina Rajewsky. Ormeo Company’s spectacles have intermedial characteristics, since many artistic elements are interconnected through dance. Thus, the choreography and spectacles created by Ormeo can be said to enhance the aesthetic characteristics of theater, through its representations; music, through the differential treatment of voice and sounds and audiovisual through the image-body dialogue.